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About the Author

Sander M. Goldberg is Distinguished Research Professor of Classics at the University of California, Los Angeles, USA. He has published widely on the Roman theatrical tradition as well as producing specific studies of Terence, including a monograph and commentary on one of Terence's most problematic show more plays, the Heeyra. show less

Includes the names: Sander Goldberg, Sander M. Goldberg

Works by Sander M. Goldberg

Associated Works

Hecyra (1990) — Editor, some editions — 65 copies
A Companion to Latin Literature (2005) — Contributor — 59 copies
A Companion to Ancient Epic (2005) — Contributor — 50 copies
The Cambridge Companion to Greek and Roman Theatre (2007) — Contributor — 36 copies
The Cambridge Companion to Tacitus (2009) — Contributor — 36 copies
Roman Epic (1993) — Contributor — 27 copies
Epic and History (2009) — Contributor — 16 copies
Roman Eloquence: Rhetoric in Society and Literature (1997) — Contributor — 15 copies
Oxford Readings in Menander, Plautus, and Terence (2002) — Contributor — 11 copies
Brill's companion to Seneca : philosopher and dramatist (2013) — Contributor — 6 copies
Oxford Readings in Tacitus (2012) — Contributor — 5 copies
Lucilius and Satire in Second-Century BC Rome (2018) — Contributor — 4 copies
Seneca in Performance (2000) — Contributor — 2 copies
Studien zu Plautus' Cistellaria (2004) — Contributor — 1 copy
Early Latin: Constructs, Diversity, Reception (2023) — Contributor — 1 copy

Tagged

Common Knowledge

Gender
male
Occupations
professor of classics
Short biography
Professor Goldberg has taught at Stanford, Berkeley, and UCLA. He served as editor of the Transactions of the American Philological Association from 1991 to 1995, and was appointed as Editor for Textbooks in the Division of Publications of the APA in 2009.
Places of residence
New York, New York, USA
Stanford, California, USA
Berkeley, California, USA
Los Angeles, California, USA
Associated Place (for map)
California, USA

Members

Reviews

1 review
I think this is one of the most important collections of essays on the topic of rhetoric and music ever compiled. Without exception, every essay is engaging, informative and overwhelmingly relevant to a general study of rhetoric, even one removed from Haydn.

I thought the DVD was going to be gratuitous, but Beghin and Goldberg have crafted a multi-media experience that testifies to the potential of technology (and one might say the necessity) to enhance musicological reading experiences.

Awards

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Statistics

Works
13
Also by
20
Members
63
Popularity
#268,027
Rating
3.8
Reviews
1
ISBNs
24

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