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Staying With Relations (1930)

by Rose Macaulay

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471545,291 (3.38)11
1930. English novelist Macaulay's early novels were noted for their wit, urbanity and mild satire. Staying with Relations begins: Catherine Grey, a young female, and, like so many young females, a novelist, went to America one autumn and lectured to its inhabitants on the Creation of Character in Fiction. Catherine was twenty-seven, but had, nevertheless, so far only published three novels, for though diligent, she wrote slowly and at some length. If any should desire to know whether or not she also wrote well, I can but reply that her novels pleased some tastes and not others, and that it is impossible to say more or other than this of any writings, since philosophers have unfortunately failed, down the ages to arrive at any fixed standards of merit in art. Catherine's novels were probably quite averagely readable as novels go. See other titles by this author available from Kessinger Publishing.… (more)
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English novelist Catherine Grey has been spending some time in America, when she receives an invitation from her Aunt Belle to come and stay with her and her family. Catherine is interested in character, and character types – she tries to categorise everyone she meets. A visit to her relations should prove entertaining.

“How did the human eye so arrange for itself the lines and colours of the human creature (surely a comparatively ugly animal?) that they wavered and re-formed into this shape we have conceived to be beauty? Strange illusion!”

Aunt Belle is living on an old Spanish plantation in the rain forest of Guatemala. Now married to her second husband an English judge, Sir Richmond (known as Dickie), Belle has a houseful staying already and she thinks Catherine will enjoy the company that she will meet in Guatemala. Catherine has a long, exhausting journey to reach her aunt’s eccentric old home which she finds is an odd mixture of architectural styles. Here, staying with Catherine’s aunt and step uncle are her aunt’s four step-children; Claudia, Benet and Julia all fairly grown up and Meg – the child, and Belle’s own daughter Isie Rickaby and her husband Adrian who has been designing the recent additions made to the house. Isie is spoilt, very beautiful – and she knows it – rather silly and given to stomping off. The final member of the household is taciturn Devonshire man Mr Piper – some kind of estate manager.

The old Spanish house, the Hacienda del Capitan, or the Craddock house as it is variously called, is surrounded by dense jungle, beautifully described by Macaulay. Their nearest neighbours are Mr Phipps who has made his money from straw hats, and a Spanish clergyman with three wives. Catherine settles comfortably in to her pink and silver room – unaware of the drama she is about to be swept up in.

Following a row with Adrian, Isie stalks off into the jungle in a mood – and after paying a visit to Mr Phipps first, is apparently abducted by Lacandon men and taken deep into the Guatemalan jungle. The family are frantic and begin talking about ransoms, Belle recklessly promising the men can have everything they want – much to her husband’s alarm. Meanwhile, Isie actually escaped her captors quite quickly, but is now horribly lost and terrified in the dense jungle. Back at the ranch – with no one knowing where Isie is, there is a lot of fuss. Meg is sent to bed as she has been ill, and Belle doesn’t want her upset when she hears about Isie. Meg demands she be allowed her baby armadillo to sleep with.

“‘Darling, I don’t think one has armadillos in bed. They’d be so uncomfortable.’
‘Tray’s not uncomfortable in my bed. He likes it.’
‘Uncomfortable for you, I mean,’
‘Oh, no. He’s not. He’s a very cuddly armadillo. Please may I have Tray?’”

Questions about who exactly Mr Phipps is, are soon raised, with the funny little man beginning to look decidedly dodgy. Whispers abound of a hidden treasure somewhere around the house – and while everyone tells everyone else that had it ever existed it must surely have been found long ago, they all set about looking for it. Poor Isie must be rescued, and if her captors want treasure it must be found. Catherine wonders what it was that had Isie running off like that – and asks Julia. She discovers that all is not quite as it should be in the Rickaby marriage – and Claudia could well be the reason. Catherine is starting to get to know this peculiar family, their character types, and bit by bit the scales fall from her eyes.

“They were set on their prey. They had mean, small, hard minds, thought Catherine; obstinate, selfish, materialistic and vengeful. She did not know why she had found them charming. They were even stupid, to be so oblivious of the amenities of travel, so set on their small private ends; so fatuously unaware, too…”

Staying with Relations is entertaining and readable, there are many beautifully written descriptive passages and some good characterisation, however it is a weaker novel than the three Macaulay novels I have previously read. It is a bit baggy – a little formless, I liked it – but wondered where it was going really. Overall, worth reading for Macaulay fans, but just not her best. ( )
1 vote Heaven-Ali | Oct 13, 2018 |
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Catherine Grey, a young female, and, like so many young females, a novelist, went to America one autumn and lectured to its inhabitants on the Creation of Character in Fiction. Catherine was twenty-seven, but had, nevertheless, so far only published three novels, for though diligent, she wrote slowly and at some length.
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"Well, do you think they'll need all the balls, or that I could keep one of them?" The balls were of a hard golden brown substance, with a resinous smell that made them very agreeable. "Why," said Mr Phipps, aren't those cute! Why, yes, you can surely keep a ball. They won't need all the balls."
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1930. English novelist Macaulay's early novels were noted for their wit, urbanity and mild satire. Staying with Relations begins: Catherine Grey, a young female, and, like so many young females, a novelist, went to America one autumn and lectured to its inhabitants on the Creation of Character in Fiction. Catherine was twenty-seven, but had, nevertheless, so far only published three novels, for though diligent, she wrote slowly and at some length. If any should desire to know whether or not she also wrote well, I can but reply that her novels pleased some tastes and not others, and that it is impossible to say more or other than this of any writings, since philosophers have unfortunately failed, down the ages to arrive at any fixed standards of merit in art. Catherine's novels were probably quite averagely readable as novels go. See other titles by this author available from Kessinger Publishing.

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