
Jonathan Bernstein (1)
Author of Mad World
For other authors named Jonathan Bernstein, see the disambiguation page.
Works by Jonathan Bernstein
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I've always loved music, but coming of age in the early 1980s I especially loved new wave. I still remember hearing "Cars" by Gary Numan, and loving the sound of it. One evening, with it stuck in my head, I mentioned to my cousin (my best friend, really) that I really liked it, and was surprised by his 'are-you-kidding-me?-you-actually-like-that-stupid-song?' reaction. Later, when I heard "I Ran" by A Flock of Seagulls and "Pop Music" by M, I knew I'd found what resonated with me. But even show more though new wave was very popular in Salt Lake City (where I grew up), I always felt on the musical outskirts, and most of my friends preferred the rock and pop music. I still feel that way.
Seldom have I laughed so much while reading a book as this one. We didn't have MTV in my home, so I missed out on a lot of information about the bands I loved - and I was suprised at the HUGE EGOs many of the new wave "artists" had - Limahl of Kajagoogoo and especially Ian McCulloch of Echo & the Bunnymen - particularly considering their relatively modest popular success. Others really saw themselves as "artists" and eschewed the popularity that came (OMD), while others actively pursued it (Duran Duran and ABC). And there was no shortage of competition and jealousy among them:
This book features edited interviews with about 3 dozen new wave bands where they discuss an important song of theirs and their history (as well as a 'where-are-they-now' follow up). The only band I didn't know was The Normal, and the only other band I don't have any music from in my collection was Joy Division (I'm more of a New Order fan). Still, the book sent me scurrying to YouTube to listen to songs I wasn't familiar with - "Kings of the Wild Frontier" by Adam Ant and "Being Boiled" by Human League, among others - and digging out CDs I haven't listened to in years (New Order). Some chapters I found boring - ABC, Spandau Ballet, DEVO, Dexy's Midnight Runners, and even Howard Jones (whose music I LOVE) - and others were fascinating. Just a few of the highlights for me (sometimes paraphrased rather than quoted in full):
"In the U.K.... new wave was initially code adopted by journalists and disc jockeys eager to be perceived as cool but too nervous to actually use the word 'punk' with all its threatenting implications. In America, new wave was an umbrella the size of a circus tent. It covered synth pop, ska, goth, alternative rock, bubblegum, Eurodance, industrial, new romantic, blue-eyed U.K. soul, and electronic dance music. It was a Tower of Babel populated by American bands who wanted to be British, British bands who wanted to be German, and German bands who wanted to be robots. It was an insane asylum whose patients were predominantly ambiguous, untouchable males with sucked-in cheeks, 3-D makeup, and wedding-cake hair."
Seldom have I laughed so much while reading a book as this one. We didn't have MTV in my home, so I missed out on a lot of information about the bands I loved - and I was suprised at the HUGE EGOs many of the new wave "artists" had - Limahl of Kajagoogoo and especially Ian McCulloch of Echo & the Bunnymen - particularly considering their relatively modest popular success. Others really saw themselves as "artists" and eschewed the popularity that came (OMD), while others actively pursued it (Duran Duran and ABC). And there was no shortage of competition and jealousy among them:
Curt Smith, Tears for Fears: 'People say, ‘music’s not what it used to be,’ and I’m like, ‘Yeah, it is.’ Most of the stuff we listened to sucked. What you remember is the really good stuff. But there was a ton of crap in the 80s. For every one of us, there was a Flock of Seagulls.'
Mike Score, A Flock of Seagulls: 'The word that springs to mind is jealousy. Curt Smith may be living in a little fantasyland that Tears for Fears was something spectacular.'
This book features edited interviews with about 3 dozen new wave bands where they discuss an important song of theirs and their history (as well as a 'where-are-they-now' follow up). The only band I didn't know was The Normal, and the only other band I don't have any music from in my collection was Joy Division (I'm more of a New Order fan). Still, the book sent me scurrying to YouTube to listen to songs I wasn't familiar with - "Kings of the Wild Frontier" by Adam Ant and "Being Boiled" by Human League, among others - and digging out CDs I haven't listened to in years (New Order). Some chapters I found boring - ABC, Spandau Ballet, DEVO, Dexy's Midnight Runners, and even Howard Jones (whose music I LOVE) - and others were fascinating. Just a few of the highlights for me (sometimes paraphrased rather than quoted in full):
- Peter Hook of New Order: 'Musically, I love Adam and the Ants. They’re one of my favorite groups. But it was very difficult for me as a Northern male to relate to the dandy look. We would’ve been laughed out of Manchester had we even considered it. Bernard [Sumner] and I used to go out in London with all them lot… We looked like working-class yobs, and everyone else was dressed up as a pirate.'show less
- Kim Wilde: 'When it was a hit in America, they were like, 'Why East California'? Why not all the way over to the west? I was trying to come up with any excuse why my dad might have written 'to East California,' and if you ask, he'll say 'Cause it sounded better'... When I feel self-conscious about saying 'New York to East California,' I think of the Police singing 'De Do Do Do, De Da Da Da,' and I don't feel so bad.'
