A. F. Harrold

A.F. Harrold's book "The Imaginary" opens with Christina Rossetti's poem, "Remember," an eloquent plea for the speaker's beloved to remember her after she has died. While readers might be baffled by the author's choice of this poem, those readers who chose to return to the poem after the book ends, will understand exactly what Rosetti and Harrold meant.
"The Imaginary" opens in the middle of Rudger's fear that his dear friend Amanda might be dead and his sorrowful thoughts on how her death, show more which means so much to him, means so little to the rest of the world. Then he hears these fateful words: "I can see you." Rudger is lucky to be seen, because he is Amanda's invisible, imaginary friend, which means that without Amanda to imagine and remember him, Rudger will die. After these opening scenes, we get to see how Rudger became Amanda's friend and the accident that is causing her to forget about him. Even before this terrible tragedy, there is a villain lurking in the shadows that Rudger will have to defeat before he can return to his role as Amanda's best friend.
After the accident, Rudger is saved by a cat Zinzan who leads him to the local library where invisible friends go to wait to find another friend. After a series of adventures with some truly horrible children, Rudger ends up at Amanda's side, but not before he has to defeat the monster who eats invisible children in order to remain young.
This is truly a wonderful imaginative book, perfect for reading aloud and sharing with your invisible and visible friends. Harrold imagines the plight of being the invisible friend vividly. For example, even though a place is set at the table and food is on the plate, Rudger doesn't ever get to eat, because Amanda eats his food for him. Rudger also must tolerate people pretending to shake his hand, while they are actually poking him the stomach because they can't see him. In addition, his appearance and gender must change in order to match what each child wants in his or her invisible friend. The illustrations add to the story, but this isn't a picture book. It definitely falls in the illustrated novel category.
Harrold plays with the idea that most children do not remember their invisible friends while their parents do.
All in all this was a delightful book that reminds us that we shouldn't forget our invisible friends. Often they were our first, closest and best friends and they haven't forgotten us.

Julie K. / Marathon County Public Library
Find this book in our library catalog.

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Two boys go into the woods, trailed by a younger girl. They play on a rope swing, and the girl breaks her arm. One boy runs to get help; the other runs away and discovers a clearing in the woods, and a cottage, and a woman and a dog. The woman offers him revenge: if he takes her offer, someone will be snipped out of the world as though they'd never existed.

But Hex Patel isn't the only one who gets this offer: Maria, older sister of Sascha, gets it too. And the world begins to change...and show more Tommo, Hex's best friend in the first timeline, is Jayce's best friend in the next, with a strange sense of deja vu.

Fantasy turns toward sci-fi as a special agent appears, seeking the anomaly, and enlists Tommo's help.

Pinfold's black and white illustrations throughout set a haunting atmosphere.

See also: The Ocean at the End of the Lane by Neil Gaiman

Quotes

And it seemed like most of life was like that - you did things and then thought about why you'd done them later on, when someone asked, or when you got caught, or caught out. (7)

Thoughts fought each other and the biggest and hardest ones won, and they weren't always kind. (35)

Lying in bed he'd felt like two people: one who did stuff and one who watched, and neither of them understood the other. (37)

As the day had gone by, he'd been a carton caught in the river current, bobbing and vanishing and twirling this way and that, yes and no, peace and anger, forgiveness and revenge. (86)

It was a lot to take in, but somehow it was a nonsense that made sense. This...wasn't how things were meant to be. (148)

And part of that healing was change. (153)

She set aside her own shame and replaced it with blame. (154)

She was lost, a stranger in a world that looked the same. (155)

What the world saw, and what happened inside...he knew these were different things. (159)

This was a basic problem with the universe, he thought, with the world, this inability to ever know, even when you're in the same room, whether you were in someone else's thoughts. (162)

The world had flowed like water to fill the gap, making little changes here and there...changes you couldn't have predicted. (167)

Why is every change bad? What if what's rewritten is better than what was rubbed out? (177)

"For now is the best we can ever do. There's always another threat round the corner, but we face it, deal with it, and then we face the one after that...It's what it means to be human...dealing with the problem in front of you." (179)

How many timelines, how many other versions of the world, had there been? Who had been friends with whom? What stories had been told that had been lost forever? How many throws of the dice did you get? (239) show less

Levi Pinfold's art is beautiful as always, but I think the story's more enjoyable for folks who responded to childhood bullying very differently than I did. Since most of the plot occurs as an outgrowth of Frank's inability to cope with her bullies, I spent most of the plot feeling irritated and frustrated with Frank instead of charmed and intrigued by the peculiar goings-on surrounding her.

First sentence: Hex wasn't entirely sure how the girl had come to be hurt. That morning he and Tommo had got on their bikes and they'd headed over the train tracks and down the hill, down to the woods. On a map, the woods were a fat finger pointing away from town.

Premise/plot: Twilight Zone times ten--that's how I'd describe A.F. Harrold's The Worlds We Leave Behind. It begins with two friends--Hex (short for Hector) and Tommo (short for Thomas) hanging out together. They had absolutely NO show more plans at all of hanging out with a "baby" (Sascha). But this neighbor-kid, Sascha, tags along despite the two trying their hardest to get rid of her. (Who wants to be responsible for a strange neighbor kid in the woods??? Certainly not these two.) Playing on a rope swing turns tragic--in more ways than one. She falls off the swing and breaks her arm--it is way more complicated than that...and the world (yes, the world) will never be the same.

Be careful who you meet in the woods. That's all I have to say about that. I know the jacket flap goes into much more detail....but why purposefully spill twists and turns?????

My thoughts: The Worlds We Leave Behind is certainly atmospheric and creepy. It isn't just horror lite. I think it could qualify as horror-horror. The pace was quick and intense. The premise and plot--stranger danger times a thousand--is uniquely odd and strangely familiar. It does feel like a blend of horror and fairy tale.

Sensitive readers might want to stay away. But for upper elementary grades and middle school who are looking for something spooky/scary/suspenseful/mysterious packed with twists and turns...this one might be a good fit. I do recommend it for adults who are nostalgic for the Twilight Zone. show less