Nicholas Boyle

This introduction to German Literature is less than satisfying for two reasons: first, it defines German Literature as that produced within the present-day boundaries of Germany. For an English speaker looking for an elementary intro to German-language writing, this politically-motivated truncation is absurd. The book can only be read as an essay on North German national self-consciousness, not as a survey of the German literary world.

Secondly, after selecting his subset of North German writers (carefully avoiding Kafka and all Austrian and Swiss authors by means of his up-to-date map), the author introduces their work and significance almost exclusively in the categories of social studies. German literature is apparently important because of what it tells us about the social status and economic goals of its producers and consumers.

Why does Oxford repeatedly choose such skewed viewpoints for what they market as basic essays for beginners in various topics? Too many of the Short Introductions go off on political or critical tangents, at least in the area of literature.

Taken on its own terms, the book is instructive, clear, and interesting. But with little knowledge of German literature, I am skeptical that I have gotten a full and accurate picture.… (more)