Jerry Hanel

Anyone who read the review I did of Death Has A Name knows that I'm a Brodie Wade fan. He's that perfectly adorable combination of vulnerable, unstable, wounded, and sweet that just makes you want to take him home, clean him up, and make sure he's safe and protected forever. Basically, if you've got even the tiniest bit of Florence Nightingale in you, you're going to love Brodie.

So, I was immensely pleased to see him come back for Thaloc Has A Body. In Thaloc Brodie's got a whole new set of show more mysteries to figure out. Phil Dawson, his friend the police detective, is stumped. People are getting killed. Heaping piles of evidence point to the murderers, but it just doesn't feel right. Those people are acting innocent and have no motives. Then the final straw, one of the killers is a dead man. Phil calls in Brodie, and the two of them start chasing down a killer who can look like anyone, leave hair, fingerprint, and clothing evidence, and is on a killing streak. Meanwhile, The Truth, Brodie's link to the paranormal, has been pretty well behaved in the wake of Death Has A Body, but well behaved isn't the same thing as silent. It's telling Brodie his wife and death, who are one in the same, are approaching.

There were some issues I had with Death, lack of back story, rushed ending, slightly flat secondary characters, all of which I was hoping to see improve in the next book. And in most of these issues Hanel delivered. Thaloc takes care of the back story issues. How did Brodie and Phil get together? Why are they friends? What kind of guy is Phil? All answered beautifully. Jamie Stanton, who was briefly introduced in Death comes back as well, and she's also nicely rounded out in this one. Brodie, as always, is a glittering diamond of a character. And, because the Truth is backing off a bit, we're getting to see what a functional Brodie, a man who's just starting to trust that maybe the world isn't going to explode around him in the next five minutes, looks like. I like functional Brodie just as much as messed up Brodie.

Pacing is still pretty quick. Hanel has taken the mantra "Do Not Bore The Reader" to heart. There is no wasted time in this plot. If something is happening in the story, it's important. Pacing is also fast in the sense of how quickly characters developed. Personally, I'd like to see the character development slow down a little. But, I'm guessing the target audience for this book will be fine with things fast.

Once again, the ending seems a bit rushed. Hanel writes a big climax and then sort of skimps on denouement. There are two major bombs thrown at us at the end of the story and a little time to see Brodie deal with them would be nice.

We get some romance in this installment which I enjoyed. I like seeing Brodie happy. And for most people happy involves more in the way of companionship than a cat. Granted, I would have expected him to be a bit more shut off, but the romance wasn't totally out of left field. It is (as I eluded to before) fast. But not ridiculously fast, no one is declaring undying love on day two of the romance. And, I'd like to give Jerry some serious points for this, from everything we can tell Brodie is a virgin, which fits his character perfectly. There is nothing I find more off-putting than running into a socially awkward, emotionally wounded character who as soon as he gets into the bedroom turns into Mr. All-The-Right-Moves-Sex-God!

There was one note in this story that rang false to me. Phil is the sort of character who's had a very, very bad time with religion in the past and it's left him hostile to the idea of God. And he's so deeply uncomfortable with the idea of God that it threatens to wedge a rift between him and Brodie. But he has a sort of no-atheists-in-foxholes moment toward the end of the book. Now, I know some pretty hardcore atheists, some of whom have been in foxholes, and they tend to get annoyed at the portrayal of when the chips are down they start praying just like everyone else. Given Phil's back story, and the way he reacted to Brodie and Jamie talking about God, his sudden prayer struck me as more Jerry making a point, than something Phil would genuinely do.

But as quibbles go, that's a pretty minor one. Once again I fully enjoyed spending time with Brodie. Once again I can't wait to see what's coming next for him. The end of Thaloc left a lot of interesting possibilities for our leading man, and I'm looking forward to seeing where he goes. show less

Death Has a Name by Jerry Hannel is a lovely bit paranormal mystery. Several other reviewers of this book claimed they couldn't put it down, and while that wasn't literally true for me, it was as close to being true as I ever get with a book.

So, what is so wonderful about this little gem? Brodie Wade.

There's a term from fan fiction that has crept into the world of original fiction: Mary Sue (or if male, Gary Stu). A Mary Sue is a character that can do anything. She's got amazing powers, show more gorgeous looks, a winning personality, there's no problem she can't solve, and she's probably kind to animals as well. She's just perfect. And, she's annoying as hell. Unfortunately she has a tendency to show up a lot in fantasy because it's just too easy to write a story where Mary Sue has the magical power that just saves the day. Now, in good storytelling, if a character has some sort of great power, it also has to have some sort of flaws or weaknesses. Brodie is an example of good storytelling.

He is described as a psychic. The Truth (not an Obi Wan Kenobi-your-point-of-view-my-point-of-view-truth, but the literal, Platonic Ideal, imagine it standing next to the rest of Neil Gaiman's Endless, TRUTH) is real and wants people to know it. Brodie, for whatever reason, can see the Truth, and it can see him. It's very insistent about getting its message across. To the point of beating it into Brodie when need be, and it defines need as pretty much whenever Brodie doesn't immediately hop to and do whatever it wants. So, Brodie has great power; he knows what's really going on, even when he doesn't want to. He knows he's sane. He knows what he sees is real. But he's jumpy, nervous, and constantly on the edge of institutionalization. Every day of his life is a struggle to hold onto a thin veneer of normal. And, of course, as a result of this, he doesn't exactly have a booming social life.

