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The Laughing One: A Journey to Emily Carr (2001)

by Susan Crean

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"Elegantly written, thoughtful, and challenging, The Laughing One sheds new light on Carr’s career. More importantly, though, Crean takes the reader on a journey through a nation’s relationship not only with Carr and her work, but with the First Nations and the land itself."

 
Emily Carr is a highly readable if quirky book that defies easy categorization
 
"Susan Crean’s book on Carr is several things at once, none of them drab: a fictionalized biography, a history textbook, a travelogue, a feminist tract, an ecological treatise, a plea for Aboriginal rights, and a reporter’s notebook."

 
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Much has been written about Emily Carr, seminal Canadian artist; eccentric and cantankerous woman; and “appropriator” of native culture, but few have explored how and why Carr has become a national touchstone, an icon who has helped us define who we are as Canadians. Writer, art historian and cultural critic Susan Crean does just that in the Emily Carr biography The Laughing One, a fresh and unique investigation of Emily Carr and her influence. Crean uses a multi-layered structure that combines historical research, including never-before-published material; fictionalized accounts of key events in Carr’s life; and the author’s own forays into Carr territory, reflecting on the startling connections between Carr’s nineteenth-century sensibility and our present concerns with the environment; assimilation and destruction of native culture; spirituality; and identity.

Crean probes our fascination with Carr: Why was it that a 1913 showing of Carr’s work went virtually ignored, while in 1927 — with a minimal change in style — her work was the star of a National Gallery exhibition, eclipsing even the Group of Seven? What was the meaning of the traumatic break with her father and her rejection of marriage? Why and how did a fledgling Canadian identity embrace her vibrant, often forbidding, landscapes?

Much more than a biography, The Laughing One will be an important new contribution to the world of Canadian art and cultural history and a thoroughly entertaining and insightful read.
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