Picture of author.

Paul Morand (1888–1976)

Author of Brassai : Paris By Night

148+ Works 1,153 Members 14 Reviews 2 Favorited

About the Author

Includes the names: P. Morand, Morand Paul, PAUL MORAND

Image credit: Paul Morand en 1970

Series

Works by Paul Morand

Brassai : Paris By Night (1987) 136 copies
Venises (1971) 124 copies
The Allure of Chanel (1976) 85 copies
New York (1930) 59 copies
Hecate and Her Dogs (1954) 54 copies
L'homme pressé (1963) 46 copies
Tender Shoots (1923) 42 copies
Open All Night (1922) 40 copies
Lewis and Irene (1924) 18 copies
Closed All Night (1973) 18 copies
Europe at Love (1925) 16 copies
Black Magic (1928) 13 copies
In Search of Venice (2013) 12 copies
The living Buddha (1927) 11 copies
Le flagellant de séville (1951) 10 copies
Vie de Guy de Maupassant (1993) 10 copies
Nothing But the Earth (1926) 9 copies
Romans (2005) 9 copies
Voyages (2001) 9 copies
La route des indes (1989) 9 copies
Eloge du repos (1992) 8 copies
Bains de mer (1990) 7 copies
Fin de siècle (1986) 7 copies
Amouren. (1990) 6 copies
Bug O'Shea (1994) 6 copies
Le prisonnier de cintra (1974) 6 copies
1900 (1931) 5 copies
Flèche d'orient (1932) 5 copies
Air indien (1932) 5 copies
Viaggiare (1994) 5 copies
L'arte di morire (1992) 5 copies
Champions du monde (1930) 5 copies
Hiver caraïbe (1993) 5 copies
Bucarest (1935) 5 copies
Venecias (1998) 5 copies
The Portugal I Love (1963) 5 copies
PARFAITE DE SALIGNY (1958) 4 copies
Correspondance (2015) 4 copies
Les écarts amoureux (1994) 4 copies
Rococo (1933) 4 copies
Paris (1970) 3 copies
La noche es larga (1989) 3 copies
La folle amoureuse (1985) 3 copies
Milady (1992) 3 copies
LONDRES (1962) 2 copies
OTRAS VENECIAS (2012) 2 copies
Chroniques, 1931-1954 (2001) 2 copies
The Switzerland I Love (1968) 2 copies
Green Shoots (1977) 2 copies
Tais-toi (1965) — Author — 2 copies
Lettres de Paris (1996) 2 copies
Au seul souci de voyager (2001) 2 copies
Mr. U 1 copy
Amouren drei Novellen (1993) 1 copy
D'AUTRES VENISE (2010) 1 copy
Propos des 52 semaines (1992) 1 copy
Mes débuts (1945) 1 copy
Oeuvres (1981) 1 copy
Brassai: Paris De Nuit (1979) 1 copy
Lettres du voyageur (1988) 1 copy
L'europe 1 copy
Poèmes 1 copy
Voyages 1 copy
Die Besessene (2002) 1 copy
De la vitesse. (1929) 1 copy
Poesías completas (1996) 1 copy
Paris. Sonderausgabe (1980) 1 copy

Associated Works

Candide (1759) — Introduction, some editions — 20,589 copies
Colonel Chabert (1832) — Preface, some editions — 840 copies
Writing New York: A Literary Anthology (1998) — Contributor — 281 copies
Les Dames galantes (1722) — Introduction, some editions — 139 copies
Great French Short Novels (1952) — Contributor — 32 copies
Bachelor's Quarters: Stories from Two Worlds (1944) — Contributor — 7 copies
Let's Go Naked: Love and Life in a Nudist Camp (1952) — Contributor — 2 copies
The Dial, Vol LXXVII No 6, December 1924 — Contributor, some editions — 1 copy
The Dial, Vol LXXVII No 3, September 1924 — Contributor, some editions — 1 copy

