Picture of author.

Margaret Jourdain (1876–1951)

Author of Georgian Cabinet-Makers, c. 1700-1800

22+ Works 142 Members 2 Reviews

About the Author

Includes the names: M.A. Jourdain, Margaret Jourdain

Image credit: Margaret Jourdain (1876-1951)

Series

Works by Margaret Jourdain

Old Lace: A Handbook for Collectors (1908) 18 copies, 1 review
Regency Furniture 1795-1830 (1965) 12 copies
The History of English Secular Embroidery (1910) 11 copies, 1 review
The Work of WIlliam Kent (1948) 7 copies

Associated Works

A History of Lace (1865) — Editor, some editions — 122 copies, 3 reviews

Tagged

Common Knowledge

Other names
Lenygon, Francis (pseudonym)
Jourdain, M. A.
Birthdate
1876-08-15
Date of death
1951-04-06
Gender
female
Education
University of Oxford
Occupations
writer
furniture historian
art historian
Relationships
Compton-Burnett, Ivy (domestic partner)
Jourdain, Francis Charles (brother)
Jourdain, Eleanor (sister)
Jourdain, Philip (brother)
Short biography
Margaret Jourdain was born to a large family in Ashbourne, Derbyshire. Her father Francis Jourdain was a clergyman. Among her 10 siblings were the academic and educator Eleanor Jourdain, the ornithologist Francis Charles Robert Jourdain, and the mathematician Philip Jourdain. Margaret read classics at Oxford University, where she met Janette Ranken, who became a well-known actress. The pair moved to London and lived together until Janette left to marry Ernest Thesiger in 1917.
Margaret then became the lifelong companion of novelist Ivy Compton-Burnett, who may have helped edit and hone her writing style. The couple lived together from 1918 until Jourdain's death in 1951. Margaret began her career ghost-writing under the pseudonym Francis Lenygon for the firm of Lenygon & Morant, furnishings dealers who were also the makers of carefully crafted reproductions. She worked with Ralph Edwards, keeper of Furniture and Woodwork at the Victoria and Albert Museum, to produce her series Georgian Cabinet-Makers (1944, 1951), biographies of the major London furniture-makers from the reign of Charles II to 1800. She conducted extensive archival research for the books, which became a new standard for the field of furniture and decoration. As revised by Edwards, the series went through several editions and remained the essential text for decades. Regency Furniture (1931) covered new ground in extending the classic period of English furniture design to 1830.
Nationality
England
UK
Birthplace
Ashbourne, Derbyshire, England, UK
Places of residence
Kensington, London, England, UK
Associated Place (for map)
England, UK

Members

Reviews

2 reviews
Published in 1912. Some of the information is dated, and the author expresses opinions about the design style of previous centuries in a way that usually is not done these days (using words like "quaint" and "puerile"). However, there is also a lot of good, solid information backed up by quotations from inventories and other publications contemporary with the embroidery. The author does not go any earlier than Tudor times, and then follows the embroidery styles during the time of the show more Stuarts, the Orange and Georgian periods, and onwards up till the influence of William Morris. Then the book discusses various types of embroidery, such as Turkey-work, petit-point, quilting, Spanish work, stump work, and concludes with a discussion of needlework pictures and the use of emblems, and finally samplers. It notes that the earliest English sampler known at the time is from 1638, having been recently discovered. Clearly this book was written before the 1598 Bostocke Sampler. There are a great number of black and white plates with good quality photos, though the author calls the two coif pictures "waistcoats" and does not recognize the forehead cloth that is pictured. All and all, a valuable resource, but sometimes a bit dated. show less

Statistics

Works
22
Also by
1
Members
142
Popularity
#144,864
Rating
½ 3.5
Reviews
2
ISBNs
8

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