Henrietta Garnett (1945–2019)
Author of Wives and Stunners: The Pre-Raphaelites and Their Muses
About the Author
Works by Henrietta Garnett
Associated Works
Tagged
Common Knowledge
- Legal name
- Garnett, Henrietta Catherine
- Birthdate
- 1945-05-15
- Date of death
- 2019-09-04
- Gender
- female
- Education
- Huntingdon Grammar School, Cambridgeshire, England, UK
- Occupations
- biographer
novelist - Agent
- The Hanbury Agency
- Relationships
- Garnett, David (father)
Garnett, Angelica (mother)
Partridge, Burgo (husband)
Partridge, Frances (mother-in-law)
Garnett, Edward (grandfather)
Garnett, Constance (grandmother) (show all 15)
Grant, Duncan (grandfather)
Bell, Vanessa (grandmother)
Bell, Julian (uncle)
Bell, Quentin (uncle)
Woolf, Virginia (great-aunt)
Stephen, Leslie (great-grandfather)
Garnett, Richard (great-grandfather)
Stephen, James Fitzjames (great-granduncle)
Nicholson, Virginia (first cousin) - Short biography
- Henrietta Garnett, one of the four daughters of famed Bloomsbury Group members Angelica and David Garnett, grew up at Hilton Hall, their Jacobean house in Cambridgeshire. Holidays were spent at Charleston, the Sussex farmhouse of her grandparents Vanessa Bell and Duncan Grant. In 1962, at age 17, Henrietta married Lytton Burgo Partridge, 10 years her senior, the son of Frances Partridge, a diarist of the Bloomsbury set. The couple had a daughter, Sophie, born in 1963. After her husband died suddenly four weeks afterwards, leaving her a teenage widow, Henrietta plunged into the carefree whirl of the Swinging Sixties. She spent some time with Mark Palmer and a band of aristocratic hippies drifting around Britain in horse-drawn caravans. She married twice more and divorced, and in the 1980s settled in Provence, France. In 2001 she returned to the UK. Henrietta became a writer in middle age. Her first book was a 1986 novel called Family Skeletons. She then wrote several acclaimed biographies, including Anny (2004), a life of Anny Ritchie, the daughter of William Makepeace Thackery, and Wives and Stunners (2012), a group portrait of the muses, models, and mistresses of the pre-Raphaelite artists. She also gave talks about her famous family.
- Cause of death
- cancer
- Nationality
- England
UK - Birthplace
- London, England, UK
- Places of residence
- London, England, UK
Provence, France
Charleston Farmhouse, Lewes, England, UK
Hilton Hall, Cambridgeshire, England - Place of death
- London, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
This is an exhaustively researched and fascinating biography of Thackeray’s daughter. But it’s also the story of her sister Minny and her husband Leslie Stephen and their tragic daughter Laura Makepeace Stephen whose instability and mental distress haunted the life of her half sister Virginia (Stephen) Woolf. It recreates their lives – often happy and joyful and then haunted by illness and money worries – wonderfully. They are young and hopeful and Leslie Stephen, often just seen as show more the curmudgeonly and controlling patriarch of Virginia Woolf’s writings and diaries, is portrayed particularly sympathetically. This is a family saga like few others: Anny’s surprise marriage to her much younger cousin, Minny’s awful death and Leslie’s terrible grief (ameliorated by the cool Julia Prinsep Jackson – no wonder Virginia had a problem with her), beautiful Lionel Tennyson’s disgrace and then romantic marriage and Anny’s heartbreaking understanding of the truth of her own marriage. To this is added the ghost of Thackeray, poor mad Mrs Thackeray and Anny’s thriving writing career and influence on those around her, not least Woolf herself. Laura’s story is very well drawn and affecting. Two concerns: photographs and family trees. Although this is a biography of Anny there were no photographs of her children. The family trees show Anny's children but not her son's marriage and child/children. One last minor quibble – how did clever and brave Anny make it into the Siege of Paris? show less
A much better read than expected, it kept me enthralled. I don't usually go for non-fiction by non-scholars, but Garnett delivered, probably because she is from the upper class in Britain and had connections to many of the PR's descendants. I certainly enjoyed the focus on the women and the refreshing view of Siddal's medical maladies, though felt that her art was slighted and a good deal too much time was spent on Rossetti and Morris, as is always the case (though I'm liking Morris more show more than ever and hating DGR more than ever, so what can I say). show less
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Statistics
- Works
- 4
- Also by
- 1
- Members
- 68
- Popularity
- #253,410
- Rating
- 3.6
- Reviews
- 2
- ISBNs
- 11
- Languages
- 1