Characters like that make me especially happy. When I see real world set paranormal/fantasy I want to see characters struggling with the fact that the rest of the world doesn't believe in what they see. I want to see a cost to great power. Brodie is a broken mess of a man, but he's a very appealing mess. The kind of character that encourages a desire to take him home, clean him up, and try to protect him from the big, bad world. If Hannel had marketed this to the YA world, Brodie would have a huge collection of devoted teen girls swooning over him.

Okay, before I get too far into fan-girl-mad-crush squeeing, let me get back to being a critical reviewer. In addition to Brodie, is Detective Phil Dawson. Brodie uses his skills to freelance investigate cold cases. Detective Phil is actually a member of the LAPD. We don't get a lot of backstory, (Actually, we get no backstory on this.) but somehow these two are friends. Maybe they worked a case together and just clicked. Maybe Phil also finds Brodie's mess of a life appealing. For whatever reason, Phil actually likes Brodie; believes, as much as he can, in Brodie's talents; and supports him. Phil is the guy Brodie calls when he's missing his cat and jonesing for a cigarette to deal with the stress. (Brodie is very attached to his cat. If he's got a love of his life, it's the cat. Hear that sound? It's a thousand teen girls sighing.)

Brodie wakes up in the middle of the night, his cat is covered in blood, and the Truth wants him to investigate a murder. The next morning, Phil gets a call: a horrible murder has just happened. And thus the plot is set in motion, because, of course, those cases are one in the same.

The pacing is quick, hence the 'couldn't put it down' reviews, and the dialog is sharp. Without dialog tags you can tell Phil from Brodie. The plot is interesting, but not overwhelmingly complex, which also aids in keeping the pacing quick. Though this isn't the greatest comparison, not the least because they spend no time in a lab, this book reads a lot like an episode of CSI. There's not a ton of background on the characters, the case is the primary motive aspect of the plot, and the writing is tight.

The lack of background is my main quibble with this story. I would have liked to have seen a deeper backstory. I would have liked to know why Phil believes in Brodie. I would have liked more information about The Apprentice (the bad guy), Contego Veritas (the mysterious organization protecting the world from Death), how the whole Death thing worked (Death is trapped in a box kept safe by Contego Veritas, and trying to get The Apprentice to get him out.) You've probably seen someone say a book is only as good as its villain? Well, that's not necessarily true. This is a good book, but the villain is very sketchy. An extra fifty pages spent following him, showing us how he got to where he was, what was motivating him, how he was finding his victims, all would have been welcome. More than welcome, that would have made this very good book a great one.

Brodie is the only character we get any real backstory on. I would have liked to know more about him as well, but I think the level we got was appropriate. There are mysteries left to solve and quirks left to discover for later novels.

My other quibble with the book was the ending seemed rushed. Phil's storyline gets dropped. We leave him hanging, having to prove his case is right under penalty of losing his job. The reader knows he's correct, but we never find out if he's able to convince his supervisor he was right, soon enough to not get fired. I understand why it was left out, after all, we already know how the story ended, but a bit of extra wrap up on him would have been nice. Likewise Brodie's storyline also felt a little rushed. Not bad, but very quick. All the plot lines converged in a matter of minutes (literally, in story time the climax takes maybe fifteen minutes tops) into the climax of the story.

All in all Death Has a Name made me very happy. I'll call it an extremely well recommended four star. Brodie will be back soon, and I'm looking forward to it. show less

Death Has a Name by Jerry Hanel is the griping tale of Death and the lengths people must go to in order to keep him at bay. We are introduced to Brodie Wade who knows all to well that there are things that can't easily be explained all around us. As a child he was thought to be insane and did his time in the nut house. Finally given a clean bill of sanity at sixteen, Brodie used his gift to help the police solve cases that were unexplainable. Brodie's gift tests him daily as he fights to show more lead a normal life. This gift allows him to see what is known as The Truth. Manifestations can appear at any time and demand Brodie to listen. So when a headless man comes to Brodie for some help and Brodie finds himself in jail for murder, he will have to rely on the gift he wishes he could ignore to save not only his life, but life on Earth as well. Jerry Hanel gives us an intriguing look into Death, what he represents, and the league sworn to protect humanity. There is some mild gore description during some crime scenes, but nothing that can't be handled by a mature audience. From the excerpt at the end of Death Has a Name, it looks as though there is another book in the Brodie Wade series and I am interested to see what situation Brodie finds himself in next. show less

Fort Reiley by Jerry Hanel

Tabloid reporter Harrison (Harry) Kass goes to a small town in Oklahoma to try to find facts on an urban legend. He finds that Adam Moor is hiding a secret. The secret is very disturbing and shocking. Adam wants to make Harry a "citizen", meaning making a parasitic infection take over his mind and body.

He meets Tara Roberts the local vet, and he finds she is not who she appears to be. She is the only one willing to help Harry overcome the infection. They work show more together to fight this, and Harry has to decide if he wants the truth revealed. Will they be able to achieve this difficult task, and will Harry be able to accept Tara for who she is.

The story is very original. I liked Harry, he was a down to earth ordinary man just trying to find the big "scoop" to make a name for himself. He also uncovers a truth he is not sure what to do with. Tara is likable as well. Even when we learn of her secret. At times the story was a bit confusing. Most of the story takes place in present time, but the story goes back to the past, in diary entries, articles, doctors notes to name a few.

Overall the story does blend and it makes sense. The story is interesting enough to keep me wanting to learn more. In the end I did like how it all unfolds. I feel those who like thriller/suspense/urban legends will enjoy Fort Reiley. show less