
Doctor Who
Author of Doctor Who: Official Annual 2019
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https://nwhyte.livejournal.com/3830636.html
I am not one of those who delights to dump on the Whittaker/Chibnall era of Doctor Who. I think it's had its highs and lows, and while its highs have not perhaps been as high as other eras of the show, its lows have not been epochal either (though we came close with Kerblam!). I was astonished when a Twitter poll of all 296 Who episodes up to mid-2019 put The Battle of Ranskoor av Kolos at the very bottom, behind even The Twin Dilemma; I can only show more guess that a lot of those voting had not seen The Twin Dilemma, and to be honest, I can't really make a strong argument as to why they should.
However. Chibnall has clearly not been as assiduous in pushing spinoff material in the way that Stephen Moffat was, let alone Russell T. Davies, and the first two Thirteenth Doctor annuals, for 2019 and 2020, are the least impressive by far in a series of publications going back to 1965. The 2021 Annual was a step up; I'm afraid that this year's is half a step back down again. Marketed to kids who have been watching this year's six episodes, it goes into detail about last year's ten, just like the last annual did, with the addition of this year's New Year special and a little bit of retrospective acknowledgement of the show's history. There is no original fiction; the comic strip is a print adaptation of part of the (excellent) 2020 Daleks! animated webcast. There are some pointless games and quizzes. When you compare it to the 2006 annual, the first produced by Russell T. Davies, there really is no competition. show less
I am not one of those who delights to dump on the Whittaker/Chibnall era of Doctor Who. I think it's had its highs and lows, and while its highs have not perhaps been as high as other eras of the show, its lows have not been epochal either (though we came close with Kerblam!). I was astonished when a Twitter poll of all 296 Who episodes up to mid-2019 put The Battle of Ranskoor av Kolos at the very bottom, behind even The Twin Dilemma; I can only show more guess that a lot of those voting had not seen The Twin Dilemma, and to be honest, I can't really make a strong argument as to why they should.
However. Chibnall has clearly not been as assiduous in pushing spinoff material in the way that Stephen Moffat was, let alone Russell T. Davies, and the first two Thirteenth Doctor annuals, for 2019 and 2020, are the least impressive by far in a series of publications going back to 1965. The 2021 Annual was a step up; I'm afraid that this year's is half a step back down again. Marketed to kids who have been watching this year's six episodes, it goes into detail about last year's ten, just like the last annual did, with the addition of this year's New Year special and a little bit of retrospective acknowledgement of the show's history. There is no original fiction; the comic strip is a print adaptation of part of the (excellent) 2020 Daleks! animated webcast. There are some pointless games and quizzes. When you compare it to the 2006 annual, the first produced by Russell T. Davies, there really is no competition. show less
https://fromtheheartofeurope.eu/doctor-who-the-adventures-after-by-carole-ann-fo...
An anthology of sequels to broadcast Doctor Who stories. Some real jewels here, including the first one, “The Verge of Death”, a sequel to The Edge of Destruction credited to Carole Ann Ford, Rob Craine, and Beth Axford; “Demons in Levenshulme”, by Paul Magrs, which is a Thirteenth Doctor sequel to The Dæmons; “Take Our Breath Away”, credited to Katy Manning, a breathless what-happened-to-Jo-Grant show more story; “Harry Sullivan and the Chalice of Vengeance”, by Mark Griffiths, which is a Fourth Doctor sequel (sorta) to The Christmas Invasion; and “Afterlife”, by Alfie Shaw, expanding on the moving webcast P.S. by Chris Chibnall, about Rory’s father and son awkwardly bonding after the events of The Angels Take Manhattan. The fact that I’ve mentioned more than half of the eight stories as particularly good speaks for itself. show less
An anthology of sequels to broadcast Doctor Who stories. Some real jewels here, including the first one, “The Verge of Death”, a sequel to The Edge of Destruction credited to Carole Ann Ford, Rob Craine, and Beth Axford; “Demons in Levenshulme”, by Paul Magrs, which is a Thirteenth Doctor sequel to The Dæmons; “Take Our Breath Away”, credited to Katy Manning, a breathless what-happened-to-Jo-Grant show more story; “Harry Sullivan and the Chalice of Vengeance”, by Mark Griffiths, which is a Fourth Doctor sequel (sorta) to The Christmas Invasion; and “Afterlife”, by Alfie Shaw, expanding on the moving webcast P.S. by Chris Chibnall, about Rory’s father and son awkwardly bonding after the events of The Angels Take Manhattan. The fact that I’ve mentioned more than half of the eight stories as particularly good speaks for itself. show less
https://fromtheheartofeurope.eu/doctor-who-annual-2025-by-paul-lang/
One of my big complaints about the Chibnall era was that the Doctor Who Annuals were very thin indeed, with only weakly regurgitated plot summaries of recent episode and a few rather pathetic puzzles. This must have been set from the top, because although the credited author of the 2025 Annual, Paul Lang, is the same as for the last few, there seems to be a new energy to this side of things.
