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Tales of Natural and Unnatural Catastrophes…
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Tales of Natural and Unnatural Catastrophes (original 1987; edition 1994)

by Patricia Highsmith

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2593104,098 (3)2
In this eerily up-to-date collection, Highsmith's incisive prose chronicles a world gone slightly mad, its catastrophes precipitated by human folly and excess. From the White House under siege by the homeless to a 190-year-old woman perpetually near death and dimly glowing, each tale unfolds the illogical extremes of humanity in the late twentieth century. Highsmith transmogrifies the face of daily existence to lay bare its manifold dark motives. These stories leave us haunted with "afterimages that will tremble--but stay--in our minds" (The New Yorker).… (more)
Member:Elishebaez
Title:Tales of Natural and Unnatural Catastrophes
Authors:Patricia Highsmith
Info:Atlantic Monthly Press (1994), Paperback, 192 pages
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Tales of Natural and Unnatural Catastrophes by Patricia Highsmith (1987)

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Danish (1)  Spanish (1)  English (1)  All languages (3)
Contains:
The mysterious cemetery --
Moby Dick II, or, The missile whale --
Operation Balsam, or, Touch-me-not --
Nabuti --
Sweet freedom! And a picnic on the White House lawn --
Trouble at the Jade Towers --
Rent-a-Womb vs. themighty right --
No end in sight --
Sixtus VI, Pope of the Red Slipper --
President Buck Jones rallies, and waves the flag.
  Lemeritus | Dec 4, 2021 |
no reviews | add a review

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On the outskirts of the small town of G-- in eastern Austria lies a mysterious cemetery hardlu an acre in size, filled wit the remains of paupers for the most part, their places marked by nothing at all, or at best by tombstone fragments now all in the wrong spots.
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In this eerily up-to-date collection, Highsmith's incisive prose chronicles a world gone slightly mad, its catastrophes precipitated by human folly and excess. From the White House under siege by the homeless to a 190-year-old woman perpetually near death and dimly glowing, each tale unfolds the illogical extremes of humanity in the late twentieth century. Highsmith transmogrifies the face of daily existence to lay bare its manifold dark motives. These stories leave us haunted with "afterimages that will tremble--but stay--in our minds" (The New Yorker).

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