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Kathryn Walker (1) (1943–)

Author of A Stopover in Venice

For other authors named Kathryn Walker, see the disambiguation page.

1+ Work 122 Members 2 Reviews

About the Author

Image credit: Joyce Ravid

Works by Kathryn Walker

A Stopover in Venice (2008) 122 copies, 2 reviews

Associated Works

Slap Shot [1977 film] (1977) — Actor — 148 copies, 1 review
The House without a Christmas Tree [1972 film] (1972) — Actor — 39 copies
Neighbors [1981 Film] (1981) — Actor — 19 copies
Frontier House [2002 film] (2002) — Narrator — 16 copies
Colonial House [2004 TV series] (2004) — Narrator — 8 copies
The Adams Chronicles [1976 TV mini series] (2008) — Actor — 6 copies, 1 review
Mrs. Delafield Wants to Marry [1986 TV movie] (2005) — Actor — 4 copies
Rich Kids [1979 film] (2016) — Actor — 1 copy
Monet: Legacy of Light [1989 film] — Narrator — 1 copy

Tagged

Common Knowledge

Canonical name
Walker, Kathryn
Birthdate
1943-01-09
Gender
female
Education
Wells College
Occupations
actor
writer
Awards and honors
Phi Beta Kappa
Relationships
Taylor, James (former spouse)
Nationality
USA
Birthplace
Philadelphia, Pennsylvania, USA
Associated Place (for map)
Pennsylvania, USA

Members

Reviews

2 reviews
While on a concert tour of Italy with her husband, a celebrated but self-absorbed musician, Cornelia rebels at seeing nothing but concert halls and railroad depots. After leaving Venice, she decides to go back. Grabbing a suitcase, she leaves the train and boards one heading back to Venice. There she books a hotel room and goes for a walk. Soon she meets and rescues a Chihuahua in distress and reluctantly returns the adorable little fellow to his owner. This sets Cornelia on a path that show more leads to new friends, remarkable discoveries that promise to rock the world of art history, and unexpected romance (not just with the Chihuahua). It also helps Cornelia to understand herself and changes her future.

Among the growing body of novels that involve revelations extracted from long-lost manuscripts, this one is a small jewel. Its suspense derives, not from keeping the new discovery from villainous hands, but from human interactions, both contemporary and five centuries past. Another plus is a satisfying and plausible conclusion, not a cop-out that sends the long-lost manuscript plunging into a fire or an abyss before anyone finds its secrets. It's Kathryn Walker's first novel; let's hope it's not her last.
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great read! Venice, 1600's art in venice, italy, relationships

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Statistics

Works
1
Also by
12
Members
122
Popularity
#163,288
Rating
½ 3.7
Reviews
2
ISBNs
96
Languages
1

Charts & Graphs