Yes, we have each episode retold show more briefly in hard copy; but it’s more of a sideways look, with the story told from a different angle than on TV, and the Fourteenth Doctor stories are interspersed among the first few Fifteenth Doctor stories. We also have a print adaptation (by veteran Steve Cole) of the Comic Relief skit with Davros. And even the puzzles seem to have a new level of sophistication. show less
One of my big complaints about the Chibnall era was that the Doctor Who Annuals were very thin indeed, with only weakly regurgitated plot summaries of recent episode and a few rather pathetic puzzles. This must have been set from the top, because although the credited author of the 2025 Annual, Paul Lang, is the same as for the last few, there seems to be a new energy to this side of things.
Yes, we have each episode retold show more briefly in hard copy; but it’s more of a sideways look, with the story told from a different angle than on TV, and the Fourteenth Doctor stories are interspersed among the first few Fifteenth Doctor stories. We also have a print adaptation (by veteran Steve Cole) of the Comic Relief skit with Davros. And even the puzzles seem to have a new level of sophistication. show less
https://fromtheheartofeurope.eu/doctor-who-origin-stories-ed-dave-rudden/
An anthology of eleven short stories about Doctor Who characters before their first appearances on TV Doctor Who. No editor’s name is given, but I am assuming it was Dave Rudden because three of the stories are by him (featuring Kate Stewart, Castra and Jenny, and the Master/Missy); whoever did edit it, it is a shame that they are not given credit.
Two of the other stories are by the actors who actually played the show more respective companions on screen – Sophie Aldred (Ace) and Katy Manning (Jo Grant), both rather interesting takes on their own characters’ back-stories, Sophie Aldred’s being a good start to the collection as a whole.
Five of the other six are by women of colour who haven’t previously written for the Whoniverse but have strong writing credentials elsewhere – oh, OK, I’ll name them: Emma Norry (Yaz and Ryan meet the Second Doctor); Temi Oh (Davros); Faridah Àbíké-Íyímídé (Martha Jones meets the Ninth Doctor); Nikita Gill (Amy and Rory as kids); and Jasbinder Bilan (Clara pre-meets the Eleventh Doctor). The other is by Mark Griffiths (Sarah Jane Smith meeting the Fourth Doctor as a schoolgirl). One of them is not very good, but the rest are all excellent, and I can recommend this to anyone with a vague awareness of the series. show less
An anthology of eleven short stories about Doctor Who characters before their first appearances on TV Doctor Who. No editor’s name is given, but I am assuming it was Dave Rudden because three of the stories are by him (featuring Kate Stewart, Castra and Jenny, and the Master/Missy); whoever did edit it, it is a shame that they are not given credit.
Two of the other stories are by the actors who actually played the show more respective companions on screen – Sophie Aldred (Ace) and Katy Manning (Jo Grant), both rather interesting takes on their own characters’ back-stories, Sophie Aldred’s being a good start to the collection as a whole.
Five of the other six are by women of colour who haven’t previously written for the Whoniverse but have strong writing credentials elsewhere – oh, OK, I’ll name them: Emma Norry (Yaz and Ryan meet the Second Doctor); Temi Oh (Davros); Faridah Àbíké-Íyímídé (Martha Jones meets the Ninth Doctor); Nikita Gill (Amy and Rory as kids); and Jasbinder Bilan (Clara pre-meets the Eleventh Doctor). The other is by Mark Griffiths (Sarah Jane Smith meeting the Fourth Doctor as a schoolgirl). One of them is not very good, but the rest are all excellent, and I can recommend this to anyone with a vague awareness of the series. show less
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