Louisa Baldwin (1845–1928)
Author of The Shadow on the Blind and Other Stories
About the Author
Works by Louisa Baldwin
Associated Works
Women's Weird: Strange Stories by Women, 1890-1940 (Handheld Classics) (2019) — Contributor — 87 copies, 2 reviews
The Darker Sex: Tales of the Supernatural and Macabre by Victorian Women Writers (2009) — Contributor — 55 copies, 2 reviews
The Third Ghost Story Megapack: 26 Classic Ghost Stories (2013) — Contributor — 18 copies, 2 reviews
The Lady Chillers: Classic Ghost and Horror Stories by Women Authors (2014) — Contributor — 4 copies
The Wimbourne Book of Victorian Ghost Stories (Annotated): Volume 20 (2021) — Contributor — 2 copies
Tagged
Common Knowledge
- Other names
- MacDonald, Louisa (birth name)
Baldwin, Mrs. Alfred - Birthdate
- 1845-08-25
- Date of death
- 1928-05-16
- Gender
- female
- Occupations
- short story writer
novelist
poet
ghost story writer - Relationships
- Baldwin, Stanley (son)
Kipling, Rudyard (nephew)
Burne-Jones, Edward (brother-in-law)
Baldwin, Alfred (husband)
Baldwin, Oliver (grandson) - Short biography
- Louisa Baldwin was born one of the remarkable MacDonald sisters, daughters of a Scottish Methodist minister and his wife. Her sisters Alice Kipling, Georgiana Burne-Jones, and Agnes Poynter all became prominent either by marriage or as the mothers of influential men. In 1866, Louisa married Alfred Baldwin, a businessman and Member of Parliament; their son Stanley Baldwin became a three-term British prime minister. Louisa suffered from a mysterious debilitating illness for most of her adult life. She turned to writing as an outlet, and produced half a dozen novels, children's stories, supernatural fiction, and poetry. Her ghost stories, which were originally published in periodicals such as The Argosy, were collected in The Shadow on the Blind (1895). See her biography in A Circle of Sisters: Alice Kipling, Georgiana Burne Jones, Agnes Poynter, and Louisa Baldwin by Judith Flanders (2001).
- Nationality
- UK
- Birthplace
- Wakefield, Yorkshire, England, UK
- Places of residence
- UK
- Associated Place (for map)
- England, UK
Members
Reviews
This book includes stories by two Victorian women, Louisa Baldwin and Lettice Galbraith. Louisa Baldwin was well-known in her day, a member of a prominent family who was the mother of Prime Minister Stanley Baldwin. In contrast, Lettuce Galbraith is only known through her publications–she put out several story collections, but nothing else is known of her.
I preferred Galbraith’s stories to Baldwin’s. Some of Baldwin’s stories had a lot of random meandering, there wasn’t a good show more suspenseful build-up, and a few stories had a solid development but then ended with a thud. The title story was one of these–there’s a leisurely build-up to the haunted house antics, but then it ends with a whimper. “The Weird of the Walfords” was probably the most complete story and is about a man who tries to avoid his family curse but end up bringing it about. “The Uncanny Bairn” features a boy who sees the future and the problems his gift causes. “Many Waters Cannot Quench Love” and “How He Left the Hotel” are both decent stories but a bit short and not too memorable. “The Real and the Counterfeit” has a standard premise–a man who doesn’t believe in ghosts decides to scare his more ambivalent friends–but it seemed to spend too much time on their antics. “My Next Door Neighbour” spends a lot of time describing hospital life and plods along. “The Empty Picture Frame” has another standard premise–a ghost comes to visit. I don't think this one did too much with the plot. “Sir Nigel Otterburne’s Case” has a nicely creepy development but then it just ended abruptly. “The Ticking of the Clock” is a very different story about a boy who learns about mortality through his beloved grandfather and is overall pretty sad.
Galbraith’s stories, except for one, were all solid suspenseful pieces. They all seemed to take place in different worlds, which was interesting, and the last two were good takes on the standard haunted house story. I had problems with “The Trainer’s Ghost”, mainly because I was unfamiliar with the jargon of 19th c. horse racing. This one also introduced many characters talking obliquely about things and switched viewpoints several times. I had to read it twice to fully understand what was going on. “The Case of Lady Lukestan” was the best story in the whole collection, a brooding, disturbing tale where a legal case about the legitimacy of a marriage hangs on the existence of a ghost. “The Ghost in the Chair” follows a man with a failing business who makes a deal with the Devil. “In the Seance Room” looks at the world of spiritualism and occultism, which was very popular in the Victorian era. “The Missing Model” takes place in the art world. “A Ghost’s Revenge” and “The Blue Room” are standard ghost stories; the former is about the usual cursed manor house but is nicely suspenseful, and the latter is about a haunted room. This one is memorable because it has an interesting character, a skeptical and intellectually curious woman who, along with a similar-minded man (with no romantic connection), investigates the room. Also, the very end has a twist that explains a lot and actually puts the events in a very disturbing light. show less
I preferred Galbraith’s stories to Baldwin’s. Some of Baldwin’s stories had a lot of random meandering, there wasn’t a good show more suspenseful build-up, and a few stories had a solid development but then ended with a thud. The title story was one of these–there’s a leisurely build-up to the haunted house antics, but then it ends with a whimper. “The Weird of the Walfords” was probably the most complete story and is about a man who tries to avoid his family curse but end up bringing it about. “The Uncanny Bairn” features a boy who sees the future and the problems his gift causes. “Many Waters Cannot Quench Love” and “How He Left the Hotel” are both decent stories but a bit short and not too memorable. “The Real and the Counterfeit” has a standard premise–a man who doesn’t believe in ghosts decides to scare his more ambivalent friends–but it seemed to spend too much time on their antics. “My Next Door Neighbour” spends a lot of time describing hospital life and plods along. “The Empty Picture Frame” has another standard premise–a ghost comes to visit. I don't think this one did too much with the plot. “Sir Nigel Otterburne’s Case” has a nicely creepy development but then it just ended abruptly. “The Ticking of the Clock” is a very different story about a boy who learns about mortality through his beloved grandfather and is overall pretty sad.
Galbraith’s stories, except for one, were all solid suspenseful pieces. They all seemed to take place in different worlds, which was interesting, and the last two were good takes on the standard haunted house story. I had problems with “The Trainer’s Ghost”, mainly because I was unfamiliar with the jargon of 19th c. horse racing. This one also introduced many characters talking obliquely about things and switched viewpoints several times. I had to read it twice to fully understand what was going on. “The Case of Lady Lukestan” was the best story in the whole collection, a brooding, disturbing tale where a legal case about the legitimacy of a marriage hangs on the existence of a ghost. “The Ghost in the Chair” follows a man with a failing business who makes a deal with the Devil. “In the Seance Room” looks at the world of spiritualism and occultism, which was very popular in the Victorian era. “The Missing Model” takes place in the art world. “A Ghost’s Revenge” and “The Blue Room” are standard ghost stories; the former is about the usual cursed manor house but is nicely suspenseful, and the latter is about a haunted room. This one is memorable because it has an interesting character, a skeptical and intellectually curious woman who, along with a similar-minded man (with no romantic connection), investigates the room. Also, the very end has a twist that explains a lot and actually puts the events in a very disturbing light. show less
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Statistics
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