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Angelo Rinaldi

Author of The Den of the Forever Frost

25+ Works 309 Members 2 Reviews

About the Author

Includes the name: Rinaldi Angelo

Image credit: By Une_vingtaine_d'académiciens,_au_29_novembre_2007.JPG: Glotzderivative work: Président (talk) - Une_vingtaine_d'académiciens,_au_29_novembre_2007.JPG, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=12712144

Works by Angelo Rinaldi

Associated Works

The Secret Garden (1911) — Cover artist, some editions — 41,937 copies, 610 reviews
Dreadnought (2010) — Cover artist, some editions — 1,231 copies, 56 reviews
Ganymede (2011) — Cover artist, some editions — 650 copies, 35 reviews
Fiddlehead (2013) — Cover artist, some editions — 349 copies, 7 reviews
The Explorer (2012) — Cover artist, some editions — 290 copies, 14 reviews
The Lost Lands (2020) — Cover artist, some editions — 92 copies
The Kingfisher Book of Horse and Pony Stories (2005) — Illustrator — 54 copies

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Reviews

2 reviews
Les Dames de France was Rinaldi's fourth novel. The narrator, Antoine, recollects his childhood in a Corsican town (presumably Bastia), where he grew up with his mother Alida - proprietor of the "Dames de France" store - and her young sister Léna, so close to him in age that she was more like a big sister than an aunt. Léna continues to live with him when he moves to Paris to explore its gay underworld and build up a career in real-estate, and she writes an unsuccessful novel about their show more joint childhood called Les Dames de France. In the present of the narrative, Antoine is trying to get over Léna's recent death.

The book uses a recursive, self-consciously Proustian technique to burrow via these three main layers of time into Antoine's memories, which often made it feel rather over-written, but there are some very entertaining and effective bits of description, particularly the extended account of a dinner-party given by the Malaspina sisters, at which the whole of middle-class Corsica's closeted LGBT community seems to be present. I wasn't so happy with the final section, set in a Corsican-run gay sauna in the Marais: Rinaldi is oddly reticent about using sexually-explicit language, and there's something not quite right about a description of a pre-HIV orgy in a steam-room where not one of the participants appears to possess a penis. You might legitimately conclude that what is going on is nothing more than a big group-cuddle. Maybe that was censorship or an attempt to avoid alienating mainstream readers, but with a few decades of hindsight it just looks silly.
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½
Potentiel intéressant, mais beaucoup trop long

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Statistics

Works
25
Also by
7
Members
309
Popularity
#76,231
Rating
4.1
Reviews
2
ISBNs
47
Languages
5

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