Charlotte Smith (1) (1749–1806)
Author of Emmeline, The Orphan Of The Castle
For other authors named Charlotte Smith, see the disambiguation page.
Charlotte Smith (1) has been aliased into Charlotte Turner Smith.
About the Author
Image credit: Uncredited drawing found at The Poetry Foundation website
Works by Charlotte Smith
Works have been aliased into Charlotte Turner Smith.
Rural Walks 1 copy
Associated Works
Works have been aliased into Charlotte Turner Smith.
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,471 copies, 9 reviews
Our Haunted Shores: Tales from the Coasts of the British Isles (2022) — Contributor — 67 copies, 2 reviews
Tagged
Common Knowledge
- Other names
- Smith, Charlotte Turner
- Birthdate
- 1749-05-04
- Date of death
- 1806-10-28
- Gender
- female
- Education
- private schools
tutors - Occupations
- poet
novelist
translator
educational writer
playwright - Short biography
- Charlotte Turner Smith was born in London, England, the oldest child of a wealthy family. Her mother Anna Towers Turner died when Charlotte was very young, and her father Nicholas Turner travelled abroad. She and her siblings were raised by Lucy Towers, their maternal aunt. Charlotte was educated at schools in Chichester and Kingston and had lessons from private tutors. She began writing poetry at an early age. Her father returned to England, having spent most of his money, and remarried to a wealthy woman. He also arranged a marriage for Charlotte, aged 15, to Benjamin Smith, the son of a well-to-do West Indian merchant. They had 12 children but the marriage was deeply unhappy: her husband was a violent and profligate man. In 1783, he was thrown into King's Bench debtors' prison, where Charlotte joined him and began writing to provide for her family. Her first book, a collection called Elegiac Sonnets and Other Essays (1784), was a success and later went into several editions. She also translated Manon Lescaut by Abbé Prévost into English. However, fiction promised greater financial rewards, so she wrote 10 novels including Emmeline; or, The Orphan of the Castle (1788), Ethelinde; or, The Recluse of the Lake (1789), Desmond (1792), and The Old Manor-House (1793). She obtained a legal separation from her husband in 1787, and although he hid from his creditors in Scotland and France, he often secretly returned to England to claim her book earnings. Her father-in-law Richard Smith attempted in his will to bypass his son entirely and leave the bulk of his estate directly to Charlotte, but this only led to a 30-year legal battle. In 1799, her comedy What Is She? was performed at the Theatre Royal, Covent Garden. Near the end of her life, she turned to writing instructive books for children, the best being Conversations Introducing Poetry for the Use of Children (1804). A collection of poems in manuscript was published posthumously in 1807 under the title Beachy Head and Other Poems. Her poetic works were praised by Coleridge and Wordsworth, while her novels are credited with influencing the young Dickens. Today she is recognized as an important Romantic writer.
- Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- London, England, UK
Lys Farm, Hampshire, England, UK
Dieppe, France - Place of death
- Tilford, Surrey, England, UK
- Burial location
- Stoke-on-Trent, England, UK
- Associated Place (for map)
- England, UK
Members
Discussions
Group read: Emmeline, The Orphan Of The Castle by Charlotte Smith in Virago Modern Classics (July 2019)
Reviews
Emmeline Mowbray is an illegitimate orphan who has been allowed by her uncle to use her father’s name and live in his castle in Wales. When her uncle and her cousin, Delamere, visit the castle, everything changes for young Emmeline. Delamere becomes obsessed with her and places her in physical danger. Instead of restraining his son, Emmeline’s uncle keeps forcing her to move. She makes friends wherever she goes, but the threat of Delamere’s violence continues to hang over her and show more limits her choices of companions and activities. Emmeline and her acquaintances are members of the class that doesn’t work, and since they have nothing better to do, they worry about who might say what to whom, and how others will react to that, and work themselves up into highly emotional states. The book is interesting as a specimen of the literature of its time, but readers shouldn’t expect writing of Austen’s caliber. show less
The sense of accomplishment derived from actually finishing this novel must be experienced to be appreciated; after completing 540 pages of tightly packed text, with footnotes and poetry, I felt as relieved as the heroine Celestina and her beloved Willoughby!