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Common Knowledge

Legal name
Morand, Paul Émile Charles Ferdinand
Birthdate
1888-03-13
Date of death
1976-07-24
Burial location
Cimetière grec orthodoxe de Trieste, ‎Frioul-Vénétie Julienne, Italie
Gender
male
Nationality
France
Country (for map)
France
Birthplace
Paris, France
Place of death
Paris, France
Cause of death
Naturelle (Vieillesse)
Education
Sciences Politiques
Oxford University
Occupations
diplomat
novelist
biographer
travel writer
short-story writer
Nazi collaborator
Relationships
Morand, Eugène (Père)
Giraudoux, Jean (Précepteur)
Boutmy, Emile (Professeur)
Renault, Louis (Professeur)
Lévy-Bruhl, Lucien (Professeur)
Leroy-Beaulieu, Anatole (Professeur) (show all 8)
Sorel, Emile (Professeur)
Chambrun, René de (Ami)
Awards and honors
Académie française élu en 1968 par 21 voix contre 4
Short biography
Fils du haut fonctionnaire et artiste Eugéne Morand, Paul Morand, après ses études à l'Ecole libre des Sciences politiques, fut reçu en 1913 premier au grand concours des ambassades, et embrassa une carrière de diplomate.
Nommé attaché à Londres, il fit ses premiers pas en littérature avec 2 recueils de poèmes ( Lampes à arc, Feuilles de température) avant de se découvrir un talent de nouvelliste. Aprés un recueil de nouvelle londoniennes, Tendres Stocks, préfacées par Marcel Proust, il connut la célébrité dès 1922 avec Ouvert la nuit, puis, un an plus tard, Fermé la nuit. Suivirent L'Europpe Galante, Rien que la terre, Magie noire, Paris-Tombouctou, Champion du monde, New York, Papiers d'identité, Air indien, Londres de l'entre-deux guerres et évoquent les lieux de cet infatigable voyageur, en congé pour un temps de la diplomatie, a traversés
Ayant réintégré les Affaires étrangères en 1938, Paul Morand se trouvait, au moment de la défaite de 1940, à Londres où il occupait les fonctions de responsable de la mission de guerre économique. Mis à la retraite d'office par le gouvernement de Vichy, il publiait en 1941 Chroniques de l'homme maigre, livre d'orientation maréchaliste. De cette période datent encore Propos des 52 semaines, L'Homme pressé, Excursions immobiles.
Avec le retour de Laval au gouvernement, il était nommé à la présidence de la commission de censues cinématographique, avant de terminet la guerre comme ambassadeur à Berne, ce qui lui valut d'être révoqué à la Libération, et contrant à l'exil en Suisse. Il s'y consacra à la poursuite de son oeuvre: Le dernier jour de l'Inquisition, Le Flagellant de Séville, Le coucou et le roitelet, l'Eau sous les ponts, Hécate te les chiens, La folle amoureuse, Fin se siècle, Nouvelles d'une vie, Les écarts amoureux.
Admiré par la jeune génération des hussards, de l'après-guerre (Roger Nimier, Michel Déon, Antoine Blondin, Jacques Laurent), l'écrivain allait connaître un regain d'influence. En 1953, il était réintégré dans l'administration.
Paul Morand, qui s'était porté une première fois candidat à l'Académie Française dés avant la guerre et n'avait obtenu que 6 voix au fauteuil Cambon en 1936, fut de nouveau candidat en 1958. Sa candidature devait soulever l'hostilité des gaullistes et donner lieu à une scéance houleuse, laquelle se termina par une suspension de scrutin. Pierre Benoît, animateur de la candidature de Morand, indigné par cette décision, quitta ce jour-là l'Académie où il décidait de ne plus jamais siéger.
Ce n'est qu'en 1968 que le général de Gaulle, après une longue hostilité, consentit à une nouvelle candidature Morand. Toute l'Académie était présente pour son élection, le 24 octobre. Il remporta le fauteuil de Maurice Garçon par 21 voix au second tour, contre 4 à son concurrent et 15 blancs ou nuls. Il était âgé de 80 ans. Exceptionnellement, il n'y eut pas de cérémonie d'investiture à l'Elysée. Paul Morand fut reçu par Jacques Chastenet, le 23 mars 1969.

Members

Reviews

Some books seem really contemporary, long after they were published. Some, like this one, do not. Not only was Morand a Nazi sympathiser and Petainist, he also palled around with Coco Chanel. The disgust is overpowering. At the same time, Ezra Pound translated him, and Marcel Proust wrote a preface to that volume. The man was a prick, but a talented prick.

