An intriguing languid and laconic wafting aside with extended forefinger the veil over high society colonial days with the ensuing isolation engendered following independence. This very put downable books apparent climax drifts by until eventually on the last page, we discover the deeper purpose. An exploration of how intangible is truth and the vectors of presumption and prejudice we each bring to bear on it. ( )

http://homepage.mac.com/shawjonathan/iblog/C1020611578/E20080213121224/index.htm... ( )

This novel is the story of Sam Obeysekere, a man born in Ceylon whose relationship to British Colonialism sets the stage for a discussion of the ways in which his family and culture are marked by the ghosts that rise up from the thousands of small deaths that result from being less than citizens.
While it is not a "mystery" in the traditional sense of the genre, it is certainly mysterious. After finishing reading it, I'm still not certain what really happened. And I think that's what distinguishes it somewhat from the run of the mill "mystery" novel.
This is not a tightly tied up investigation of a crime. It is the story of a man's life as told from multiple viewpoints. There is a murder mystery inset into the story, which is The Hamilton Case. But there are other mysteries as well: how did Sam & Claudia's baby brother die? how did Claudia's baby die? why did Jaya marry Claudia? how much can we trust Sam's version of events? how much can we trust Shivanathan's version?
At points I thought I knew the answers, but now I'm not at all sure. ( )

very evocative language and characters in Ceylon.

Set in Ceylon in the 1930s, Sam Obeysekere the narrator of this book is a pompous little lawyer, a product of Empire. His life is a disappointment to him. He makes his name with a notorious local murder which has caused a scandal, but even that does not provide him with any satisfaction. ( )