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Elizabeth LaPensée

Author of Deer Woman: An Anthology

10+ Works 228 Members 14 Reviews

About the Author

Works by Elizabeth LaPensée

Deer Woman: An Anthology (2017) — Editor; Contributor — 73 copies, 4 reviews
Rabbit Chase (2022) 72 copies, 7 reviews
Moonshot: The Indigenous Comics Collection, Volume 3 (2019) — Editor — 42 copies, 1 review
Sovereign Traces Volume 1: Not (Just) (An)Other (2018) — Illustrator; Editor — 17 copies, 1 review
Sovereign Traces, Volume 2: Relational Constellation (2019) — Editor; Contributor — 6 copies
Deer Woman: A Vignette (2015) 4 copies
A Howl 1 copy
Science Fiction(s): Wenn es ein Morgen gäbe. If there were a tomorrow — Interviewee and Artist Statement — 1 copy

Associated Works

Moonshot: The Indigenous Comics Collection, Volume 1 (2015) — Contributor — 215 copies, 7 reviews
Moonshot: The Indigenous Comics Collection, Volume 2 (2017) — Contributor — 80 copies, 2 reviews
Dialect: A Game About Language and How It Dies (2017) — Contributor, some editions — 76 copies

Tagged

Common Knowledge

Birthdate
1984
Gender
female
Education
Simon Fraser University (PhD)
Portland State University
Relationships
Dillon, Grace (mother)
Nationality
USA
Canada
Birthplace
Anaheim, California, USA
Associated Place (for map)
California, USA

Members

Reviews

15 reviews
In some ways, this is a really niche book, but when the niche is nonbinary Indigenous kids and excellent bilingual Anishinaabe storytelling, it's quite an important and often overlooked contribution. What I loved about this is that as a white person, I found the storytelling accessible and engaging, and I loved the gradual mashup with Alice in Wonderland. I also loved that this book is so clearly not for me and from an outside perspective looks like it is doing a wonderful job being a great show more book for Anishinaabe-speaking middle schoolers -- because I don't know the stories of the Paayehnsag, and I can tell that someone who does will probably enjoy this even more than I did.

There's some heavy stuff going on (bullying). There's a safe place for students to connect with their heritage (a field trip). There's a fantastical story that has elements of both traditional stories and pop culture. The pacing is good. The illustrations are great. I'm so glad to see this, and I think it's very well done. I hope to see more from this author in the future.

Advanced Reader's Copy provided by Edelweiss.
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This graphic novel mixes Anishinaabe culture with Alice in Wonderland imagery, and is a fun way to get a look into a different set of spirits than I've encountered before. (I've come across Nanaboozhoo in other stories, but none of the other spirits.) The art was lovely and well-suited to a middle grade audience. The story focuses mostly on the conflict between white and Anishinaabe cultures, but there is also a nice secondary thread discussing Aimée's non-binary identity and the show more difficulties they've faced with getting acceptance in school.

I would highly recommend this to anyone looking for a quick immersion into Anishinaabe culture, whether or not it's a culture you belong to. It was also refreshing to me to see so many words in Anishinaabemowin, and though I could get some words through context or because of repetition, I did need to make frequent use of the list of terms at the start of the book.
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Even though I am not of The People and have not learned the stories and the important names, I loved this book! It is a graphic novel admirably illustrated by KC Oster and tells the story of a student who feels like a misfit in gender and other ways. They go on a field trip and meets a very unusual mind-reading rabbit. And that's just for starters! Much is learned by the student who is a person rather like many of that age group regardless of ethnicity. I wish that I could pronounce the show more names of the entities, but I still loved this book!
I requested and received a free temporary ebook copy from Annick Press via NetGalley. Thank you!
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Illustrations expand the understanding of the 9 short stories and poems presented here. With 8 different illustrators, there is a wide variety of styles; I'll admit my favorite illustrator was Elizabeth LaPensee.
The stories mostly depict modern experience of Native Americans, and can be pretty raw (e.g. "Trickster Reflections") but also use humor ("Ice Tricksters") or a twist on familiar memes ("Werewolves on the Moon", "An Athabasca Story"). Despite the inherent sadness in "Mermaids", there show more is also a teaching and a commitment to responsibility/connection.
I'm guessing this is a book written and illustrated by Indigenous for themselves and their own community; there is little of explanatory information to help white readers understand some of the subtext or cultural references (especially "Just Another Naming Ceremony"). I'm not stating that as a lack, just saying that some readers might need to put a little more effort into a full appreciation.
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½