The story itself is incredibly drawn out, with the initial separation and final reunion divided by copious passages of description, introspection and wallowing by the lead characters. This type of gothic romance would be mocked by Jane show more Austen in 'Sense and Sensibility' twenty years later, but Charlotte Smith provides a happy ending for her melodramatic and self-involved couple. Poor Celestina (the Marianne character) is torn from her perfect if poor future with Willoughby, and left in doubt as to whether they can ever be together again; elaborate and infuriating events conspire to keep them apart for the bulk of the novel, each separately bemoaning their fate, until an extraordinary coincidence resolves their destiny. Celestina has to suffer a persistent and slightly disturbed young man fighting an arrogant libertine for her attentions; Willoughby considers marrying his rich cousin out of desperation. She endures two new acquaintances bending her ear with their forlorn life stories and disappears off to a distant Scottish island, a setting almost as miserable as she is; he travels into the Ardennes and is regaled with the curiously relevant memoirs of a persecuted nobleman. Of course, the real purpose of this courtship novel is to drill home the author's politics, a woman inspired by the American and French Revolutions - the poorer classes triumph, whilst the decaying aristocrats try to hold onto their crumbling power and influence. Exasperating, but entertaining. show less
The story itself is incredibly drawn out, with the initial separation and final reunion divided by copious passages of description, introspection and wallowing by the lead characters. This type of gothic romance would be mocked by Jane show more Austen in 'Sense and Sensibility' twenty years later, but Charlotte Smith provides a happy ending for her melodramatic and self-involved couple. Poor Celestina (the Marianne character) is torn from her perfect if poor future with Willoughby, and left in doubt as to whether they can ever be together again; elaborate and infuriating events conspire to keep them apart for the bulk of the novel, each separately bemoaning their fate, until an extraordinary coincidence resolves their destiny. Celestina has to suffer a persistent and slightly disturbed young man fighting an arrogant libertine for her attentions; Willoughby considers marrying his rich cousin out of desperation. She endures two new acquaintances bending her ear with their forlorn life stories and disappears off to a distant Scottish island, a setting almost as miserable as she is; he travels into the Ardennes and is regaled with the curiously relevant memoirs of a persecuted nobleman. Of course, the real purpose of this courtship novel is to drill home the author's politics, a woman inspired by the American and French Revolutions - the poorer classes triumph, whilst the decaying aristocrats try to hold onto their crumbling power and influence. Exasperating, but entertaining. show less
Emmeline is born to the eldest son of the elite Mowbray family her parents, who aren't married, die while she is an infant and she is raised in the home of her father's younger brother and his wife, who despises her. As a teenager her cousin falls in love with her and she with him but they are kept apart by his mother who dislikes her. During the next few years she is sent to live with genteel, but poor, ladies to keep her away from the cousin and she receives only a small allowance from the show more uncle who is her guardian. Complicated family relationships, problems of friends, lack of money, etc. provide a somewhat soap opera like nature to the story but the characters are interesting, the experiences gripping and Emmeline is so lovely that it's a fun read. show less
A fascinating book, written when the 'women's novel', as satirised in Northanger Abbey, was a mix of moral tract (where the good are good and the bad are bad, and the consequences are mostly just in the end); romantic novel (swooning, duelling and beautiful countryside) and - just - character driven plot. It helps to have a taste for novels where the heroine has ' the compassion as well as the beauty of an angel', but as with many of the novels written in the 18th century by heroic women show more facing extraordinarily difficult lives, Smith offers a fairy tale plot, with some very painful interludes. show less
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- Works
- 14
- Also by
- 6
- Members
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- Popularity
- #64,174
- Rating
- 3.8
- Reviews
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- ISBNs
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