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Ursula Pflug

Author of Green Music

19+ Works 61 Members 2 Reviews 1 Favorited

Works by Ursula Pflug

Green Music (2003) 18 copies
After the Fires (2008) 8 copies, 1 review
Playground of Lost Toys (2015) — Editor — 6 copies
Seeds and Other Stories (2020) 4 copies
The Alphabet Stones (2013) 3 copies
The Exit Sign 2 copies, 1 review
Mountain (2017) 2 copies
Food of My People (2021) — Editor — 2 copies
Python 1 copy
Sky Rise 1 copy

Associated Works

Northern Suns : The New Anthology of Canadian Science Fiction (1999) — Contributor — 69 copies, 1 review
Tesseracts 3 (1990) — Contributor — 55 copies, 1 review
Leviathan 4: Cities (2005) — Contributor — 53 copies
Cassilda's Song (2015) — Contributor — 40 copies, 3 reviews
Album Zutique: No. 1 (2003) — Contributor — 37 copies, 1 review
Tesseracts 4 (1992) — Contributor — 33 copies, 1 review
Dead North: Canadian Zombie Fiction (2013) — Contributor — 31 copies, 1 review
Nevertheless: Tesseracts Twenty-One (2018) — Contributor — 30 copies, 16 reviews
Strangers Among Us: Tales of the Underdogs and Outcasts (2016) — Contributor — 29 copies
Land/Space: An Anthology of Prairie Speculative Fiction (2003) — Contributor — 18 copies, 1 review
Tesseracts 8: New Canadian Speculative Writing (1999) — Contributor — 17 copies
The Lion and the Aardvark: Aesop's Modern Fables (2013) — Contributor — 13 copies, 1 review
The Best of Strange Horizons: Year One : September 2000-August 2001 (2003) — Contributor — 12 copies, 1 review
Postscripts Magazine, Issue 22/23: The Company He Keeps (2010) — Contributor — 11 copies, 1 review
Bandersnatch (2007) — Contributor — 11 copies, 1 review
Drowning in Beauty: The Neo-Decadent Anthology (2018) — Contributor — 9 copies
Divine Realms: Canadian Science Fiction and Fantasy (1998) — Contributor — 8 copies, 1 review
The Neo-Decadent Cookbook (2020) — Contributor — 6 copies
In the Dark, Stories From the Supernatural (2006) — Contributor — 5 copies
Lady Churchill's Rosebud Wristlet No. 12 (2003) — Contributor — 4 copies
The Nine Muses (2005) — Contributor — 4 copies
Leviathan : Into the Gray — Contributor — 3 copies
Over the Rainbow: Folk and Fairy Tales from the Margins (2018) — Contributor — 2 copies
Back Brain Recluse 23 (1997) — Contributor — 1 copy

Tagged

Common Knowledge

Birthdate
1958
Gender
female
Organizations
SF Canada
Nationality
Canada
Places of residence
Tunisia (birthplace)
Kawartha Lakes, Ontario, Canada
Associated Place (for map)
Ontario, Canada

Members

Reviews

4 reviews
Call me a literary slob, but I just don't get it. I understand the art of writing should always push the borders, delve into experimentalism. But, for me, like visual art, or any art for that matter, if we fail to communicate with our audience, if our art has become so internal as to be insular and isolated, if we fail to communicate, then our art has, to some degree failed.

And that's how I feel about Ursula Pflug's incendiary, relentless anthology of speculative short stories, After the show more Fires.

Now, don't get me wrong; the stories are brilliant from a technical point of view. Pflug's work is reminiscent of what avaunt guard bad boys of the '60s and '70s like Harlan Ellison were doing. But as a reader, and perhaps after all not a very perspicacious one, Pflug's internalising and metaphor was lost on me. I felt adrift in her sea of gritty, dystopic worlds to the point I had no landmarks, no clues, no common points of reference by which I could steer and make sense of what I read. All I as left with was a sense of desolation, frustration and extreme oppression. And I still can't tell you really what the stories are about. Lost love? Perhaps. Social commentary? Maybe. Futuristic visions? Beats me. I can't really say the stories were definitely about any of that.

I can say Pflug's stories are deeply personal, shattered windows into her mind and world.

Would I recommend After the Fires? I'm not sure. Did I enjoy reading After the Fires? Definitely not. Would I look for anything else of Pflug's? Probably not.

However, if you, as a reader, enjoy the surreal, the incomprehensible, the gritty to the point of suicidal meanderings, then by all means read Pflug's anthology.
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A story of generations who live out their lives on separate floors of a large windowless house. Two young people from different floors find love in the stairway, but are the cultural differences too much to overcome? The more I read/listen, the more I realize that surrealism is just not my thing, and the surrealist elements of this story tested my patience enough that I can't evaluate the actual story parts with any fairness.

Awards

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Statistics

Works
19
Also by
26
Members
61
Popularity
#274,233
Rating
½ 3.6
Reviews
2
ISBNs
17
Favorited
1

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