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Andrew Biswell

Author of The Real Life of Anthony Burgess

1+ Work 50 Members 2 Reviews

Works by Andrew Biswell

The Real Life of Anthony Burgess (2005) 50 copies, 2 reviews

Associated Works

A Clockwork Orange (1962) — Editor and Introduction, some editions — 28,619 copies, 416 reviews
A Clockwork Orange [Norton Critical Edition] (2010) — Contributor — 941 copies, 9 reviews
The Pianoplayers (1986) — Foreword, some editions — 311 copies, 2 reviews
Abba Abba (1977) — Foreword, some editions — 216 copies, 4 reviews
Beard's Roman Women (1976) — Editor, some editions — 119 copies, 2 reviews
A Vision of Battlements (1965) — Editor, some editions — 86 copies
Puma (2018) — Foreword — 5 copies

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Reviews

2 reviews
This is a compelling biography of a complex man. Burgess wrote thirty-three novels in his lifetime, though he long considered himself to be primarily a composer. Biswall’s scrupulous research must have required a huge amount of patience; not least because Burgess seems to have frequently exaggerated, rearranged chronology and out-and-out invented sections of his past, both in his own autobiography and in his many published interviews. Biswall has met and corresponded with an impressive show more number of people who actually knew Burgess, and when the varying accounts of the facts differ, he tends to relate both versions, commenting on which he finds most plausible with mild good-humour. A gripping read, sometimes funny and sometimes horrifying, particularly the sections which deal with Burgess’ twenty-six year marriage to his first wife, Lynne. Though I think Biswall has made an admirable job of a difficult subject, his non-committal is ultimately unsatisfying; alongside Burgess’ vigorous prose, his voice often comes across as plodding and pedantic. With such a vast amount of material and so many contradictions, it is easy to see why he would choose this approach—but it does detract from what is an otherwise excellent biography. show less
This is a compelling biography of a complex man. Burgess wrote thirty-three novels in his lifetime, though he long considered himself to be primarily a composer. Biswall’s scrupulous research must have required a huge amount of patience; not least because Burgess seems to have frequently exaggerated, rearranged chronology and out-and-out invented sections of his past, both in his own autobiography and in his many published interviews. Biswall has met and corresponded with an impressive show more number of people who actually knew Burgess, and when the varying accounts of the facts differ, he tends to relate both versions, commenting on which he finds most plausible with mild good-humour. A gripping read, sometimes funny and sometimes horrifying, particularly the sections which deal with Burgess’ twenty-six year marriage to his first wife, Lynne. Though I think Biswall has made an admirable job of a difficult subject, his non-committal is ultimately unsatisfying; alongside Burgess’ vigorous prose, his voice often comes across as plodding and pedantic. With such a vast amount of material and so many contradictions, it is easy to see why he would choose this approach—but it does detract from what is an otherwise excellent biography. show less

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