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Pages from the Goncourt Journals by Edmond…
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Pages from the Goncourt Journals

by Edmond Goncourt

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Chatty gossip about French literature from the beginning of the Second Empire to the early 1890s. Goncourt had a very high opinion of himself and very often a low opinion of other writers of the time. He was an aristocrat with a conservative and somewhat anti-semitic outlook. It was interesting that he suspected that Dreyfus was innocent. There are only a few references to major historical events (the coup d'etat by Napoleon II, the fall of the second empire and the commune), but he talks constantly about social affairs and his friends Flaubert, Daudet, and Zola. ( )
  baobab | Sep 11, 2011 |
I started reading this as research, and immediately found myself taking a distaste to the petty, bitchy, jealous, and frequently mean-spirited Goncourt brothers. Then I got to the section on Jules' death... then the war... then the siege... I've rarely read anything so heartbreaking. I had always heard about the siege, "they had to eat the animals in the zoo." That by itself is striking enough, but I don't think I'd ever fully imagined it until I read Edmond's funny/painful description of a butcher selling off chunks of elephant. ( )
  amydross | Aug 24, 2011 |
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Pages from the Goncourt journals is only a small selection from the original; please don't combine with unabridged or other abridged versions. Thank you.
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Amazon.com Product Description (ISBN 159017190X, Paperback)

No evocation of Parisian life in the second half of the nineteenth century can match that found in the journals of the brothers Goncourt

The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists.

Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

(retrieved from Amazon Tue, 19 Apr 2011 07:47:28 -0400)

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