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Loading... L'Amour fou : Photography and Surrealismby Rosalind E. Krauss
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Andre Breton's surrealist manifestos of the 1920s and '30s, along with his novel concept of "l'amour fou," ascribed to his revolutionary Parisian art movement "the intensely illogical reality of a dream." British and American art educators Krauss, Livingston and Ades in this rich picture book examine the very extensive role of photography (an unlikely medium on the face of it) in the surrealist movement. Shown here are photographs by Man Ray, Brassai, Tabard, Ubac, Boiffard and others whose choice of subject and/or photolab manipulations leave in no doubt their surrealist competence and intent. Illogical juxtapositions, twisted imagery (e.g., Hans Bellemer's "Doll" sequence), light-and-shadow cutouts, and coldly unerotic dissections of the female form boldly assert surrealism's quest for an ultimate truthits own "psycho-atmospheric-anamorphic" knowledge. A scholarly tour de force, this is the catalogue of a traveling exhibition. December 27 ( ) no reviews | add a review
Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz, and Hans Bellmer have remained all but unknown--until now. Traditional criticism has viewed Surrealist photography as a pale imitation of authentic Surrealist work. The assumption has been that photography, a "realistic" medium, is fundamentally incompatible with a cause devoted to the wildly subjective, the world of dreams, and the unconscious. As a consequence, Surrealist photography, a major body of twentieth-century art, has remained largely unexplored.L' Amour fou is the first book to study the crucial role photography did in fact play in the Surrealist movement. It shows how photographers enlisted into the service of "subjective" Surrealism their medium's very claim to "objective" reality. Of greatest interest, of course, is the book's abundant reproductions of the fantastic and distorted photographic creations that must be acknowledged as an important part of the Surrealist oeuvre. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)779.0904The arts Photography, computer art, cinematography, videography Photographic images Photographs by origin of artistLC ClassificationRatingAverage:
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