Toby Ball

Interessante Prämisse: ein Noir-Krimi in einer fiktiven Metropole der 1930er (New York läßt grüßen). Korrupte Politiker, Bandenkriege, Bomben und Anarchisten. Mittendrin ein investigativer Journalist, eine bildhübsche Jazzsängerin, ein Privatdetektiv und eine Gewerkschaftsaktivistin und, nicht zu vergessen, ein Archivar, der über das labyrinthische Polizeiarchiv (The Vault) wacht, und dem etwas komisch vorkommt.

Insgesamt durchaus angenehm zu lesen mit vielen schnellen Wechseln des POV; einige Logiklöcher und manchmal etwas zu viel tell und zu wenig show. Würde einen guten Schwarz-Weiß-Film abgeben.… (more)

Some really good ideas here. The alternative past with no obvious big change having happened is interesting. The power not just of information, but the power of organization--the ability to find what you want and to relate one bit of data to another. The setting--a kind of 1930s or 40s city, corrupt and heavily divided by race, class, ethnicity and use--is well and not-too-sentimentally done. Ball is very, very good at creating a sense of atmosphere. Though his "City" is generic, there seems to been a lot of research dumped into this project, and Ball uses it to great effect here.

Also has more than a whiff of the novels of the era he is re-creating here--socially conscious, with an unstable mixture of cynicism and hope.

In keeping with some of the books in that tradition, politics is very much to the forefront and, here, unfortunately, very much at the level of juvenilia. (Not that I disagree with it, just that there's not an ounce of insight in it)

And a lot else is spoiled by (I suspect) a rather too business savvy editor and the pressing need to set up a sequel.

I'm pretty sure "setup for next" includes the choice of one potential protagonist and the cliche-riddled killing off of another. In a world where no genre novel is a standalone, they all seem to stumble and lurch and lean drunkenly against one another.… (more)

Invisible Streets
By Toby Ball
Literary fiction
July 2014
Overlook Press
ISBN: 978-1468309027

One of the great strengths of literary fiction is that it is able to discourse on any number of issues and philosophies. When done well, the fiction that can do that, while not broadcasting from the rooftops its frantically beating heart because it's also telling an entertaining story, is fiction that deserves to be shouted about from great heights.

Toby Ball's Invisible Streets is right up there, especially when considered with his two earlier books in the same setting.

Ball's third novel set in a fictional City that resembles the Big Apple, Invisible Streets stands alone from The Vaults and Scorch City, and is set in another time jump from the second novel, to the 1960s. Yet it has some familiar characters and themes for readers of the first two books. (The cameos come right as they are needed for this novel and include the one most anticipated at a crucial time.)

Invisible Streets follows the paths of three men involved in different ways with a huge remodeling project in the City. The New City Project is changing the shape of town, decimating old ethnic neighborhoods, moving the haves farther away from the have-nots, and having a far greater sociological impact on the population than its creator, Nathan Canada, may have ever imagined or cared about. Canada, who resembles Robert Moses, is a take-no-prisoners urban developer with contacts above and below regular commerce and political structures.

But although the novel involves his big project, it's not really about him. It's about three of the men who are concerned about the development from different perspectives. Frank Frings, known to readers of Ball's earlier novels, is back and still a left-leaning newspaper columnist. His old paper has been taken over by a Murdoch-style rag and he's about the only reminder of the old days. He's not given much respect there, but he still has his contacts and curiosity. So when his retired boss needs help finding his grandson, Frings agrees, and finds the college boy's disappearance may have something to do with an LSD study at his university. There were plenty of nondisclosure agreements signed and lawyered-up or discredited professors surrounding the study.

Torsten Grip is a detective on the force, although he's not too popular after his partner died in a shoot-out and he got away. As with most cops in the City, he's not clean but may not be excessively dirty in comparison to others. One of the construction sites for The New City Project is missing all of its dynamite. The usual suspects are what's left of the old Communists, Kollectiv 61, but perhaps that's a setup by whoever really took it. In a world as noirish as this one, anything is possible.

Phil Dorman is Canada's right-hand man. Hired right out of the Navy, he's the guy who gets things done in the neighborhoods and with the contractors at prices that favor his boss. He's the man who can't be bribed. But does he realize that isn't the same as being clean?

Although human life isn't particularly cherished on these mean streets, one death takes the main characters by surprise and becomes a catalyst for the narratives of all three characters.

Into this mix, Ball has included many of the political and sociological ideas taking shape in the 60s and which have seen a resurgence in recent years. In addition to the three main strands in the narrative, Ball has included excerpts of writing and media by Frings and others that emphasizes a debate about cities being for people or cities being for machines, about living and working spaces that can serve human needs or corporate needs. They are lightly used and could serve as writing workshop examples of how to get across a political or sociological idea in fiction without drowning the narrative in polemics.

All three of Ball's novels set in the City have the feel and weight of a Warner Brothers noir masterpiece. There is a great word picture that would make a superb visual midway through the novel. On a large map, the areas that once were brightly colored to represent different neighborhoods are shaded grey as the New City Project takes them over. The City itself is grey, but the dark and light in this story rarely mix compatibly.

Invisible Streets works as both a thriller and as a contemplation of social philosophy in action. Taken with its older two brothers, this is fiction that can entertain as well as provide the spark of an idea or two about what's important to us as individuals and as members of society living together in a city.… (more)