Lynda Williams

I bought a copy of this book back in 2009 but never got around to reading it. I don’t even remember why I bought it. I’ve a vague memory of corresponding with the author, but that may be confabulation. I was interested in writing space opera, and had been for a number of years, and The Courtesan Prince is the first in a ten-book space opera series, so it may have been no more than that.

It could be argued that space opera, more so than any other branch of science fiction, succeeds or show more fails more on its world-building than its story. They all pretty much use the same story, anyway. Oka Rel starts from a future history and a, mostly, hard-ish sf universe, but by the time this first novel opens, Earth is lost and there are two mostly antagonistic human polities, which lost touch 200 years earlier. The Oka Rel universe plays off on the difference between the two polities - the Reetions are technological and progressive, the Gelacks are a semi-feudal empire ruled by the descendants of genetically-engineered humans.

After two centuries of separation, and all the two groups know of each other is legend and rumour, they finally meet up at a neutral space station. Von is a courtesan and dancer ordered to impersonate a member of the aristocracy during the first Gelack meeting with the Reetions. Ann is a hot-headed Reetion pilot who falls for Von, and then becomes involved in Gelack politics. Because Von is really a long-lost son of the emperor, although he doesn’t know it.

The Courtesan Prince tries hard with its world-building, but doesn’t quite make the grade. Possibly because the two groups are too much the opposite of each other. It’s all a bit too binary. It doesn’t help that Von is simply far too good a character to be entirely credible, despite the violence inflicted on him. Some of the sensibilities haven’t aged particularly well in the last twenty years but, to be fair, there is worse being published even now. It all feels, in many respects, a bit like Cherryh, but the details seem harder to visualise. In fact, now I think about it, there’s a lot of Cherryh in there. Which is no bad thing, of course. I’m a big fan of Cherryh’s fiction.

I’m not sure if I’ll continue with the series, although I’m a sucker for a series. I’ll read anything if it comes in three or more books with a single over-arching story. But, as I said earlier, space operas succeed or fail on their world-building more than their story, and I’m not all that taken with the Oka Rel universe, to be honest. show less

Set approximately one thousand years from now, this is the story of the first two interstellar Earth colonies. They were abandoned by Earth after the failure of early attempts at faster-than-light travel. The problems were solved, but ideological differences concerning genetic engineering caused outlaw scientists to sever all contact with Earth and set up their own worlds.

The Reetions of Rire regulate every aspect of their lives with advanced computer technology. The Sevolites of Gelion are show more much more of an honor-bound people. The wearing, and using, of swords in public is a normal part of daily life. It is also a rigidly class-defined culture, where one is expected to use the proper pronouns when speaking "up" or "down" to someone else.

The two civilizations fought a major war about 200 years previously, which left large regions of space uninhabitable. Despite severing all relations with each other, another war between them is increasingly likely.

Ann, a Reetion pilot, meets, and falls for, Von, a Sevolite male courtesan and sword-dancer (who Ann calls Beauty), who may be an actual Prince. Ranar, a Reetion archaeologist with dark skin (a novelty in Sevolite society), meets Di Mon, a high-ranking member of Sevolite society, who is also in love with Von. Unintentionally, perhaps they can prevent another major interstellar war.

This is a good piece of society-building. Since this is not the usual sort of new world, this novel will require some patience on the part of the reader (it takes a while to get going). It is also the first of a projected ten-book series. It’s very much worth reading. show less

The Courtesan Prince is a space adventure charged with sexual energy and ambiguity. Though not heavily laden with technology, it is clear that Williams possesses a strong technical mind. As a writer and computer programmer, I enjoyed the references to "blits" and other subtle touches that leant to greater believability. I look forward to reading more of the Okal Rel series.

Ugh. Sadly, that's what came to mind when I read this. I couldn't finish this novel, because I couldn't get into it. Swords and Space Opera don't mix (well, Lucas pulled it off, but no one else) and there are so many made up names, it reads like a bad role playing game tie in