Brian Gleeson (2)

An excellent retelling of the "Big man" folk tale around westward expansion and the "Taming" of the west. Told by Robin Williams, this version is comical, but true to form. It includes the majority of elements laid out by previous storytellers.

This Indian folktale teaches many lessons and asks many questions as a Brahmin seeks to spare his own life from the jaws of the Tiger he saved. Fierce illustrations only enhance this universal tale of salvation and brotherhood.

This is actually two tales in one - one where Anansi uses his witty storytelling to catch Snake and the other where he makes a fool out of himself for telling another kind of story. This book was so cute.

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From School Library Journal
Kindergarten-Grade 6-- Retellings of two Jamaican stories. The first tells how Anansi came to possess all stories, and the second tells of his plan to seem important at his mother-in-law's funeral. The selections follow one after another in the book, as they would in the oral tradition, with no separation or demarcation. The prose is spare and droll as befits trickster tales in which creatures such as Anansi can be both wise and foolish. The illustrations show more are bright, modern, stylized paintings. The bug-eyed, wildly dressed, top-hatted spider/man plays off against other more naturally represented animal characters and a simple tropical backdrop. Denzel Washington uses Jamaican dialect and narrates in the present tense (the book uses past tense), capturing the rhythms of Caribbean storytelling. UB40 provides lively reggae accompaniment. Gail Haley's A Story, A Story (Atheneum, 1970) is an African version of the opening tale, and Gerald McDermott's Anansi the Spider (Holt, 1972) is also West African. Students may wish to compare these picture-book versions of African stories with their Caribbean counterparts. --Barbara Chatton, College of Education, University of Wyoming, Laramie
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