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Works by Richard Seaver

Associated Works

Story of O (1954) — Translator, some editions — 3,966 copies, 88 reviews
Justine, Philosophy in the Bedroom, and Other Writings (1791) — Translator, some editions — 1,299 copies, 10 reviews
The 120 Days of Sodom and Other Writings (1785) — Translator, some editions — 1,292 copies, 19 reviews
The Long Voyage (1963) — Translator, some editions — 428 copies, 14 reviews
Stories and Texts for Nothing (1955) — Translator., some editions — 427 copies, 5 reviews
I Can't Go On, I'll Go On: A Samuel Beckett Reader (1977) — Editor — 362 copies, 8 reviews
The Olympia Reader (1965) — Translator — 314 copies, 1 review
First Love and Other Novellas (Penguin Modern Classics) (1977) — Translator, some editions — 305 copies, 4 reviews
The Hermit (1973) — Translator, some editions — 242 copies, 2 reviews
The Stoning of Soraya M.: A Story of Injustice in Iran (1991) — Translator, some editions — 140 copies, 10 reviews

Tagged

Common Knowledge

Canonical name
Seaver, Richard
Legal name
Seaver, Richard Woodward
Birthdate
1926-12-31
Date of death
2009-01-06
Gender
male
Education
University of North Carolina
Sorbonne
Occupations
teacher
editor
publisher
Nationality
USA
Places of residence
Watertown, Connecticut, USA
Paris, France
New York, New York, USA
Associated Place (for map)
USA

Members

Reviews

2 reviews
Posthumously edited by his wife, Jeanette, Richard Seaver’s memoir is an honest, self-effacing and fascinating story of his decades in publishing and translating, from Paris to New York. He tells of discovering the writing of Samuel Beckett, falling love with it, and getting it in print. Episodes with Genet, Ionesco, George Orwell, Brendan Behan and Jean-Paul Sartre are described first hand.

Seaver writes concisely and clearly, with touches of beauty. On his first view of France, show more approaching from sea: “Gentle hills of green rose up to touch the lowering clouds, inviting undulations were speckled with black-and-white dots that, as we drew nearer, became herds of cattle.”

The first half of the book “Paris, 1950s” is the most vibrant. To the young American studying at the Sorbonne the city seemed “the center of the universe.” The New York portion, when Seaver was an editor at Grove Press, tells a different story of publishing, as the radical Grove becomes larger and more mainstream. A wonderful story of bringing new writers to the public and fighting censorship.
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Awards

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Statistics

Works
3
Also by
11
Members
107
Popularity
#180,614
Rating
½ 3.5
Reviews
1
ISBNs
2
Languages
1

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