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This series of entwined biographical sketches recounts how, in the Romantic Era, love affairs, often illicit, were transformed into novels, memoirs, and published correspondences. We make the intimate acquaintance of great writers like Mme de Stae?l, Chateaubriand, George Sand, and Anatole France, who, however, fall gradually under the suspicion of pursuing their amorous entanglements for "good material." The tale ends with a moving account, based on unpublished sources, of the strange, intense friendship of Marcel Proust and Jeanne Pouquet, the girl who became the model for Gilberte in Swann's