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John Morgan (38) (1973–2025)

Author of Usylessly

For other authors named John Morgan, see the disambiguation page.

1+ Work 2 Members 1 Review

Works by John Morgan

Usylessly 2 copies, 1 review

Associated Works

The Picture of Dorian Gray (1890) — Book & cover designer, some editions — 46,870 copies, 746 reviews
Dracula (1897) — Book & cover designer, some editions — 41,074 copies, 680 reviews
Treasure Island (1883) — Book & cover designer, some editions — 40,639 copies, 488 reviews
Madame Bovary (1856) — Book & cover designer, some editions — 29,666 copies, 426 reviews
Heart of Darkness (1899) — Book & cover designer, some editions — 26,210 copies, 431 reviews
Twenty Thousand Leagues Under the Sea (1869) — Book & cover designer, some editions — 21,234 copies, 283 reviews
Vanity Fair (1877) — Book & cover designer, some editions — 16,319 copies, 200 reviews
The Prisoner of Zenda (1894) — Book & cover designer, some editions — 2,930 copies, 95 reviews
The Overcoat (1842) — Book & cover designer, some editions — 1,025 copies, 35 reviews
The Nose (1836) — Book & cover designer, some editions — 503 copies, 25 reviews
Common Worship: Services and Prayers for the Church of England (2000) — Designer, some editions — 361 copies
Blumfeld, an Elderly Bachelor (Four Corners Familiars) (2009) — Book & cover designer, some editions — 29 copies, 1 review
A Stick of Green Candy (2009) — Book & cover designer, some editions — 14 copies
Drawing the Curtain: Cold-War Cartoons (2012) — Designer, some editions — 10 copies
Some Canterbury Tales (Four Corners Familiars) (2014) — Book & cover designer, some editions — 6 copies
Nau Sea Sea Sick (2009) — Book & cover designer, some editions — 6 copies
things 19–20 — Book & cover designer, some editions — 1 copy

Tagged

C4 (1) design (1) James Joyce (1) John Morgan (1)

Common Knowledge

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Reviews

1 review
Usylessly, a work by John Morgan, is the result of a close observation of the blue cover and form of the first edition of James Joyce’s Ulysses. The book duplicates the size, bulk and appearance of the 1922 Shakespeare and Co. edition. Everything but the text.

At the heart of the mostly blank 736 page book is a printed sixty-four page section containing two essays written twenty-seven years apart by Edward L. Bishop and Ted Bishop. The first essay, Re-Covering Ulysses, was initially show more published in Joyce Studies Annual in 1994 and explores the ‘non-literary’ aspects of the book, charting, as Bishop explains, ‘the movement of Ulysses the book – the physical object with its various jackets, blurbs, ads and price tags – from modernist work to social document, to status object, to cultural artefact to, finally, what seems to be a kind of futures commodity in the freewheeling post-copyright market.’

The second essay, Ulysses Blue, published here for the first time, starts its journey in the archive of the Harry Ransom Center in Austin, Texas with over forty copies of the 1922 edition and follows Morgan and Bishop on the quest for the blue cover, which for Joyce had to be blue – ‘The colours of the binding (chosen by me) will be white letters on a blue field – the Greek flag though really of Bavarian origin and imported with the dynasty. Yet in a special way they symbolise the myth well – the white islands scattered over the sea.’

John Morgan is the founder of John Morgan studio and Professor of design, typography and book art at the Kunstakademie Düsseldorf.

Ted Bishop is the author of Riding with Rilke: Reflections on Motorcycles and Books (Penguin 2005), and The Social Life of Ink: Culture, Wonder, and Our Relationship with the Written Word (Penguin 2017).

A note on the binding.
Please be aware that the binding is delicate and the blue imperfect with some banding in the spirit of the 1922 edition. The paper will crease and dent at the spine and elsewhere and show signs of use and deteriorate over time as a large paperback book will.

Paperback, 240 × 195mm, 736 pages. (64 pp. printed, 672 pp. blank) Edition limited to 500 copies, each copy numbered. The books are wrapped in brown paper and shipped in cardboard protective packaging. As the note on binding explained, some minor damage may still occur in shipping and handling, this is to be expected. Please note that the book is mostly blank, and does not contain the text of James Joyce’s Ulysses.
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