Elvira Navarro

The title is, of course, ironic. These two novellas, linked together only by the geography of an urban quarter in Madrid, are explorations of adolescent angst. Nobody's happy at all. However these stories transcend the typical YA preoccupation with relevance and relatability (see Felicity Castagna's thoughts about this here) with circumstances that are not typical at all.

The first novella, The Story of the Chinese Restaurant 'Happy City' is about a family of Chinese migrants. The younger show more son, Chi-Huei, was left behind in China when the family migrated to Spain, and the story begins when he rejoins the family after an absence that was longer than originally planned. This first part covers familiar territory — the confusions of a young child experiencing migration: negotiating a new language and encountering different traditions of school and play.

As is usually the case, the boy learns the language of his new country with more dexterity than adult members of the family. Within the household his mother, stepmother and grandfather speak Chinese albeit with a different accent because the family came from the north, while the aunt with whom Chi-Huei lived in the south spoke the H. dialect and a thickly-accented Mandarin. This was the language his aunt had always used when she spoke to him, and the one they used at school, although the predominant language in the streets [was] the H. dialect. [Probably either Hokkien or Haikou, which are southern dialects). After an initial period of awkwardness Chi-Huei becomes adept at switching accents depending on who he's talking to, and soon also not only speaks Spanish with his older brother, but also with his father.

Navarro deftly explains why the family migrated in this sequence about languages. Chi-Huei's father was briefly imprisoned in China, and although it's not named as such and one needs to read between the lines, he is suffering PTSD from the interrogation. He can't now, in Chinese, answer any questions, about anything, because in the interrogation, he had to give the 'right' answer, not the truth (whatever that was), and he had to guess what was wanted without incriminating himself. The Chinese-speaking members of the family have to tell him what to do, never to ask him what he wants or thinks, because it sends him into panic. But in Spanish, which he learned quickly and speaks easily with his sons, he's not the fool he's thought to be by his wife, his father and his stepmother. Not much is made of this in the story because the focus in on the boy's difficult relationship with his mother, but it's an illuminating example of the after-effects of torture. It also explains the family preoccupation with making enough money to be secure in their new home.

In adolescence Chi-Huei begins to chafe at the duty he is expected to fulfil. His older brother is destined to work in the business (a take-away chicken shop that gradually morphs into a somewhat shabby restaurant) while he is expected to study hard and enter one of the professions. He despises the family preoccupation with money because he comes to realise that it was the reason for his long absence in China. His relationship with his mother is conflicted partly because she is the driving force in the business and works at it seven days a week and into the night as well, and he doesn't share her value system that money is security for the family and her sons in the future. But he also resents her abandonment of him.

She in return intrudes on his nostalgic memories of his childhood past with his aunt in China.

To read the rest of my review please visit https://anzlitlovers.com/2020/08/27/the-happy-city-by-elvira-navarro-translated-... show less

A novel about grief, told in disconnected almost vignette-like chapters. Navarro is able to give snapshots in time, illustrating Adriana's grief over time. She grieves her mother, struggles with/worries about her father's behavior, manages school and traveling to help her father, tries to manage her loneliness, and then grieves her father's decline. Writing is her outlet.

An interesting little book, covering a lot of time and worry in under 200 pages. But this is character-driven, which is show more not really my thing. Yes things happen, but we drop into Adriana's life and then back out of it.

The last section, The Voices, was far and away my favorite, as Adriana, her mother, and her grandmother are in conversation (but not really), and we get some background information and more details that help explain their behavior in the earlier parts. The whole book could have been written this way IMO. show less

These stories in this collection straddle the border of horror and mental illness--some are clearly horror (people don't grow animal parts that others can see), others might reflect the mental illness of a character or might be horror (can a building give someone the dreams of others in the building?). Or is this all about characters living their own horror stories, mentally ill or not? In any case, these stories vary between creepy, uncomfortable, and disturbing.

My favorites: The Top Floor show more Room, Paris Peripherie, Notes on the Architecture of Hell

This is the third book of kind-of-horror short stories I have read this year. The other two: [book:Revenge|16032127] by [author:Yōko Ogawa|42775] and [book:The Dangers of Smoking in Bed: Stories|53215250] by [author:Mariana Enríquez|4930107]. If you like these kids of stories, you will love all 3 of these books. show less

La ciudad feliz
Elvira Navarro
Publicado: 2009 | 123 páginas
Novela Drama

«La ciudad feliz» narra, a través de los ojos de un niño, las peripecias de una familia china que llega a España. También cuenta la historia de una niña que es acechada por un vagabundo. De fondo, el ruido de una ciudad, cuyas calles simbolizan la posibilidad y lo desconocido. Los personajes que deambulan por este libro buscan restaurar una identidad rota: la necesitan para poder caminar por un mundo que ha dejado show more de hacerles felices. show less