Chiho Saito
Author of Revolutionary Girl Utena, Vol. 1: To Till
About the Author
Series
Works by Chiho Saito
Valzer in Bianco 4 copies
Revolutionary Girl Utena (2) (Shogakukan Novel) (2003) ISBN: 4091915221 [Japanese Import] (2003) 3 copies
Valzer in bianco. 2 3 copies
Valzer delle Magnolie 3 copies
Utena - La Fillette Revolutionnaire 3 copies
Revolutionary Girl Utena (3) (Shogakukan Novel) (2003) ISBN: 409191523X [Japanese Import] (2003) 3 copies
Anastasia Club (1) 3 copies
Tenshi no Hohoemi Akuma no Namida 2 copies
Valzer in Bianco #4 2 copies
さいとうちほ画集 NEE LA ROSE-薔薇に生まれて- 2 copies
Dangerous Liaisons 1 copy
アイスフォレスト 2 (小学館文庫 さB 68) 1 copy
アイスフォレスト 3 (小学館文庫 さB 69) 1 copy
アイスフォレスト 4 (小学館文庫 さB 70) 1 copy
アイスフォレスト 5 (小学館文庫 さB 71) 1 copy
Silver Wolf 1 copy
アイスフォレスト 1 (小学館文庫 さB 67) 1 copy
輝夜伝 (1) (フラワーコミックスアルファ) 1 copy
Valzer in bianco n.1 1 copy
Bronze Angel Vol. 3 1 copy
ブロンズの天使 1 1 copy
Valzer delle magnolie Vol. 1 1 copy
Valzer delle magnolie Vol. 3 1 copy
Ricordo di una notte 1 copy
アイスフォレスト 6 (小学館文庫 さB 72) 1 copy
Magnolia Waltz (1) 1 copy
Magnolia Waltz (3) 1 copy
Nel Giardino Di Shangri-La 1 copy
Honoka ni PURPLE (3) 1 copy
Honoka ni PURPLE (2) 1 copy
Honoka ni PURPLE (1) 1 copy
Koibito-tachi no Basho (1) 1 copy
Valzer in bianco. 3 1 copy
Mosaico d'oro 1 copy
Valzer delle magnolie Vol. 2 1 copy
Associated Works
EUREKA, poetry and criticism 2017 no.708, vol.49-15 - special issue Kunihiko Ikuhara (2017) — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Saito, Chiho
- Other names
- さいとう ちほ
斋藤 千穗
齋藤 千穗 - Birthdate
- 1967-06-29
- Gender
- female
- Nationality
- Japan
- Associated Place (for map)
- Japan
Members
Reviews
Revolutionary Girl Utena is one of my absolute favorite anime series. Despite that fact, I've never read any of the Revolutionary Girl Utena manga until now. I have no idea why that is. I love manga, and I love Revolutionary Girl Utena, so it would seem obvious that I should want read the Revolutionary Girl Utena manga. Maybe I was simply afraid that I would be disappointed by it. Turns out--at least with Revolutionary Girl Utena: The Adolescence of Utena--I probably shouldn't have worried. show more The Adolescence of Utena manga by Chiho Saito is an alternate version of the animated film Adolescence of Utena which in turn is a retelling of sorts of the Revolutionary Girl Utena anime series. Saito's The Adolescence of Utena was originally released in Japan in 1999, the same year as the film. In English it was first serialized in Animerica Extra, a shoujo-leaning monthly manga magazine published by Viz Media between 1998 and 2004, before the manga was collected and released as a single volume in 2004.
Utena Tenjou is a new student at the prestigious Ohtori Academy, known for its elegance, traditions, and ceremony. What she didn't realize was that her ex-boyfriend Touga Kiryuu is also enrolled at the school and is president of the student council, no less. Two years ago he left her and, in response, Utena decided to take control of her life and become her own prince instead of waiting around for Touga or some other man to fill that role. But upon her arrival at Ohtori, Utena is quickly swept up in a mysterious series of duels between the members of the student council that will determine the fates of those who fight as well as the fate of a young woman named Anthy Himemiya, the Rose Bride. The winner of the duels earns the right to do whatever he or she desires with the Rose Bride, gaining the power to change and remake the world however is seen fit. All of those involved, even Utena herself, have tragic pasts and dark secrets, but Utena is the only one who is able to look beyond all of those and see Anthy as more than an object to be won.
I have always found it difficult to summarize Revolutionary Girl Utena or to adequately explain just how meaningful the series is to me. Revolutionary Girl Utena has a strange but powerful narrative with many, many layers to it. The same is true of The Adolescence of Utena manga; it just seems impossible for me to truly do the work justice. Although certainly more direct and straightforward than its film counterpart, the manga is still incredibly surreal and rife with symbolism. Almost nothing is exactly what it initially seems and almost everything is open to multiple interpretations and analyses. The imagery itself is very dreamlike--architecture that defies the laws of physics, floating castles, flurries of rose petals, gardens that shouldn't be able to exist, and so on--but Saito captures it all beautifully. There is an ethereal quality to her artwork that suits The Adolescence of Utena remarkably well, whether the manga is meant to be a dream, purgatory, a metaphor, or something else entirely. Both the story and the art of The Adolescence of Utena are intensely psychological, deeply emotional, and highly sexually charged.