This little book, then, will only appeal to people who aren't convinced that bad politics necessarily leads to bad literature, i.e., this book does not seem contemporary. It also doesn't seem contemporary in its, well, gross orientalism, or its narrator's attitude to women.

Are you still here? Have you not unfriended me on goodreads? Well, then, know that despite all that, it's an interesting, short read, which is quite pleasant if you don't mind a bit of overblown Olympian prose, as in this randomly chosen sentence:

"We wallowed and rolled in the trough of depression cause by the confluence of two vast air flows, one oceanic, the other continental."

The book's interest comes from the clash between the style and plot, or perhaps the way they work together, but there's no way to describe that without spoiling the plot. So, plot spoilers ahead.

The narrator meets, and falls for, a woman. He thinks all is hunky dory. It turns out that he isn't satisfying her sexually, perhaps because she's a pedophile. He becomes desperate, and starts to procure children for her. His company hears about this through the grapevine, and sends him home. Years later, he meets her husband, who implies that she's led him down the same path. Finally, he meets her again; she accuses him of depravity; he tells her he's met her husband.

So we're left to wonder, did she lead him down this path, or was it all his own doing? Either way, he clearly was not in control, despite his controlled style. Contemporary readers are just as likely to ask: are the author, and the narrator behind him, both sincerely blaming this woman for their own repulsive instincts?
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1 vote
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stillatim | 2 other reviews | Oct 23, 2020 |
The Allure of Chanel is based upon conversations Morand had with his friend Chanel in Switzerland in 1946, when neither of the two would, quite rightly, have been welcome in France. Though Allure is apparently narrated by Chanel, and though her own words no doubt lie behind it, Morand's fashioning of those words is the reason for much if not most of its appeal.

Chanel speaks about her life, but this isn't a biography; she talks about fashion generally and her work specifically, but this isn't a book about fashion; she discusses artists and aristocrats of her acquaintance, but in no way is this a social history. Look elsewhere for any of those.

What strikes me about this book is how vividly a personality is portrayed--Chanel is down-to-earth, outrageous, overbearing, oddly passive, and even more mendacious than bitchy--through some very good writing. Someone taken with this might want to look into Morand's other writings; everything I've read by him has been worthwhile.

And anyone thinking about buying Allure should know that there are two editions: The larger one has illustrations by Karl Lagerfeld and some striking photographs that the smaller lacks.
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1 vote
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bluepiano | 2 other reviews | Dec 30, 2016 |
Stories from a traveller in Asia, classic style, simple.
Petites histoires courtes, dont certaines sont intéressantes; mais pas passionnantes.
 
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Gerardlionel | Apr 1, 2016 |
Morand was in his eighties when he put together this book. I say 'put together' because although there's a chronological framework it seems almost incidental and Venices, whilst being a look back through the years, is a collection of musings as much of as memories. Morand touches upon his father's habits, Palladian architecture, his own travels, office politics in the diplomatic corps, Venetian history, the way the sunlight falls on a favourite cafe. And because he was reared and for all his life kept a foot in an artistic milieu, the likes of Les Six, Diaghilev, and Proust are some of those who people the book, though a reader shouldn't expect telling anecdotes about the famous.

As he does in the other books I've read by him, Morand writes with a calm restraint in a style thati, although in no other way striking, seems effortless. Perhaps it's that calmness that makes his books so attractive--that and, in Venices, an incredibly strong sense of mood. I can't just now think of another book so strongly pervaded by mood. The tone is overwhelmingly elegiac, and long after I finished reading I felt a bit melancholy. It's not that Morand expresses sadness or regret; he's much too urbane for that. (And when he does give way to a things-were-better-when-we-were-young complaint he ends in self-mockery:: 'And the young people of today are better-looking than we were'.)

My copy of Venices has a very appealing cover with a murky painting of a Venetian scene on a textured blue background, but its publisher Pushkin has also issued an edition with a horrid cover that looks like a wallpaper sample from the 1950's. If you're ordering this online, it might be worth checking to see which version you'd be getting.
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2 vote
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bluepiano | Sep 18, 2013 |

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Works
148
Also by
11
Members
1,153
Popularity
#22,291
Rating
3.8
Reviews
14
ISBNs
203
Languages
7
Favorited
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