Michael Duffy (2) (1957–)

"...one of the most disturbing things about this story is not only that he [Paul Wilkinson] left a trail of broken careers and marriages and lives in his wake - a trail of misery an devastation- but that he almost got away with it." p5

This quote from Call Me Cruel aptly describes why this case is so fascinating. It took five years to bring Paul Wilkinson to account for the murder of Kylie Labouchardiere, and he did very nearly walk away. This book tracks the case from the moment Kylie show more disappeared until Wilkinson was convicted of her murder. A sad tale of a vulnerable woman whose poor choices led her into the arms of her killer, Call Me Cruel includes the known facts and evidence police painstakingly gathered, the story of the grief felt by Kylie's family and some conjecture about what exactly happened to Kylie, whose body has never been found.
Kylie Labouchardiere was just 25 years old when caught a train from the central coast to meet her lover, Wilkinson and was never seen again. Their affair had begun only a few months earlier after an encounter in the hospital where Kylie worked and Wilkinson was a patient. Unhappy in her marriage to her Navy husband, Kylie was susceptible to Wilkinsons charm that disguised his penchant for lies and manipulation. At the time an Aboriginal Community Liaison Officer (ACLO), though on stress leave, Wilkinson lured Kylie into his life by pretending to need her help with a case and quickly began a sexual relationship with her despite having a wife and brand new baby at home.
On the night she disappeared it is believed that Kylie, who had just discovered she was pregnant, was expecting Paul to leave his wife and move with her to Dubbo to begin a new life.
Kylie's murder is undoubtedly a tragedy, and it was made worse for her family by the difficulties police had in proving a case against Wilkinson. Despite the suspicions of the investigators, Paul was arrogantly certain that they would never tie him to Kylie. But as a man who thrived on attention and manipulation he was unable to resist the drama of the case, repeatedly insinuating himself into the investigation with elaborate lies and fantasies which grew and changed over time, placing him more firmly in the frame as a suspect despite the lack of physical evidence. It is rare that a killer is convicted without a body though there is no doubt Kylie was murdered by Paul Wilkinson. In the end is was one of the more than 20,000 text messages that he exchanged with Kylie over a period of less than four months that proved to be the piece that led to Wilkinson admitting (though later rescinding) his guilt.
In his murderous wake, Kylie was not Wilkinson's only victim - Kylie's broken family, his own wife and son and a police officer he involved in his fantasies accusing him of outlandish crimes all paid a price and continue to do so, for his selfish decisions. Oblivious, Wilkinson refuses to reveal where Kylie was dumped and cares not at all for their misery.

Michael Duffy, a journalist and fiction novelist, has told the story of the investigation with sensitivity and respect striking a balance between dry facts and high emotion. Call Me Cruel is an interesting look at a victim, her murderer and the procedures of the police in a homicide case. show less

It's odd the things that come to mind when you're reading a book. THE SIMPLE DEATH had me very worried for central character Nicholas Troy's female colleagues. Given that he seems to spend a lot of his time jumping into bed with other women as soon as something goes wrong with his own life (not just including his wife's Post Natal Depression / leaving him etc from the first book), that I'm really worried what's going to happen if he ever gets knocked back on a promotion.

It's a pity that the show more personal behaviour of Nicholas follows a rather predictable, well worn track now, because the rest of the story in this book was really well done and extremely sensitively handled. Not an easy task given that there are some tricky subjects tackled. Euthanasia and sexual abuse by members of the Catholic clergy are carefully built into the inexplicable death of a hospital executive who jumped (or was pushed) off a Sydney ferry.

Told in distinct threads which eventually weave their way together, THE SIMPLE DEATH follows the investigation of that high achiever who disappeared off the side of a Manly Ferry. Whilst Detective Nicholas Troy is looking into that case, he's also concerned about the fate of the man who took him in after his parents died. Father Luke Corelli has always been a mentor and solid figure in Troy's life and the accusation that he had abused a young boy years before has thrown Troy. The fact that Luke is also dying of cancer, and refuses to deny the charge confuses and distresses Troy. Troy is also still coping with his wife leaving him and taking their young son to Brisbane. Meanwhile successful education department bureaucrat Leila Scott is coping with her own form of cancer suffering - her mother is dying slowly and painfully from bone cancer, and she has asked Leila for help to die. When Troy comes across members of the group that Leila goes to for help, he starts to think there's something more sinister going on.

Obviously there's a few themes in this book that have the potential to worry some readers. Both of these - the abuse and the euthanasia themes - seemed to this reader to be particularly well handled. There's nothing either judgemental or particularly sympathetic or dismissive about either of the subjects, rather it's looked at from a couple of very personal perspectives, whilst also exploring the reality of the consequences of choices. These aspects of the book were particularly well handled, as was the way that all of the threads eventually weave together to a neat solution. The interesting thing about the trajectory of this series is that it seems to be repositioning slightly. If pressed, despite the police procedural elements in the first book - THE TOWER - I would persist in calling it more of a thriller. This book - THE SIMPLE DEATH - still has quite a few thriller type characteristics, but it's definitely moving more towards a Police Procedural style, and it's doing it quite well. Really, if it would be possible to drop the persistent predictable sexual misdemeanour's of Nicholas Troy and keep developing the plot and procedural elements, these books could be the start of a very very good series. show less

DRIVE BY is fiction although readers may find themselves having to work hard to remember that. From the opening voice of Jabber (John) Habib to the build up of mayhem on the streets of Sydney, obviously comparisons are being drawn between Melbourne's Underbelly Underworld wars and the increasingly violent, and therefore reported on, drug wars in Sydney.

