
Minkyu Jung
Author of Batgirl Volume 3: Mindfields
Works by Minkyu Jung
Star Wars: Doctor Aphra #9 - The Engine Job, Part 4: Impossibilities (2021) — Illustrator — 3 copies
Star Wars: Doctor Aphra #13 - War of the Bounty Hunters: Guest of Honor (2021) — Illustrator — 2 copies
Star Wars: Doctor Aphra #15 - War of the Bounty Hunters: Party Favors (2021) — Illustrator — 2 copies
Star Wars: Doctor Aphra #11 - War of the Bounty Hunters: The Wreckage (2021) — Illustrator — 2 copies
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The reboot of Batgirl that happened during The New 52 tweaked the Barbara Gordon that had less dark doom and gloom angst, and more intrepid spunky quirkiness. But when Rebirth was announced, that meant that this reboot, too, was coming to an end, and that the character was going to move on. So now I come to the end of Batgirl’s time in the New 52, with “Batgirl: Mindfields”.
I liked the emphasis on team work and female friendship in this collection, as Barbara has to bring more show more excellent ladies to her team as her mind starts playing tricks on her, all because of a super villain named Fugue. She starts having memories that may or may not be real, and Frankie, Black Canary, and newcomers Spoiler and Bluebird make it their mission to help Barbara figure out who the mysterious Fugue is. I am always going to be happy to see Dinah Lance pop up, and while it took me a little while to get on board with Spoiler and Bluebird I eventually found them to be fun superheroes that I would like to see more of down the line. But the supporting character that really gets time to shine in this arc is Frankie, Barbara’s techie roommate who brings not only a great new character to the scene, but also some always welcome diversity. It was fun seeing her start out as a roommate and friend, and watching her turn into a much appreciated and needed ally. Frankie and Babs have a realistic and imperfect friendship, but they always have each other’s backs and will always be there for each other.
But even though I liked those aspects of this collection, I will admit that for me this was the weakest of the series. While it had some interesting elements of gaslighting and memory manipulation, I found myself barely invested in the Fugue storyline, and was kind of disappointed that ultimately, Batgirl herself had very little to do. Yes, I do like the power of female friendship, and yes, I liked the ladies that Barbara has brought into circle of friends and allies, but as I read it I felt that Batgirl herself had the smallest role yet in a series that is supposed to be about her at the forefront. Had this reboot of Batgirl gone on for more than three issues I probably would have been just fine with the spotlight being shared as much as it was. But this was basically a third of the Batgirl of Burnside series that didn’t feel like a Batgirl story, but a Birds of Prey story (don’t worry, I will be going back to that series soon!). It also felt like Stewart and Fletcher were trying to make a very special finale by bringing back almost all of the antagonists that we saw through the run, to end in a Battle Royale of them vs Batgirl’s Team. But it didn’t feel as satisfying as it could have specifically because a few of them were fighting superheroines that they wouldn’t have any beef with! What is the pay off of having Yuki and Yuri, the cosplaying villains from earlier in the series, fighting with SPOILER, who just showed up? That isn’t satisfying to me, it feels like padding out the plot.
Also, we barely saw any Luke Fox in this. If you are going to make a huge thing of Barbara choosing Luke over Dick Grayson (I’m still a bit sore about that. I really like Luke and he and Barbara are perfectly fine together, but Babs and Dick is one of my OTPs in the DC Universe), you had better make her relationship with Luke something more than a couple of after thought moments that feel more like ‘oh yeah she’s with Luke, they should probably hang out’. I’m not saying that Batgirl needs a man, nor that a relationship with a man should be a HUGE component to this arc, but why the whole song and dance of her picking him if it’s just left off page?
I think that the ultimate weakness of the Batgirl of Burnside arc was that it was trying a bit too hard to be DC’s answer to “Ms. Marvel” when it should have been trying to be it’s own thing. “Ms. Marvel” works because Kamala Khan was a brand new character that had room to grow and evolve without any expectations or constraints on her, so she could be the spunky young adult with relatable personal problems while still feeling genuine. When you try to apply this model to Barbara Gordon, who has been through so much already, it might feel a little odd to see her fighting manic cosplayers or taking selfies for social media clicks. I do like that DC is trying to reach out to new audience members, and I think that Batgirl is a great way to do that. But I also think that sometimes they tried to make her something that she wasn’t, and it therefore rang false.
I am glad that Barbara got to go beyond the angst and live her life a little lighter. As “Batgirl: Mindfields” wraps up her time in Burnside, I am very interested to see what she gets to do on her own in the Rebirth Arc. I was ultimately satisfied with the series as a whole, and hope that an even better iteration can be created now that a more fun loving Batgirl has been introduced to us. show less
I liked the emphasis on team work and female friendship in this collection, as Barbara has to bring more show more excellent ladies to her team as her mind starts playing tricks on her, all because of a super villain named Fugue. She starts having memories that may or may not be real, and Frankie, Black Canary, and newcomers Spoiler and Bluebird make it their mission to help Barbara figure out who the mysterious Fugue is. I am always going to be happy to see Dinah Lance pop up, and while it took me a little while to get on board with Spoiler and Bluebird I eventually found them to be fun superheroes that I would like to see more of down the line. But the supporting character that really gets time to shine in this arc is Frankie, Barbara’s techie roommate who brings not only a great new character to the scene, but also some always welcome diversity. It was fun seeing her start out as a roommate and friend, and watching her turn into a much appreciated and needed ally. Frankie and Babs have a realistic and imperfect friendship, but they always have each other’s backs and will always be there for each other.