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Associated Authors

Weshoyot Alvitre Illustrator, Contributor, Editor
Jonathan R. Thunder Cover artist, Illustrator, Contributor
Darcie Little Badger Contributor, Intervierwee
Rebecca Roanhorse Contributor, Interviewer
Cara Romero Cover Artist and Artist Statement
Rob Hopkins Contributor
Jonnie Jae Intervierwee
William Lempert Contributor
Drew Hayden Taylor Contributor
Lee Francis IV Contributor, Introduction
Patty Stonefish Editor, Introduction
Maria Wolf Lopez Contributor, Illustrator
Tara Ogaick Contributor, Illustrator
Kimberly Robertson Contributor
Richard Van Camp Contributor
Dale Ray Deforest Illustrator, Contributor
Tatum Bowie Contributor
Barbara Kenmille Contributor
Mia Casesa Contributor
Jackie Fawn Contributor
Carolyn Dunn Contributor
David Cutler Illustrator
Jerry Thistle Illustrator
Stephen Gladue Illustrator
Jeffrey Veregge Contributor
Michael Sheyahshe Contributor
Kyle Charles Illustrator
Peta-Gay Roberts Contributor
Gerard Roberts Contributor
Jon Proudstar Contributor
Alina Pete Contributor
Jennifer Storm Contributor
Jay Odjick Contributor
Roy Boney Jr. Illustrator
Joy Harjo Contributor
Neal Shannacappo Illustrator
Delicia Williams Illustrator
Louise Erdrich Contributor
GMB Chomichuk Illustrator
Warren Cariou Contributor
Gerald Vizenor Contributor
Scott B. Henderson Illustrator
Gwen Westerman Contributor
Nicholas Burns Illustrator
Bernard Perley Illustrator
Michelle Lee Brown Contributor
Jason Sikoak Contributor
beyon wren moor Contributor
Dan Stinehart Contributor
Mitchell Bercier Illustrator
Lucas Rowley Contributor
Chief Lady Bird Contributor
Nshannacappo Contributor
Dawn Karima Contributor
Ishki Ricard Contributor
Shaun Beyale Contributor
Molly Billows Contributor
Renee Nejo Contributor
Henrietta Black Contributor
Liv Barney Illustrator
Karyn Recollet Introduction
Margaret Noodin Contributor
Gwen Benaway Contributor
Marion Lewis Contributor
Saks Afridi Artist Statement
Denilson Baniwa Artist Statement
Jaider Esbell Artist Statement
Sérgio Yanomami Artist Statement
Nafra Skattysla Artist Statement
Hüma Utku Artist Statement
Fara Peluso Artist Statement
Wilfred Ukpong Artist Statement
Owerá & Angry Duo Artist Statement
Leeroy New Artist Statement
Rebecca Gloria-Jean Baird Artist Statement
Tyson Mowarin Artist Statement
Kadu Xukuru Artist Statement
Ekow Nimako Artist Statement
Rory Wakemup Artist Statement
Rafael Kopper Copy Editing
Nicholas Galanin Artist Statement
Tina Seyfried Image Rights
URA Artist Statement
Halil Altindere Artist Statement
George Nuku Artist Statement
Daniel Kletke Translator
Eva Dewes Translator
Andy Everson Artist Statement
Ryan Singer Artist Statement
Superflux Artist Statement
Thomas Ritter Image Editing
Rigo 23 Artist Statement
Sebastian Menschhorn Graphic Design

Statistics

Works
10
Also by
3
Members
228
Popularity
#98,696
Rating
½ 3.7
Reviews
14
ISBNs
9

Charts & Graphs