Joan Sutherland (1926–2010)
Author of The Autobiography of Joan Sutherland: A Prima Donna's Progress
About the Author
Joan Sutherland, Roshi, is a teacher in the koan tradition, cofounder of the Pacific Zen School, and founder of The Open Source, a network of communities. A translator from classical Chinese, she is the author of Vimalakirti and the Awakened Heart. She now lives on the coast of northern California, show more focusing on Cloud Dragon: The Joan Sutherland Dharma Works, a nonprofit organization that disseminates her teachings. show less
Image credit: Portrait of Dame Joan Sutherland, taken in New York, Allan Warren, 1975
Works by Joan Sutherland
Joan Sutherland: The Complete Bell Telephone Hour Performances, 1961-1968 [video recording] (2001) — Actor — 4 copies
Talking Pictures 2 copies
Grandi Voci: Joan Sutherland 2 copies
Sutherland, Horne & Bonynge Gala Concert / Joan Sutherland, Marilyn Horne, Richard Bonynge (2007) 2 copies
Great Love Duets 2 copies
The Art of Joan Sutherland 2 copies
The High Hills 2 copies
The Age of Bel Canto 2 copies
Command Performance 2 copies
The Enchanted Country 1 copy
In the Night 1 copy
Onslaught, 1 copy
Joan Sutherland & Luciano Pavarotti: Duets from Lucia di Lammermoor / Rigoletto / L'Elisir d'Amore / La Fille… (1975) — Performer — 1 copy
Athalia [audio recording] — Artist — 1 copy
Sutherland: Bellini. [Sound recording] — Artist — 1 copy
Christmas Stars: Joy To The World [sound recording] — Artist — 1 copy
Joan Sutherland 1 copy
Operatic Arias 1 copy
Norma (Casta diva) 1 copy
An Evening To Remember 1 copy
Delibes : Lakmé (Highlights) 1 copy
Massenet:: Le Roi De Lahore 1 copy
Songs My Mother Taught 1 copy
Love Live Forever 1 copy
The Best of Joan Sutherland: Live From the Sydney Opera House, Vol. 2 (Opera Australia) (2001) 1 copy
The joy of Christmas 1 copy
Love duets 1 copy
BBC Recitals, 1958-61 1 copy
Duets from Lucia di Lammermoor, Rigoletto, L'Elisir d'Amore, La Fille du Regiment, I Puritani 1 copy
Delibes: Lakme 1 copy
Associated Works
La traviata [sound recording] : highlights / Verdi ; [libretto by] Piave. (2005) — Performer — 8 copies
Sutherland-Horne-Pavarotti: Live From Lincoln Center — Performer — 4 copies
Essential Opera 2 [sound recording] — Performer — 3 copies
Adriana Lecouvreur: Opera Australia [film] — Actor — 2 copies
Tagged
Common Knowledge
- Legal name
- Sutherland, Joan Alston
- Other names
- La Stupenda (known as)
- Birthdate
- 1926-11-23
- Date of death
- 2010-10-10
- Gender
- female
- Nationality
- Australia
- Birthplace
- Point Piper, New South Wales, Australia
- Place of death
- Switzerland
- Occupations
- soprano
- Relationships
- Bonynge, Richard (husband)
- Awards and honors
- Order of the British Empire (Commander ∙ 1961)
Order of the British Empire (Dame Commander ∙ 1978)
Order of Australia (Companion ∙ 1975)
Order of Merit (1991)
Kennedy Center Honors (2004)
Australian Living Treasure (show all 7)
Grammy Award
Members
Reviews
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 73
- Also by
- 31
- Members
- 163
- Popularity
- #129,735
- Rating
- 4.3
- Reviews
- 3
- ISBNs
- 14
First, I should say, Sutherland was - for all her astounding talent - a reasonably ordinary person. Her upbringing was unremarkable, her career (while spectacular) was not a tempestuous one, her marriage and family life stable, and her hobbies included needlepoint and traveling. She was not the fiery Callas or the famously unreliable Sumi Jo. In this regard, the world wasn't crying out for a tell-all autobiography.
So, instead, we've been given what is essentially a diary of Sutherland's forty years in the business. (No, I'm not kidding, at several times Sutherland confirms she is taking this information from her diaries and elaborating on this where required.) This can of course be quite frustrating. Entire years pass in mere itemised lists of performances, colleagues, and reviews. Deaths and births are treated almost as offhandedly as the latest production of "Norma", doctors and friends get mentions largely because Sutherland didn't want to leave them out, and frequently she glosses over something it would've been fascinating to hear about. As a Melbournian arts worker, for instance, I was intrigued by her thoughts on the lack of performing venues in Melbourne until the Arts Centre came along, but she simply mentions her one (cancelled) concert scheduled there in 1985 and then moves on. (In the post-1985 sequences, more is revealed - presumably as Sutherland's memory was clearer - but it comes as quite a surprise when she expresses a strong negative opinion for once, in this instance her reaction when Pavarotti had to cancel on a recording session when it became clear he didn't know his part.)
As I mentioned above, this is not entirely surprising. A needlessly drawn out story of her childhood and training was unnecessary (and had been covered by existing biographers). As an opera buff myself, I really enjoyed this book. It's truly revealing the punishing schedule this elite art requires, and puts paid to some of the stories and stereotypes that have sprung up over the year. I really liked seeing the way works entered Sutherland's repertoire and remained there, and I'm always intrigued by how performers manage their schedule, so it was my kind of book.
Will it be everyone's? Probably not. When a paragraph exists merely to name-check the cast and venue of a performance (along with the specific dates from 1973), it's probably not going to be fascinating to all that many, particularly if you're not au fait with the opera and its roles.
Overall then, I'd advise amateur Sutherland fans or biography-hunters to seek out other material. But if you're deeply into the Dame, or if you have a connection with the world of opera, might be worth a look.… (more)