HomeGroupsTalkMoreZeitgeist
Search Site
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.

Results from Google Books

Click on a thumbnail to go to Google Books.

Loading...

Symphonia: A Critical Edition of the "Symphonia Armonie Celestium Revelationum" (Symphony of the Harmony of Celestial Revelations)

by Hildegard of Bingen

MembersReviewsPopularityAverage ratingConversations
1052261,548 (4)None
For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia.Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.… (more)
None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

English (1)  Spanish (1)  All languages (2)
Another lovely book of poetry by a saint who is not as well known as she should be. Barbara Newman, the translator, presents Hildegard's Latin text on one page and splendidly provides two English translations: a "frankly and blithely interpretive" verse translation on the facing page, and a literal prose translation in a footnote at the end of each piece.

Her introduction discusses some of the difficulty facing a translator of poetry and of the Symphonia in particular, and explains some of her choices:

Medieval poetry in general favored hyperbole, and Hildegard in particular was no advocate of the via negativa. Her way of approaching the ineffable was to make the strongest positive statement her tongue could express. Modern English, on the other hand, is a language of understatement, and in free verse it is almost a truism that less is more. So, in order to convey the rapt intensity of Hildegard's praise, I have actually had to tone down some of her expressions.(62)


We have some of Hildegard's music, as well as her texts. I found both CDs and MP3s available for sale at Amazon -- and in my very first venture into this modern world of buying and downloading music, I was able to purchase a single track, O Ignis Spiritus (O Fiery Spirit), to play at class tonight while I read the English verse translation to begin my class presentation on ecological pneumatology. ( )
  VictoriaGaile | Oct 16, 2021 |
no reviews | add a review
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Information from the Dutch Common Knowledge. Edit to localize it to your language.
Important events
Related movies
Epigraph
Dedication
First words
Quotations
Last words
Disambiguation notice
Publisher's editors
Blurbers
Original language
Canonical DDC/MDS
Canonical LCC

References to this work on external resources.

Wikipedia in English

None

For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia.Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.

No library descriptions found.

Book description
Haiku summary

Current Discussions

None

Popular covers

Quick Links

Rating

Average: (4)
0.5
1
1.5
2
2.5
3 2
3.5
4 3
4.5
5 2

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 206,518,755 books! | Top bar: Always visible