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The theoretical dimensions of Henry James (1984)

by John Carlos Rowe

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Rowe examines James from the perspectives of the psychology of literary influence, feminism, Marxism, psychoanalysis, literary phenomenology and impressionism, and reader-response criticism, transforming a literary monument into the telling point of intersection for modern critical theories.
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Nevertheless, as a privileged moment of individuation in the history of ideas, knowledge, and literature, or in the history of philosophy and science, the question of the author demands a more direct response. Even now, when we study the history of a concept, a literary genre, or a branch of philosophy, these concerns assume a relatively weak and secondary position in relation to the solid and fundamental role of an author and his works.

-Michel Foucault, "What is an authour?"
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For my mother, Gloria Rowe, who introduced me to the writings of Henry James.
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Rowe examines James from the perspectives of the psychology of literary influence, feminism, Marxism, psychoanalysis, literary phenomenology and impressionism, and reader-response criticism, transforming a literary monument into the telling point of intersection for modern critical theories.

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