Larry J. Schaaf

The authority on Anna Åtkins, as well as early British photography generally, edited and contextualized this magnificently produced calendar. Reproductions of Atkin;s cyanotypes (blueprints made from contact carefully arranged specimens of British algae) are true to their intnention of providing facsimiles of the originals). Kraus is to be commended for supporting this work, a service to the community of photo historians.