- Andy Rourke, The Smiths: 'Morrissey used to buy his-I was going to say 'shirts,' but they were actually blouses-from a clothing place for fat women in Manchester. These women's blouses that nobody wanted became Morrissey's trademark. He used to like tearing them up and throwing them into the crowd.'
- Midge Ure: 'People consume music in a very different way. It doesn't seem to be as all-important as it used to be for us. Kids have got computer games and a million other things to keep themselves entertained. We had music and our imaginations, and that was it.'
"Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s" is less a timeline of the era-making music and more of a picture book of remembrances by the artists.
It all starts in the late '70s, when disco and punk gave each other a very special hug, and New Wave was born. According to the authors, New Wave consisted of "American bands who wanted to be British, British bands who wanted to be German, and German bands who wanted to be robots."
Ridiculous production, show more ridiculous videos, ridiculous fashions, ridiculous hair - yes, on all counts. But also, ridiculously terrific songs that still play nonstop on soundtracks, on commercials and in your head.
They're (mostly) all here, from ABC to Yaz, but seemingly in no particular order. And they do leave out such New Wave stars as the B-52's, Culture Club, Missing Persons, the Go-Go's, Talk Talk, the Cars, Blondie, and other favorites.
You can also take issue with the songs chosen for each group. "Temptation" instead of "Don't Go" (Heaven 17)? "New Life" instead of "Just Can't Get Enough" (Depeche Mode)? But they're still good songs.
The best part may be the short lists of similar songs in each chapter - I'm looking forward to building a massive Spotify playlist soon. show less
It all starts in the late '70s, when disco and punk gave each other a very special hug, and New Wave was born. According to the authors, New Wave consisted of "American bands who wanted to be British, British bands who wanted to be German, and German bands who wanted to be robots."
Ridiculous production, show more ridiculous videos, ridiculous fashions, ridiculous hair - yes, on all counts. But also, ridiculously terrific songs that still play nonstop on soundtracks, on commercials and in your head.
They're (mostly) all here, from ABC to Yaz, but seemingly in no particular order. And they do leave out such New Wave stars as the B-52's, Culture Club, Missing Persons, the Go-Go's, Talk Talk, the Cars, Blondie, and other favorites.
You can also take issue with the songs chosen for each group. "Temptation" instead of "Don't Go" (Heaven 17)? "New Life" instead of "Just Can't Get Enough" (Depeche Mode)? But they're still good songs.
The best part may be the short lists of similar songs in each chapter - I'm looking forward to building a massive Spotify playlist soon. show less
Teen People cofounder Lori Majewski and author Jonathan Bernstein's Mad World is a highly entertaining oral history celebrating the New Wave music phenomenon of the 1980s via interviews with 35 of the most notable artists of the period. Featuring members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, and INXS, each interview begins with a discussion of their most popular song but leads show more to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. "Here it is--the whole glossy, gory, glorious story of the 1980s new wave revolution, in one addictive chapter after another. These are the artists who lived it all out, whether it's Duran Duran making the 'Girls on Film' video or Kim Wilde finally explaining the 'East California' enigma. Mad World captures the wild enthusiasm of the moment, evoking a time of perfect songs, innovative style, and lipstick cherry all over the lens." --Rob Sheffield, contributing editor to Rolling Stone and author of Talking to Girls About Duran Duran show less
Alison Cole is the coolest girl at her Beverly Hills school. She is beatiful, popular, and even nice. After a successful run for president (sponsored by a reality show crew filming every moment), she has a lot of plans for making her high school even more awesome. But her bffs have other things in mind - they are jealous of everything Alison has and convince her to undergo unnecessary plastic surgery. During the procedure, lightning strikes the building and when she wakes up, Alison can show more shoot flames from her hands. It's not long before she realizes her friends have been sabotaging her, so she turns to David, the school's supergeek, for help. Together they turn her into Hottie, a smokin' superhero. But Alison still can't get past her relationship with her stepmother and David is starting to have feelings for his protege. It will take a supervillain's superscam to straighten out Alison's life, and her new alterego is just the thing she needs to boost her self-esteem. At first glance, this is the corniest book on the market. But Bernstein works all the Beverly Hills cliches to his advantage to build a super-girly superhero comedy, a la Clueless meets Spiderman. Maybe Hottie isn't for everyone, but it's not a book you can judge by its cover. show less
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- Works
- 7
- Members
- 362
- Popularity
- #66,318
- Rating
- 3.8
- Reviews
- 12
- ISBNs
- 61










