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Small Crimes in an Age of Abundance by Matthew Kneale
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Small Crimes in an Age of Abundance

by Matthew Kneale

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Matthew Kneale's ENGLISH PASSENGERS is one of my favorite books ever, so I was excited to see his new collection of short stories. I like short stories, but my favorites might never make one of Updike's lists of bests; I love H.H. Munro, not so wild about Alice Munro. These stories seemed to fit the bill perfectly for me.

Kneale's title is well-chosen as several of the characters are, to some degree, reprehensible. As I read the stories, I had this sort of internal dialogue running:

"I'd *never* do anything like that. Ever."

"You might, if pushed."

"Nuh-unh. Not me."

"You never know..."

Many of the characters left me feeling just a bit oily. But, the stories were very well told, and the settings were interesting, as many were exotic to me. ( )
  jennyo | Mar 28, 2006 |
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Amazon.com (ISBN 0385514077, Hardcover)

Fans of Matthew Kneale's historical saga, English Passengers, which won the 2000 Whitbread Book of the Year Award and was short-listed for the Booker Prize, be forewarned. A short story collection, such as Small Crimes in an Age of Abundance, is very different. That said, relax and enjoy the fact that Matthew Kneale has mastered both genres. This collection of 12 stories is unified and bound thematically by the portrayal of people on the cusp of a new awareness of the trajectory of their lives, or by a moment or event that changes the equation for them. The stories take place all over the world: China, Ethiopia, Africa, the Middle East, and South America. For some, it is the dislocation of being in a strange place that causes the introspection necessary for change. For others, no external change takes place, but the interior landscape is forever altered.

In the first story, "Stone," a conventional English family, used to traveling with a "tour firm," goes off on their own with dire consequences, not for themselves, but for a hapless young man they think stole from them. This isn't a language problem; it is cultural difference writ large. In "Leaves," gringo planes spray pesticide destroying most of the crops in a Colombian valley, forcing relocation on those who live there. One family is saved by their old grandfather who steals coca plants, the only crop that was saved, from a neighbor. In "Metal," an arms supplier from Great Britain is caught up in a demonstration in Africa, bloodied with a nightstick and brought face to face with violence and terrorism. The morning after, awakening in the safety of his hotel, "He knew, without a shadow of doubt, that his life would never be the same. He would give up his job. He would change everything." But, does he? The final story, "White," is one that will not be forgotten. A young Palestinian suicide bomber, with explosives strapped to his body, makes his way to Tel Aviv to kill himself and as many people as possible. He is crippled by doubt and fear as he recalls his brother's call from Canada telling him of his new life there and inviting him to join him.

Kneale has captured in these stories the complexity of the world and the ways that people cope--or not--showcasing situations of moral ambiguity where roads not taken make all the difference. --Valerie Ryan

(retrieved from Amazon Fri, 24 Apr 2009 07:58:16 -0400)

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