Darrin Bell

In The Talk, political cartoonist and artist Darrin Bell recounts his childhood experiences of racism and the conflicting messages he received from family, teachers, and loved ones that led him to understand the ways in which racism weave throughout U.S. society. As a mixed race child, he never quite felt that he fit in either white or Black communities, but he had to deal with how people from each community viewed him. Worse, the messages he received from popular culture conflicted with show more what opportunities were available to him and he eventually learned that those messages were largely tailored for white audiences and the fact that people of color enjoyed them was incidental to their creators. Bell slowly began to develop his voice and learn how he could use it in middle and high school, finding the power of political cartoons to convey complex ideas with his high school newspaper. His cartoons became a career, giving him a sense of control in a world that limited his power due to his identity. The Movement for Black Lives refocused his work, leading to this book in which he tries to explain racism to his son in a better way than it was explained to him so that his son doesn’t have to learn these lessons the hard way. A great, all too relevant book, Bell flexes his artistic talents throughout and continues to show the power of image to convey complex issues while connecting with all audiences. show less

(Full disclosure: I received a free e-ARC for review through Netgalley. Content warning for racism.)

Born in Los Angeles in 1975, Darrin Bell is the first Black editorial cartoonist to win the Pulitzer Prize, as well as the first Black comic strip creator to have two strips syndicated nationally (Candorville and Rudy Park). He started drawing at a young age - three, at his grandfather's kitchen table - and, while still a student at UC Berkeley, launched a career as a freelance editorial show more cartoonist. His parents - a Black man and a white Jewish woman - divorced when Derrin was in elementary school, and he was primarily raised by his mother.

Bookended by "the talk" his Black father failed to have with him at the age of six, and the talk Bell and his wife Makeda had with their oldest son Zazu after the murder of George Floyd, THE TALK is a memoir that examines Bell's experiences as a biracial kid growing up in California in the '80s and '90s. The Challenger explosion, the beating of Rodney King, the 2000 (and 2008 and 2016) elections, 9/11, the kidnapping of Elian Gonzalez, the murder of Trayvon Martin, and, finally, culminating with COVID-19 and lockdown (and how the two helped to catapult the George Floyd protests into the "Aether") - Bell touches upon a number of culturally significant moments. (For this Gen X-er, it was like jumping into a time machine.)

We also get a glimpse of what it was like for him to experience these moments as a Black man - and, more specifically, a Black man whose job it was to provide cultural commentary by way of political cartoons. When a cartoon drawn hastily in the days following 9/11 is met with pained criticism by Sikh and Muslim readers, Bell decides to stop drawing political cartoons altogether - only to come out of retirement some ten years later, after the murder of Trayvon Martin and the resulting trial of George Zimmerman coincides with the birth of his first child, a son named Zazu. ("I know that if someone like Zimmerman were to one day murder my baby boy, half the country would say my son had it coming.")

Bell also interrogates the "smaller," more "mundane" microaggressions he endures, particularly as a Black man existing in majority-white spaces. Some of the most satisfying panels are when he calls out his vice principal (who takes credit for "scaring" Bell "straight," after a year spent harassing him) and college professor (a liberal white lady who accuses him of plagiarism without a shred of evidence).

THE TALK is a powerful and compelling graphic memoir, brimming with memorable panels and
penetrating observations. My favorite might be Bell's discussion of electromagnetic waves and the unprovable Aether, and how the latter is an apt metaphor for white supremacy. show less

With Trump on the campaign trail again, this collection of editorial cartoons and comic strips about the 2016 election suddenly becomes timely again. Consider reading it as a sort of booster shot for your initial inoculation. He's done so much awful stuff since 2016, but it was all display right from the get-go, the dog whistles and big lies about rigged elections.

Bell's take on Trump was cutting and often prescient.

It's nice that he offers some commentary on most of the cartoons. There was show more some extra room in the book, so it might have been nice to have some character guides for the Candorville and Rudy Park sections for newbies. show less

The Talk is the graphic novel memoir of Darrin Bell as he recounts his childhood and growing up as a Black man as he decides how to best give his own son The Talk.

This novel goes from Bell’s coming of age story where he finds his voice through cartooning and becomes well aware of just how dangerous his teachers, neighbors, and police see him. He also talks about how much his mom advocated for him as well as trying as hard as she could to protect him; his dad on the other hand had failed show more to teach him how to be a Black man in America.

There’s a lot to process in this book - a lot that Black Americans have to go through just to live their day to day lives. It’s honest. It’s raw. It’s very moving. show less