The story of John Habib, his brothers, their involvement in the Sydney drugs trade, and the murder trial of the youngest brother, is show more interwoven with the story of young cop Bec Ralston. Somewhat inexplicably she's pulled into a very responsible position in Habib's trial as senior cops seem to be dodging and weaving around. What's really going on with both the Habib brothers and within the cops might not that hard to connect up, but how it all plays out is more surprising.

Part of what really works in DRIVE BY is the voice of John. On the one hand he seems to be perfectly aware of the "family trade" and its ramifications. On the other, he's staunchly loyal and there's little, if any, sense of right and wrong. That loyalty to, belief in family above all else is quite disturbing, especially given a distinct feeling of whatever it takes for the family to survive. Which makes the possibility that Rafi could have killed a drug dealer in the middle of the night not just believable, but uncomfortably understandable.

What works less well are the police threads which are complicated but obviously leading in the direction of some form of corruption or power play. Whilst it's not a disappointing storyline in its own right, most of what's felt wrong is the way that it pulls focus from the Habib's story for a considerable period of time. Right at the point where things are getting very awkward in the Habib family. Having said that, other readers will probably appreciate that aspect of the tale more, so we're definitely talking horses for courses.

Whilst not 100% convinced about the comparisons with the writing of Peter Temple, known more for his brevity and pointedness, something that DRIVE BY at 379 pages might struggle to justify, there is real skill in the characterisation of John, in particular, in this book. His voice is unique, and there is a real feel of seeing inside the dynamics of a family ruthless enough to do whatever it takes to survive. It's also a peek inside the world of policing that, on a daily basis, works against the tide of the sobering piles of money that the drug world generates, and the violence required to maintain a position on the top of that pile.

http://www.austcrimefiction.org/review/drive-michael-duffy show less

In an interesting twist THE TOWER is the first crime novel from journalist turned author, former publisher Michael Duffy. Set in Sydney, the book will introduce readers to two Sydney police characters, the young Detective Senior Constable Nicholas Troy and the older Detective Sergeant Jon McIver.

Falling from high up on the construction site for the world's tallest skyscraper in Sydney isn't going to end well, landing on the roof of a police car just makes it seem all that more cruel. It show more takes quite a while for the police to identify the woman who died on that dark Sydney night, although thinking it is unlikely to be a suicide is made easier by events high up in the tower as the investigation commences.

Young Nicholas Troy is one of the earliest detectives on the scene, and it's very easy to imagine that without him this tale of greed, money, power, corruption and influence would never be fully uncovered. Life for Nicholas isn't particularly straight-forward though. At home, he and his wife Anna have a young son, but the pleasure in becoming parents has been shattered by Anna's ongoing battle with debilitating post-natal depression. At work he's closely connected with Jon McIver who has a bit of a reputation. As the investigation into who this woman is and why she fell from this particular building rolls on, the truth of this massive building project is slowly revealed, despite the best efforts of some really incompetent policemen and some blatant police politics.

THE TOWER is an interesting book for a number of reasons. Firstly there is this spectre of this massive Tower Building being constructed in the city of Sydney, imposing itself in such a grand manner over the city and its inhabitants. As the story unfolds the tower is hiding secrets within the construction, in its background and how it came to be, and in the history of its builders and their own motivations. The tower and it's original builder and their connection with the victim are revealed in the midst of a mix of corruption, money and screwed up family relationships. Along the way there are a range of characters deeply involved in the mystery - the engineer come security chief for the tower, his Chinese master, the victim's own family and, of course, Troy's family and friends.

The book does have a few minor problems - there's a little too much repetition, particularly of some of the circumstances surrounding Troy's personal life which tends to drag out the length of the book without necessarily adding much new to the overall story. The tensions between the upper-echelons of the police force and McIver and Troy are a little predictable and Troy commits one of the basic no-nos in a police investigation by getting too close to a possible suspect. But there are some very interesting characters here. Everybody is human - not perfect - not completely bad. As the story of Troy, McIver and the death of this woman begins to unfold, there's something refreshing about the matter of fact way in which the characters are presented. The supposed good guys - the upholders of the law, skate across a minefield of temptation, expediency and convenience. They are capable of losing control and objectivity, of making bad decisions. The bad aren't all bad, but certainly aren't particularly good either and their decisions are as compromised by the circumstances of their own lives. There's no glossing over the victim herself, she's a spoilt little rich girl with very limited street-smarts. Yet in a strange way there's a glimmer of possible sympathy sometimes just as there is a desire to line them all up for a serious dressing down.

Supporting those characters is a very complicated plot that doesn't suffer from being overly busy. There are elements that really ring true, there are others that take their lead more from the traditional thriller than perhaps a police procedural, but they work together very well. There's also an interesting interweaving of the very domestic and the very international.

It looks like THE TOWER is the start of a new series - police procedural, character based, set in Sydney. Where Duffy takes Troy and Anna, McIver and the rest of the investigation team is something to look forward to.

Don't forget to check out the song that goes with the book at: http://www.cityofsharks.com/

You can also read Michael's responses to some questions from AustCrime at: http://www.austcrimefiction.org/node/5291 show less