HomeGroupsTalkMoreZeitgeist
Search Site
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.

Results from Google Books

Click on a thumbnail to go to Google Books.

What to Listen for in Music by Aaron Copland
Loading...

What to Listen for in Music (original 1939; edition 2009)

by Aaron Copland (Author)

MembersReviewsPopularityAverage ratingConversations / Mentions
1,6501810,814 (3.83)1 / 41
'One of the most helpful, sensible, and enjoyable discourses on the subject ever published.'-Victor Record ReviewIn this superb analysis of how to listen to music intelligently, Aaron Copland raises two basic questions- Are you hearing everything that is going on? Are you really being sensitive to it? If you cannot answer yes to both questions, you owe it to yourself to read this book. Whether you listen to Mozart or Duke Ellington, Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms. This classic work, the only book of its kind written by an eminent American composer, features- Chapters on contemporary music and film music Recommended recordings for each chapter A selected list of books for further reading and reference In this edition, leading music critic Alan Rich continues Copland's discussion of contemporary music for today's listeners and traces the composer's success in bringing music lovers 'closer to the magical mysteries of the music we can hear and want to hear better.' 'By far the best thing of its kind yet to appear.'-Modern MusicWith a Foreword and Epilogue by Alan Rich and a New Appreciation by Leonard Slatkin… (more)
Member:englishopiumeater
Title:What to Listen for in Music
Authors:Aaron Copland (Author)
Info:Berkley (2009), Edition: 59549th, 320 pages
Collections:Your library
Rating:
Tags:781

Work Information

What to Listen for in Music by Aaron Copland (1939)

None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

» See also 41 mentions

Showing 1-5 of 16 (next | show all)
Excellent introduction to the forms of classical music, from madrigals and fugues to opera to atonal symphonic poems. Copland gives suggestions for what masterpieces to study. You can then go to YouTube and find excellent performances with scrolling scores to follow from one measure to the next. What fun! My first try was J. S. Bach's Passacaglia and Fugue in C Minor (BWV 582). Try for yourself. You'll experience new dimensions to Bach's amazing genius. ( )
  Cr00 | Apr 1, 2023 |
Composer Aaron Copeland begins by reminding people that the best way to learn to appreciate music is to just listen to it. Nevertheless, understanding a little about the various elements that comprise music, the building blocks of a composition, can help listeners not only enjoy but also more deeply understand any musical composition.
I cannot say I have completed the book because I am actually reading it more like a study guide or textbook. I read a little, then turn to either the music Copland has suggested or to other music where I hope to find the components of music the composer incorporated into his work.
I feel like the book has made a difference for me and that I am feeling more closely engaged with the music I am hearing, especially Classical Music which so often carries a deeper meaning and message than is readily available from simply listening to it. ( )
  PaulLoesch | Apr 2, 2022 |
A lot of this is way above my pay grade but it was fascinating and I'm sure something I will return to again and again. It's old-fashioned and a lot of Copland's language is outmoded to say the least (it's like women don't exist) but there's a lot to gain from reading this important work. ( )
  bostonbibliophile | Jan 8, 2022 |
Though showing its age this is a great little book. Composer Aaron Copland takes us through basic structures in music to help us understand better when we listen. A pretty didactic, no nonsense style but clear and helpful. I'll enjoy concerts a little more now. ( )
  Steve38 | Sep 7, 2021 |
Composer Aaron Copeland begins by reminding people that the best way to learn to appreciate music is to just listen to it. Nevertheless, understanding a little about the various elements that comprise music, the building blocks of a composition, can help listeners not only enjoy but also more deeply understand any musical composition.
I cannot say I have completed the book because I am actually reading it more like a study guide or textbook. I read a little, then turn to either the music Copland has suggested or to other music where I hope to find the components of music the composer incorporated into his work.
I feel like the book has made a difference for me and that I am feeling more closely engaged with the music I am hearing, especially Classical Music which so often carries a deeper meaning and message than is readily available from simply listening to it. ( )
  Paul-the-well-read | Apr 18, 2020 |
Showing 1-5 of 16 (next | show all)
no reviews | add a review

» Add other authors (8 possible)

Author nameRoleType of authorWork?Status
Aaron Coplandprimary authorall editionscalculated
Rich, AlanForewordsecondary authorsome editionsconfirmed
Schuman, WilliamIntroductionsecondary authorsome editionsconfirmed
Slatkin, LeonardContributorsecondary authorsome editionsconfirmed

Belongs to Publisher Series

You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Epigraph
Dedication
First words
To put down as clearly as possible the fundamentals of intelligent music listening is the object of this book. [Preface]
All books on understanding music are agreed about one point: You can't develop a better appreciation of the art merely by reading a book about it.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Original language
Canonical DDC/MDS
Canonical LCC

References to this work on external resources.

Wikipedia in English (4)

'One of the most helpful, sensible, and enjoyable discourses on the subject ever published.'-Victor Record ReviewIn this superb analysis of how to listen to music intelligently, Aaron Copland raises two basic questions- Are you hearing everything that is going on? Are you really being sensitive to it? If you cannot answer yes to both questions, you owe it to yourself to read this book. Whether you listen to Mozart or Duke Ellington, Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms. This classic work, the only book of its kind written by an eminent American composer, features- Chapters on contemporary music and film music Recommended recordings for each chapter A selected list of books for further reading and reference In this edition, leading music critic Alan Rich continues Copland's discussion of contemporary music for today's listeners and traces the composer's success in bringing music lovers 'closer to the magical mysteries of the music we can hear and want to hear better.' 'By far the best thing of its kind yet to appear.'-Modern MusicWith a Foreword and Epilogue by Alan Rich and a New Appreciation by Leonard Slatkin

No library descriptions found.

Book description
Haiku summary

Current Discussions

None

Popular covers

Quick Links

Rating

Average: (3.83)
0.5
1
1.5 1
2 10
2.5
3 29
3.5 8
4 43
4.5 7
5 30

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 207,206,486 books! | Top bar: Always visible