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The Perfect Wrong Note: Learning to Trust…
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The Perfect Wrong Note: Learning to Trust Your Musical Self (edition 2003)

by William Westney

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952288,485 (4.09)None
(Amadeus). In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach.… (more)
Member:ddc0oi
Title:The Perfect Wrong Note: Learning to Trust Your Musical Self
Authors:William Westney
Info:Amadeus Press (2003), Hardcover
Collections:Your library
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The Perfect Wrong Note: Learning to Trust Your Musical Self by William Westney

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Straightforward, pragmatic and inspirational. I will return to this book regularly, I am sure. What a relief to read suggestions with no BS attached - just viable, solid advice. Not at all stuffy and in recognition that "hey folks, music is sposed to be fun, remember?" ( )
  shaundeane | Sep 13, 2020 |
This book reinforces the idea that it is OK to make mistakes - a good thing, since I make a lot of them. Surprising how many musicians subscribe to the cult that mistakes in practice are bad. The best example in the book is that of a child learning to feed itself - they make a mess, and yet they learn how to be an expert in no time. To practice so carefully that no mistakes are made doesn’t work for me as a practice technique. Better to play with energy and enthusiasm and plenty of wrong notes - then correct them. ( )
2 vote samfsmith | Nov 1, 2008 |
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(Amadeus). In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach.

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