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Loading... The Paris Review 142 1997 Springby George Plimpton (Editor)
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Belongs to SeriesThe Paris Review (142)
The Winter Paris Review defines where the theater stands today. It includes interviews with three of the world's best writers for the stage, all Pulitzer Prize winners, and showcases work from up-and-coming playwrights. David Mamet discusses dialogue and the mechanics of drama with the critic John Lahr, Sam Shepard is interviewed by George Plimpton and Mona Simpson, and Wendy Wasserstein recalls her apprenticeship spent with John Guare and Christopher Durang. A series of one-act plays from some of the leading emerging playwrights in America and Britain completes the theater issue.The Paris Review continues to provide the best in new writing. As William Kennedy said, "Aspiring writers should read the entire canon of literature, back to the Greeks, up to the current issue of The Paris Review". No library descriptions found. |
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 Google Books — Loading...GenresMelvil Decimal System (DDC)809Literature By Topic History, description and criticism of more than two literaturesLC ClassificationRatingAverage: (4)
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Wikipedia in English
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Thornton Wilder (1956), Lillian Hellman (1965), Samuel Beckett (1987), Tennessee Williams (1981), Eugene Ionesco (1984), Arthur Miller (1966 and 1999), Neil Simon (1992), Edward Albee (1966), Harold Pinter (1966), Tom Stoppard (1988), John Guare (1992), Sam Shepard (1997), August Wilson (1999), David Mamet (1997), Wendy Wasserstein (1997)