Click on a thumbnail to go to Google Books.
Loading... I Am Still the Greatest Says Johnny Angeloby Nik Cohn
None Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. no reviews | add a review
Nik Cohn's hymn to rock as myth, in all its crazed, absurd and glorious excess, I'm Still the Greatest Says Johnny Angelo was once the inspiration for David Bowie's Ziggy Stardust. Partly based on the legendary rocker PJ Proby, Johnny Angelo is the pop star to end all pop stars - narcissistic, mock-heroic and massively destructive. The novel follows his progress from warped infancy to final messianic explosion. Cohn writes in such a rich, strange prose style that its responses linger long after the book's initial impact' - Robert Holland' No library descriptions found. |
Current DiscussionsNone
Google Books — Loading... GenresMelvil Decimal System (DDC)813Literature English (North America) American fictionLC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |
The enduring mythical status of Nik Cohn's novel is this connection to Bowie, but it is one that, like so many myths, is perhaps better preserved at a distance rather than being investigated closely. In the preface, Cohn recalls how he dashed out this book after a lengthy interview with legendary rocker PJ Proby, an American who had a few hits in the mid-1960s in the UK before fading into obscurity. Proby's story was so wild, Cohn just knew he had to transform into a fantastical tale of his own about a boy who lives his life with the assumption that he is bound for superstardom.
Cohn was only eighteen at the time he wrote this book. While it is reasonably competent for what one might expect from such a young author, unfortunately it still suffers from a lack of maturity and critical distance. Johnny Angelo swaggers through the story that more resembles one of those lives of a Christian or Buddhist saint, full of encounters with strange antagonists and packed with impossible miracles.
While Johnny Angelo may think he's the greatest, it's clear that so does Nik Cohn, and although it's not hard to understand why Bowie took that supreme self-confidence and ran with it, the Ziggy Stardust character is already nuanced by the missteps and failures that litter Bowie's very early career. Of course, it is precisely this utter egoism that is part of the supposed of this text, so perhaps I am asking too much.
In the end, I'm not sorry to have read I Am Still the Greatest Says Johnny Angelo, and I do recommend it to those who are particularly interested in this period of British culture. Otherwise, it's probably better to leave this text wrapped firmly in the mythical veils it has wrapped around itself. ( )