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Gifts from the ancestors : ancient ivories of Bering Strait

by William W. Fitzhugh (Editor and Contributor), Aron L. Crowell (Editor and Contributor), Julie Hollowell (Editor and Contributor), Princeton University Art Museum (Corporate Author)

Other authors: Robert E. Ackerman (Contributor), Herbert O. Anungazuk (Contributor), Sergei A. Arutiunov (Contributor), Hans-Georg Bandi (Contributor), Mikhail M. Bronshtein (Contributor)12 more, Yvon Csonka (Contributor), Kiril A. Dneprovsky (Contributor), Don E. Dumond (Contributor), Galina Dyachkova (Contributor), Ann Fienup-Riordan (Contributor), Carol Zane Jolles (Contributor), Lars Krutak (Contributor), Owen K. Mason (Contributor), Hansjürgen Müller-Beck (Contributor), Valeri N. Nypevgi (Contributor), G. Carleton Ray (Contributor), Susie Silook (Contributor)

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The appearance during the first millennium A.D. of small, exquisitely carved artifacts of walrus ivory in the Bering Strait region marks the beginning of an extraordinary florescence in the art and culture of North America. The discovery in the 1930s and 1940s of world-class carvings of animals, mythical beasts, shape-shifting creatures, masks, and human figurines astounded scholars and excited collectors. Nevertheless, the extraordinary objects that belong to this fascinating, sometimes frightening, world of hunting-related art remain largely unknown.   Gifts from the Ancestors  examines ancient ivories from the coast of Bering Strait, western Alaska, and the islands in between--illuminating their sophisticated formal aesthetic, cultural complexity, and individual histories. Many of the pieces discussed are from recent Russian excavations and are presented here for the first time in English; others are from private collections not usually open to the public. The essays, written by an international group of scholars, adopt a refreshing interdisciplinary approach that gives voice to the various competing, and now sometimes cooperating, stakeholders, including Native groups, museums, archaeologists, art historians, art dealers, and private collectors.… (more)
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Author nameRoleType of authorWork?Status
Fitzhugh, William W.Editor and Contributorprimary authorall editionsconfirmed
Crowell, Aron L.Editor and Contributormain authorall editionsconfirmed
Hollowell, JulieEditor and Contributormain authorall editionsconfirmed
Princeton University Art MuseumCorporate Authormain authorall editionsconfirmed
Ackerman, Robert E.Contributorsecondary authorall editionsconfirmed
Anungazuk, Herbert O.Contributorsecondary authorall editionsconfirmed
Arutiunov, Sergei A.Contributorsecondary authorall editionsconfirmed
Bandi, Hans-GeorgContributorsecondary authorall editionsconfirmed
Bronshtein, Mikhail M.Contributorsecondary authorall editionsconfirmed
Csonka, YvonContributorsecondary authorall editionsconfirmed
Dneprovsky, Kiril A.Contributorsecondary authorall editionsconfirmed
Dumond, Don E.Contributorsecondary authorall editionsconfirmed
Dyachkova, GalinaContributorsecondary authorall editionsconfirmed
Fienup-Riordan, AnnContributorsecondary authorall editionsconfirmed
Jolles, Carol ZaneContributorsecondary authorall editionsconfirmed
Krutak, LarsContributorsecondary authorall editionsconfirmed
Mason, Owen K.Contributorsecondary authorall editionsconfirmed
Müller-Beck, HansjürgenContributorsecondary authorall editionsconfirmed
Nypevgi, Valeri N.Contributorsecondary authorall editionsconfirmed
Ray, G. CarletonContributorsecondary authorall editionsconfirmed
Silook, SusieContributorsecondary authorall editionsconfirmed
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The appearance during the first millennium A.D. of small, exquisitely carved artifacts of walrus ivory in the Bering Strait region marks the beginning of an extraordinary florescence in the art and culture of North America. The discovery in the 1930s and 1940s of world-class carvings of animals, mythical beasts, shape-shifting creatures, masks, and human figurines astounded scholars and excited collectors. Nevertheless, the extraordinary objects that belong to this fascinating, sometimes frightening, world of hunting-related art remain largely unknown.   Gifts from the Ancestors  examines ancient ivories from the coast of Bering Strait, western Alaska, and the islands in between--illuminating their sophisticated formal aesthetic, cultural complexity, and individual histories. Many of the pieces discussed are from recent Russian excavations and are presented here for the first time in English; others are from private collections not usually open to the public. The essays, written by an international group of scholars, adopt a refreshing interdisciplinary approach that gives voice to the various competing, and now sometimes cooperating, stakeholders, including Native groups, museums, archaeologists, art historians, art dealers, and private collectors.

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