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Staging the Renaissance

by David Scott Kastan (Editor/Contributor), Peter Stallybrass (Editor/Contributor)

Other authors: Catherine Belsey (Contributor), Random Cloud (Contributor), Jonathan V. Crewe (Contributor), Jonathan Dollimore (Contributor), Sara Eaton (Contributor)16 more, Margaret W. Ferguson (Contributor), Marjorie Garber (Contributor), Jonathan Goldberg (Contributor), Stephen J. Greenblatt (Contributor), Jean E. Howard (Contributor), Lisa Jardine (Contributor), Ann Rosalind Jones (Contributor), Peggy Ann Knapp (Contributor), Leah S. Marcus (Contributor), Steven Mullaney (Contributor), Karen Newman (Contributor), Stephen Orgel (Contributor), Annabel Patterson (Contributor), James Shapiro (Contributor), Leonard Tennenhouse (Contributor), Frank Whigham (Contributor)

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The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.… (more)
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Author nameRoleType of authorWork?Status
Kastan, David ScottEditor/Contributorprimary authorall editionsconfirmed
Stallybrass, PeterEditor/Contributormain authorall editionsconfirmed
Belsey, CatherineContributorsecondary authorall editionsconfirmed
Cloud, RandomContributorsecondary authorall editionsconfirmed
Crewe, Jonathan V.Contributorsecondary authorall editionsconfirmed
Dollimore, JonathanContributorsecondary authorall editionsconfirmed
Eaton, SaraContributorsecondary authorall editionsconfirmed
Ferguson, Margaret W.Contributorsecondary authorall editionsconfirmed
Garber, MarjorieContributorsecondary authorall editionsconfirmed
Goldberg, JonathanContributorsecondary authorall editionsconfirmed
Greenblatt, Stephen J.Contributorsecondary authorall editionsconfirmed
Howard, Jean E.Contributorsecondary authorall editionsconfirmed
Jardine, LisaContributorsecondary authorall editionsconfirmed
Jones, Ann RosalindContributorsecondary authorall editionsconfirmed
Knapp, Peggy AnnContributorsecondary authorall editionsconfirmed
Marcus, Leah S.Contributorsecondary authorall editionsconfirmed
Mullaney, StevenContributorsecondary authorall editionsconfirmed
Newman, KarenContributorsecondary authorall editionsconfirmed
Orgel, StephenContributorsecondary authorall editionsconfirmed
Patterson, AnnabelContributorsecondary authorall editionsconfirmed
Shapiro, JamesContributorsecondary authorall editionsconfirmed
Tennenhouse, LeonardContributorsecondary authorall editionsconfirmed
Whigham, FrankContributorsecondary authorall editionsconfirmed
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For thirty years, no new, wide-ranging anthology of essays on non-Shakespearean Renaissance drama has appeared to replace R. J. Kaufmann's Elizabethan Drama (1961) or Max Bluestone and Norman Rabkin's Shakespeare's Contemporaries (1962); yet during that time there has been a remarkable quantity of important new work in the field and, perhaps as crucially, a signficant shift in the very ways in which the drama is conceived and approached.
(Part I)

On July 21, 1557, two men were conveyed out of London and ferried across the Thames to a hospital located on the outskirts of Southwark.
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The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.

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