But even though I liked those aspects of this collection, I will admit that for me this was the weakest of the series. While it had some interesting elements of gaslighting and memory manipulation, I found myself barely invested in the Fugue storyline, and was kind of disappointed that ultimately, Batgirl herself had very little to do. Yes, I do like the power of female friendship, and yes, I liked the ladies that Barbara has brought into circle of friends and allies, but as I read it I felt that Batgirl herself had the smallest role yet in a series that is supposed to be about her at the forefront. Had this reboot of Batgirl gone on for more than three issues I probably would have been just fine with the spotlight being shared as much as it was. But this was basically a third of the Batgirl of Burnside series that didn’t feel like a Batgirl story, but a Birds of Prey story (don’t worry, I will be going back to that series soon!). It also felt like Stewart and Fletcher were trying to make a very special finale by bringing back almost all of the antagonists that we saw through the run, to end in a Battle Royale of them vs Batgirl’s Team. But it didn’t feel as satisfying as it could have specifically because a few of them were fighting superheroines that they wouldn’t have any beef with! What is the pay off of having Yuki and Yuri, the cosplaying villains from earlier in the series, fighting with SPOILER, who just showed up? That isn’t satisfying to me, it feels like padding out the plot.
Also, we barely saw any Luke Fox in this. If you are going to make a huge thing of Barbara choosing Luke over Dick Grayson (I’m still a bit sore about that. I really like Luke and he and Barbara are perfectly fine together, but Babs and Dick is one of my OTPs in the DC Universe), you had better make her relationship with Luke something more than a couple of after thought moments that feel more like ‘oh yeah she’s with Luke, they should probably hang out’. I’m not saying that Batgirl needs a man, nor that a relationship with a man should be a HUGE component to this arc, but why the whole song and dance of her picking him if it’s just left off page?
I think that the ultimate weakness of the Batgirl of Burnside arc was that it was trying a bit too hard to be DC’s answer to “Ms. Marvel” when it should have been trying to be it’s own thing. “Ms. Marvel” works because Kamala Khan was a brand new character that had room to grow and evolve without any expectations or constraints on her, so she could be the spunky young adult with relatable personal problems while still feeling genuine. When you try to apply this model to Barbara Gordon, who has been through so much already, it might feel a little odd to see her fighting manic cosplayers or taking selfies for social media clicks. I do like that DC is trying to reach out to new audience members, and I think that Batgirl is a great way to do that. But I also think that sometimes they tried to make her something that she wasn’t, and it therefore rang false.
I am glad that Barbara got to go beyond the angst and live her life a little lighter. As “Batgirl: Mindfields” wraps up her time in Burnside, I am very interested to see what she gets to do on her own in the Rebirth Arc. I was ultimately satisfied with the series as a whole, and hope that an even better iteration can be created now that a more fun loving Batgirl has been introduced to us. show less
An almost okay volume that doesn't quite justify the continuation of the series. A lot of this seems like a rehashed Spider-Man plotline as an alien battleworld yields a new costume with ominous possibilities . I liked Kamala's parents acting as chaperones for the adventure, and the added humor and drama of their presence started to pull me into the book, but they are frequently sidelined and then a stupid twist ending undercuts their participation entirely.
I'm not sure if I'll bother with show more the next volume. show less
I'm not sure if I'll bother with show more the next volume. show less
I really like Babs Tarr's illustration work from what I've seen so far. Also I'm a sucker for conversations about how adaptive tech like the one in Barbara's neck that allows her to walk can be hacked into. Or used as a means of surveillance among a population but not so much in the Black Mirror way. The only other story I've seen technology be similarly used is the Netflix show Bodies. But with that one, the character has a brother who also can't walk that chooses not to get the technology show more implemented with his views being that it takes away his freedom/autonomy.
That and this has been the 1st comic I've read so far that focuses more on a female team of superheroes/vigilantes and I do think I prefer it majorly to the stuff that focuses more on male characters. Like it actually felt like the characters within Barbara's group genuinely cared for one another. Even if they haven't known each other for a long time like Stephanie show less
That and this has been the 1st comic I've read so far that focuses more on a female team of superheroes/vigilantes and I do think I prefer it majorly to the stuff that focuses more on male characters. Like it actually felt like the characters within Barbara's group genuinely cared for one another. Even if they haven't known each other for a long time like Stephanie show less
After reading this I don’t’ think I really want to bother with more in the series. Barbara seems to be doing too many things at once and I just don’t see how she is making time to even live and yet it seems to be going on the book. This story arc starts out with her having memory issues and saying things that no one else agrees on and yet nobody can put the puzzle pieces together until it is almost too late. Overall I think there has been way too much playing with people’s minds and show more memories and as a plot hook it has gotten old.
Digital review copy provided by the publisher through Edelweiss show less
Digital review copy provided by the publisher through Edelweiss show less
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