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Pauline Oliveros (1932–2016)

Author of Deep Listening: A Composer's Sound Practice

34+ Works 234 Members 8 Reviews

About the Author

Image credit: Gisela Gamper

Works by Pauline Oliveros

Quantum Listening (Terra Ignota) (2022) 58 copies, 2 reviews
Software for People (1984) 16 copies
Sonic Meditations (2022) 12 copies, 2 reviews
The Roots of the Moment (1998) 9 copies
Deep listening (2019) 5 copies
Initiation Dream (1981) 4 copies
Anthology of Text Scores (2013) 4 copies
Lion's Tale 2 copies, 2 reviews

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Reviews

8 reviews
As a musician, Pauline Oliveros differentiates between hearing and listening in a way that few of us do.

"Hearing represents the primary sense organ - hearing happens involuntarily. Listening is a voluntary process that through training and experience produces culture."

"Deep listening is listening in every possible way, to everything it's possible to hear, no matter what you are doing."

"Quantum listening is listening to more than one reality simultaneously." "Changing and being changed by the show more listening."

"We listen in order to interpret our world and experience meaning."

Oliveros advocates for listening to the world around us as part of a heightened awareness and understanding of our space. And as a way to create art from that listening.
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I 1st heard the music of Oliveros on record w/ her "Phase I of IV" - a piece that's in some ways quite simple & wch almost immediately struck me as 'healing music'. I was fortunate enuf to hear her give a presentation in Baltimore that reinforced that "healing" impression. & I was lucky enuf to pick up these scores somewhere along the way. Composed from March to November of 1971, the 1st of 2 introductions to them claims: "With continuous work some of the following becomes possible with show more Sonic Meditations: Heightened states of awareness or expanded cansciousness, changes in physiology and psychology from known and unknown tensions to relaxations which gradually become permanent."

Oddly, perhaps, knowing Oliveros' work somewhat, I don't find the above pretentious or New-Agey. I take it seriously. Consider this 1st piece:

"-I-

Teach Yourself to Fly

Any number of persons sit in a circle facing the center. Illuminate the space with dim blue light. Begin by simply observing your own breathing. Always be an observer. Gradually allow your breathing to become audible. Then gradually introduce your voice. Allow your vocal chords to vibrate in any mode that occurs naturally. Allow the intensity to increase very slowly. Continue as long as possible naturally, and until all others are quiet, always observing your own breath cycle.

Variation: Translate voice to an instrument.


-II-

Search for a natural or artifical canyon, forest or deserted municipal quad. Perform Teach Yourself to Fly in this space."

The piece is designed to be performable by any skill level. The result cd include a feeling of increased power & ability thru solidarity w/ the other performers. This cd, indeed, be interpreted as a feeling of levitation or flying.
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"I see and hear life as a grand improvisation – I stay open to the world of possibilities for interplay in the quantum field with self and others – community – society – the world – the universe and beyond" (30-31).

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Statistics

Works
34
Also by
1
Members
234
Popularity
#96,590
Rating
3.9
Reviews
8
ISBNs
14

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