The only other review here is very literary, so I'll put in a shorter, less esoteric review.

The book is about a research scientist that goes to live on a research campus to do important research, taking his somewhat reluctant wife along with him. The campus and the project as well as a surface glimpse into the world the story takes place in are the interesting sci fi topics. But, they are not the actual focus of the book. The actual focus is the couple and their relationship.

The author does an admirable job switching between the two perspectives and showing the two sides of a relationship, but in the end, the plot is a little cold, and not enough time is spent in the science fiction and the plotting.

It is a reasonable read, though, although it is a rather dour book, so don't go reading it on a rainy Saturday unless you want to be in a dour mood. ( )

The Steel Crocodile (renamed The Electric Crocodile for US audiences) is a dystopian novel emphasizing interpersonal relationships and the relative merits of science and religion in improving society and the individual’s role within it. Technology plays a part, but it’s a classic MacGuffin insofar as neither plot nor theme depend upon it: it simply provides a convenient means for setting the scene (‘an advanced technotopia’) without muddying the waters if, for example, the regime were fascist or totalitarian.

The future envisioned by Compton shares with Iain Banks’ Culture the idea of a post-property society, made possible by industrial production enabling everyone to have all the necessities. Compton’s imagined society is more recently arrived at this level of production, however, and retains a strong social class system adapted to the new economy. This is as intriguing a part of the story as any, for me. Compton also provides a bare outline of the global military-strategic balance of power, clearly extended from Cold War blocs dominant at the time Comptom was writing. Plausible but not particularly innovative, but then it's there to lend credibility and not much more.

Compton’s (perhaps unique?) contribution to dystopian fiction is his particular concern for science and religion, examining how each serves different personalities in society, and holding out the same ambivalent chance of success for each. Neither is made a straw man nor a savior, and the upshot seems to be that social progress is as uncertain and troubling as ever. In this manner, Compton does not so much warn against a specific danger from science or from religion, as he raises a caution against any chance at improving society -- perhaps especially when deliberately setting out to do so. So is he focused on the hubris of the race, or is he simply espousing libertarianism?

Compton’s dramatic style & plot is driven by dialogue and situation rather than description, and is reminiscent of R.U.R. The comparison was prompted by the biographical note indicating Compton was an established playwright at the time he wrote SC, would not have occurred to me elsewise. ( )