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Joey the Hitman: The Autobiography of a…
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Joey the Hitman: The Autobiography of a Mafia Killer (Adrenaline Classics Series) (edition 2002)

by David Fisher (Author)

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551477,738 (3.93)1
Following up on the success of the Adrenaline title Mob: Stories of Death and Betrayal from Organized Crime, Adrenaline Classics brings back the New York Times bestseller (originally published as Killer) that helped pave the way for the latest generation of nouveau-mob stories, from Donnie Brasco to The Sopranos. "Joey"--a journeyman Jewish hitman, numbers king, and loan shark--collaborated with David Fisher (co-editor of the hit Adrenaline title Wild Blue) to lay out the rackets in gripping detail. His story includes detailed accounts of his chillingly "professional" murders of thirty-eight victims. The strong sales of Mob are further evidence that the best mafia stories--and this is one of the best--capture the public's interest. Joey the Hitman's original best-seller status reflects the quality of the writing, the frank intelligence of the subject/writer, and Joey's convincingly matter-of-fact, regular-guy tone. When he writes, debunking The Godfather, "... Actually very few mob members even have Bronx-Italian accents ... a lot of mob people are not very tough, the people we meet and deal with are very ordinary, most of us stay home at night and watch TV, and we only shoot each other when absolutely necessary," you know you're listening to the original Soprano. This edition includes a new afterword from David Fisher, who for the first time reveals Joey's identity and the incredible story of how Joey finally died.… (more)
Member:smp1219
Title:Joey the Hitman: The Autobiography of a Mafia Killer (Adrenaline Classics Series)
Authors:David Fisher (Author)
Info:Da Capo Press (2002), Edition: Reprint, 288 pages
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Joey the Hitman: The Autobiography of a Mafia Killer (Adrenaline Classics Series) by Joey

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The clear message of this quite fascinating book is that crime could not exist without the compliance of “honest” citizens and the connivance of the police. “I’m supposed to be an evil man. I’m supposed to be eliminated so people can walk the streets at night. Not only is that bullshit, that’s the worst hypocrisy I’ve ever heard. Without your so-called honest citizen I would cease to exist. He’s my customer and my employer. . . As soon as the American decides he is willing to pay the full price for merchandise, willing to follow all the laws, willing to stop gambling and playing around on the side, I’m gone. I can’t survive.” He was heavily involved in gambling, loansharking, and prostitution -- the contract killing was just a sideline. “If there is one thing I’m going to stress in this book; it’s that you cannot legislate morals; don’t try. The people want prostitution, let them have prostitution. . . Let man be the master of his own fate. The minute you tell a man he is not allowed to do something, you’ve just created a brand-new business. Because I’m gonna be there to help him do it — just as often as he can afford.”
There is so much money involved in these criminal activities that the police become willing participants. Not just by taking payments under the table, but also by creating huge new bureaucracies and budgets to help fight crime. Joey’s point is that the state, by legalizing and regulating, could make the streets safer and save everyone a lot of money in taxes, but much of the resistance to legalization comes from the so-called honest citizen who is making a lot of money through the existence of crime. “Without corrupt politicians and the help of the police organized crime could not exist. It’s a simple as that. They are the people who allow us to operate, they are the people who grease the wheels.” Organizational hubris is also of benefit to the criminal. “One reason the FBI isn’t as effective as it might be is that in many cases they have to work with local police and more often than not they end up fighting against each other. There is just no clear jurisdiction most of the time. The federal agents could save themselves a lot of grief if they learned to work with cops, but they never will and that’s why the FBI just isn’t that effective. . . .As far as federal agents go, we fear the Treasury people much more than anyone else because they can nail you on your taxes. . . And I don’t know one of these agents that has ever been gotten to.”
Joey obviously had a sense of humor, too, albeit perverted. He was in the army, sent there by a judge for juvenile crimes, for a while, making sergeant four times, but he kept getting busted for some of the silliest reasons. For example, he was given a form with a list of organizations and was asked on the form if he “belonged to a party that is trying to overthrow the government of the United States?” He replied, “Yes,” and was called to the colonel’s office. “I told them, ‘I’m a Republican and we’re trying to get Truman out of there.’ Looking back, I have to admit it seemed funnier then.” ( )
  ecw0647 | Sep 30, 2013 |
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Joeyprimary authorall editionsconfirmed
Fisher, Davidmain authorall editionsconfirmed
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Following up on the success of the Adrenaline title Mob: Stories of Death and Betrayal from Organized Crime, Adrenaline Classics brings back the New York Times bestseller (originally published as Killer) that helped pave the way for the latest generation of nouveau-mob stories, from Donnie Brasco to The Sopranos. "Joey"--a journeyman Jewish hitman, numbers king, and loan shark--collaborated with David Fisher (co-editor of the hit Adrenaline title Wild Blue) to lay out the rackets in gripping detail. His story includes detailed accounts of his chillingly "professional" murders of thirty-eight victims. The strong sales of Mob are further evidence that the best mafia stories--and this is one of the best--capture the public's interest. Joey the Hitman's original best-seller status reflects the quality of the writing, the frank intelligence of the subject/writer, and Joey's convincingly matter-of-fact, regular-guy tone. When he writes, debunking The Godfather, "... Actually very few mob members even have Bronx-Italian accents ... a lot of mob people are not very tough, the people we meet and deal with are very ordinary, most of us stay home at night and watch TV, and we only shoot each other when absolutely necessary," you know you're listening to the original Soprano. This edition includes a new afterword from David Fisher, who for the first time reveals Joey's identity and the incredible story of how Joey finally died.

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