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War and the Iliad by Simone Weil
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War and the Iliad (edition 2005)

by Simone Weil (Author)

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360172,402 (3.96)2
Simone Weil's The Iliad, or the Poem of Force is one of her most celebrated works an inspired analysis of Homer's epic that presents a nightmare vision of combat as a machine in which all humanity is lost. First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil's whose work similarly explored the complex relations between literature, religion, and philosophy. This edition brings together these two influential essays for the first time, accompanied by Benfey's scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.… (more)
Member:Robbie1970
Title:War and the Iliad
Authors:Simone Weil (Author)
Info:NYRB Classics (2005), Edition: TRA, 121 pages
Collections:Your library, Currently reading
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War and the Iliad by Simone Weil

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This soaring and glorious meditation on the Iliad made me feel I’d learned something that only Simone Weil could teach me. In a way though it made me sad to read this essay, because I realized once again how few women write like this, absolutely sure of their superior intellect and expertise, and with absolute authority, and without a hint of apology for taking command of their thesis and telling the reader what’s what. No throat clearing clauses like “I’m not sure but” or “It’s possible that…”. Just a rush of knowledge written without doubt or equivocation.

Susan Sontag wrote this way. So did Gertrude Stein. Camille Paglia writes this way. In her case I disagree with most of what she writes but I still love what I would call her …a word comes to mind…see, here is the problem, the word that comes to mind is “I love her ballsy-ness.” My language for the act of writing with unapologetic authority is corrupted by a learned cultural sense that to write this way is inherently male. That's bad. ( )
  poingu | Feb 22, 2020 |
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Author nameRoleType of authorWork?Status
Simone Weilprimary authorall editionscalculated
Bespaloff, Rachelmain authorall editionsconfirmed
Benfey, ChristopherIntroductionsecondary authorsome editionsconfirmed
Broch, HermannAfterwordsecondary authorsome editionsconfirmed
McCarthy, MaryTranslatorsecondary authorsome editionsconfirmed
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Originally published as two separate essays: L'Iliade ou le poème de la force/Simone Weill; De l'Iliade / Rachel Bespaloff. Now published together and translated into English.
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Simone Weil's The Iliad, or the Poem of Force is one of her most celebrated works an inspired analysis of Homer's epic that presents a nightmare vision of combat as a machine in which all humanity is lost. First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil's whose work similarly explored the complex relations between literature, religion, and philosophy. This edition brings together these two influential essays for the first time, accompanied by Benfey's scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.

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War and the Iliad is a perfect introduction to the range of Homer's art as well as a provocative and rewarding demonstration of the links between literature, philosophy, and questions of life and death.

Simone Weil's The Iliad, or the Poem of Force is one of her most celebrated works--an inspired analysis of Homer's epic that presents a nightmare vision of combat as a machine in which all humanity is lost. First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil's whose work similarly explored the complex relations between literature, religion, and philosophy. She composed her own distinctive discussion of the Iliad in the midst of World War II--calling it "her method of facing the war"--and, as Christopher Benfey argues in his introduction, the essay was very probably written in response to Weil. Bespaloff's account of the Iliad brings out Homer's novelistic approach to character and the existential drama of his characters' choices; it is marked, too, by a tragic awareness of how the Iliad speaks to times and places where there is no hope apart from war.

This edition brings together these two influential essays for the first time, accompanied by Benfey's scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.
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