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Renée (1929–2023)

Author of The Skeleton Woman: A Romance

Renée is Renee (2). For other authors named Renee, see the disambiguation page.

15+ Works 77 Members 2 Reviews

Works by Renée

Jeannie Once (1991) 10 copies
Wednesday to Come (1900) 8 copies
Willy Nilly (1990) 8 copies
The wild card (2019) — Author — 7 copies, 1 review
Kissing Shadows (2006) 6 copies
Daisy & Lily (1993) 5 copies
Pass it on (1900) 4 copies
The Snowball Waltz (1997) 3 copies
I have to go home (1997) 2 copies, 1 review
Finding Ruth (1987) 2 copies
Too many cooks (2013) 1 copy

Associated Works

Pūrākau: Māori Myths Retold by Māori Writers (2019) — Contributor — 64 copies, 2 reviews

Tagged

Common Knowledge

Canonical name
Renée
Other names
Taylor, Renée Gertrude
Jones, Renée Gertrude
Birthdate
1929-07-19
Date of death
2023-12-11
Gender
female
Education
University of Auckland
Greenmeadows School
Occupations
playwright
Awards and honors
Robert Burns Fellowship (1989)
Waikato University Writers' Residency (1995)
Randell Cottage Residency (2005)
New Zealand Order of Merit (Officer, 2006)
Short biography
Renée was a trailblazing Māori (Ngāti Kahungunu) playwright, novelist, and poet. She began writing in her 50s and famously described herself as a "lesbian feminist with socialist working-class ideals". She received the Prime Minister's Award for Literary Achievement and was named an Officer of the New Zealand Order of Merit (ONZM).
Nationality
New Zealand
Birthplace
Napier, New Zealand
Places of residence
Otaki, New Zealand
Associated Place (for map)
New Zealand

Members

Reviews

2 reviews
The author of THE WILD CARD, Renee, is a much loved and prolific writer of novels, memoir, poetry and plays in her native New Zealand. She won the NZ Prime Minister's Award for Literary Achievement in 2018, following which she wrote this, her first crime novel, at the age of 90.

Tagged by the author as "cosy noir", it comes as no surprise that Renee would have set her first crime novel partially in the world of theatre, given her experience of that environment, and the rest of the premise is show more strikingly done. THE WILD CARD blends that theatrical background into a story about the abuse that children suffered in State-run homes for many decades in New Zealand. Beautifully written, with a light, almost visual touch, this exploration is all the more telling.

There is a big cast of character introduced here so you'll need to concentrate as Ruby Palmer, now in her thirties, has decided that the time has come to find out what happened to her best friend Betty at the home they were living in as young children. Abandoned as a baby at the back door of the Porohiwi Home for Children, she was seven before Betty came into her life. Betty was the only person that stood up for Ruby, the only person that showed her decency and compassion, and then she drowned. The only lead Ruby has is a notebook filled with symbols in playing card that she must decipher to learn the truth. Along the way Ruby wants to find out her own personal history - who she is, and hopefully even why she was left.

At the same time she's finally got a break in her acting career having been cast as Lady Bracknell in The Importance of Being Earnest. Unfortunately her quest for the truth leaves her threatened, assaulted, having to rely on the support of friends, and struggling with the demands of the part she's so desperate to keep.

The characterisations drawn by Renee in this book are just wonderful, and the writing style makes it engaging and enjoyable, whilst never losing sight of the quest that Ruby is on. The theatre setting is depicted with considerable authority, and affection, with an absolutely outstanding ending as a bonus. All in all THE WILD CARD is a wonderful book with so much going for it.

As a bonus I've had the chance to do a bit of reading up on Renee since her entry in the Ngaio Marsh awards and she is one hell of a force of nature by the sounds of it. You can get a real sense of the woman behind the writing with her Lockdown Letters Series here: https://thespinoff.co.nz/author/renee/ There's even an article there about the writing of a Locked Room crime novel. She is reportedly working on her own second crime novel and I for one am standing by.

https://www.austcrimefiction.org/review/wild-card
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Sweet Pea is 12 when her parents die in a car accident which leaves her with a broken leg. Once she is released from hospital she moves to Dunedin to live with her grandmother. Sweet is convinced that she can return home to establish a life as close to her old one as possible. Her plans, however, do not work out, and she has to stay with her grandmother. In the process she begins to accept more fully the deaths and the changes they have made for her. The book is written in the first person, show more allowing an intimate look into Sweet's thoughts and emotions. The final path to healing and closure for both Sweet and her grandmother is a visit to the driver of the car which hit theirs. show less

Awards

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Statistics

Works
15
Also by
2
Members
77
Popularity
#231,245
Rating
4.2
Reviews
2
ISBNs
50
Languages
5

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