The Adolescence of Utena is in many ways a distillation of Revolutionary Girl Utena, crystallizing many of the original series' themes into a single volume. I was actually rather impressed by how much Saito was able to retain and how complex the tale remained even in a condensed form. The manga will probably be appreciated most by those who are at least familiar with Revolutionary Girl Utena, but it also carries some significance and effectiveness as a separate work in its own right. The relationship between Utena and Anthy is absolutely key to the story as the manga explores love of different types--romantic, illicit, familial, sexual, and many others--as well the multitude of intersections between those types of love, both good and bad. And just as important as love is to The Adolescence of Utena, so are the feelings and emotions of despair and desperation as each of the characters, all of whom are broken or damaged, struggle in their own way to try to reclaim their lives and who they are. Much like the original Revolutionary Girl Utena, I found The Adolescence of Utena to be an exceptionally compelling work.
Experiments in Manga show less
Utena Tenjou is a new student at the prestigious Ohtori Academy, known for its elegance, traditions, and ceremony. What she didn't realize was that her ex-boyfriend Touga Kiryuu is also enrolled at the school and is president of the student council, no less. Two years ago he left her and, in response, Utena decided to take control of her life and become her own prince instead of waiting around for Touga or some other man to fill that role. But upon her arrival at Ohtori, Utena is quickly swept up in a mysterious series of duels between the members of the student council that will determine the fates of those who fight as well as the fate of a young woman named Anthy Himemiya, the Rose Bride. The winner of the duels earns the right to do whatever he or she desires with the Rose Bride, gaining the power to change and remake the world however is seen fit. All of those involved, even Utena herself, have tragic pasts and dark secrets, but Utena is the only one who is able to look beyond all of those and see Anthy as more than an object to be won.
I have always found it difficult to summarize Revolutionary Girl Utena or to adequately explain just how meaningful the series is to me. Revolutionary Girl Utena has a strange but powerful narrative with many, many layers to it. The same is true of The Adolescence of Utena manga; it just seems impossible for me to truly do the work justice. Although certainly more direct and straightforward than its film counterpart, the manga is still incredibly surreal and rife with symbolism. Almost nothing is exactly what it initially seems and almost everything is open to multiple interpretations and analyses. The imagery itself is very dreamlike--architecture that defies the laws of physics, floating castles, flurries of rose petals, gardens that shouldn't be able to exist, and so on--but Saito captures it all beautifully. There is an ethereal quality to her artwork that suits The Adolescence of Utena remarkably well, whether the manga is meant to be a dream, purgatory, a metaphor, or something else entirely. Both the story and the art of The Adolescence of Utena are intensely psychological, deeply emotional, and highly sexually charged.
The Adolescence of Utena is in many ways a distillation of Revolutionary Girl Utena, crystallizing many of the original series' themes into a single volume. I was actually rather impressed by how much Saito was able to retain and how complex the tale remained even in a condensed form. The manga will probably be appreciated most by those who are at least familiar with Revolutionary Girl Utena, but it also carries some significance and effectiveness as a separate work in its own right. The relationship between Utena and Anthy is absolutely key to the story as the manga explores love of different types--romantic, illicit, familial, sexual, and many others--as well the multitude of intersections between those types of love, both good and bad. And just as important as love is to The Adolescence of Utena, so are the feelings and emotions of despair and desperation as each of the characters, all of whom are broken or damaged, struggle in their own way to try to reclaim their lives and who they are. Much like the original Revolutionary Girl Utena, I found The Adolescence of Utena to be an exceptionally compelling work.
Experiments in Manga show less
Torikae Baya 1 (Flower Comics Alpha) and field-replaceable (2013) ISBN: 4091350771 [Japanese Import] by さいとう ちほ
I have a problematic affliction for buying historical manga I have no chance of ever reading based on my love for the mangaka. In this case, Saitou Chiho's Torikaebaya [monogatari] gender swap story from the Heian period has been beautifully rendered (more or less a millennium later) in shoujo manga-form, but as with many historical manga, the text all but completely flies over the head of the non-native reader. As with most text-heavy shoujo, all kanji in Torikaebaya are given furigana... show more which sadly will not help you as the unknown word has probably been extinct since the dawn of the Edo. Nearly all proper nouns are written in four kanji compounds and titles are prohibitively obtuse unless you were lucky enough to study Classical Japanese Literature in high school in Japan. It thus comes as no surprise that this title has never been licensed or scanlated into English (and probably won't be).
If you're somehow able to read it, however, Torikaebaya is a lovely and gripping bildungsroman of Heian court life in the women's quarters. show less
If you're somehow able to read it, however, Torikaebaya is a lovely and gripping bildungsroman of Heian court life in the women's quarters. show less
A badly written and modified retread of the anime plot. Characterization has been chopped up, plots are lessened by the weird increase in sexism (and this is considering it erased the plot where Anthy's dress was supposed to dissolve, as a cruel jealous bit of bullying). Utena is far more of a damsel than she was in the anime. The moments between Anthy and Utena are probably the best, at least when Utena isn't victim-blaming Anthy, but that's kind of it.
The art at least gets somewhat better show more than in volume 1, and the plot is slightly more interesting, anyway, for all it's still compressed, cut, with more throwaway non-con and bad writing. But it's still not as good as the anime and the film. show less
The art at least gets somewhat better show more than in volume 1, and the plot is slightly more interesting, anyway, for all it's still compressed, cut, with more throwaway non-con and bad writing. But it's still not as good as the anime and the film. show less
The whole thing is way too complicated for its own good, but Utena is a wonderful main character. I want to see where she goes even though I find the internal mythology of the story excessive and thus boring. CW for this story: one of the main female characters gets hit several times by her boyfriend. I understand avenging this is part of Utena's motivation but it still feels really gross.
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