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Mantegna & Bellini (cat. exp., Londres, National Gallery, 1 octobre 2018 - 27 janvier 2019; Berlin, Gemäldegalerie, 1 mars - 30 juin 2019)

by Caroline Campbell, Giovanni Bellini, Gemäldegalerie Berlin, Andrea De Marchi, Andrea Mantegna1 more, London National Gallery

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Andrea Mantegna (c. 1431-1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for landscape painting, this fascinating volume examines how these two artists, who were also brothers-in-law, influenced and responded to each other's work. Full of new insights and captivating juxtapositions-including comparisons of each of the artist's depictions of the Agony in the Garden and the Presentation to the Temple-this study reveals that neither Mantegna's nor Bellini's achievements can be fully understood in isolation and that their continuous creative exchanges shaped the work of both.… (more)
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Author nameRoleType of authorWork?Status
Caroline Campbellprimary authorall editionscalculated
Bellini, Giovannimain authorall editionsconfirmed
Berlin, Gemäldegaleriemain authorall editionsconfirmed
De Marchi, Andreamain authorall editionsconfirmed
Mantegna, Andreamain authorall editionsconfirmed
National Gallery, Londonmain authorall editionsconfirmed
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From the perspective of the twenty-first century, when personal celebrity is all-important, and we are accustomed to famous artists and architects, it is hard to conceive of the centrality of family relations to artistic production in the Renaissance.
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Andrea Mantegna (c. 1431-1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for landscape painting, this fascinating volume examines how these two artists, who were also brothers-in-law, influenced and responded to each other's work. Full of new insights and captivating juxtapositions-including comparisons of each of the artist's depictions of the Agony in the Garden and the Presentation to the Temple-this study reveals that neither Mantegna's nor Bellini's achievements can be fully understood in isolation and that their continuous creative exchanges shaped the work of both.

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